ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Hung-Yu Chen and Yi-Chia Kao ᱨᱮᱱᱟᱜ Interwoven Layers ᱨᱮᱦᱮᱸᱫ ᱠᱚᱲᱟ ᱰᱤᱡᱟᱭᱤᱱ

Hung-Yu Chen and Yi-Chia Kao ᱨᱮᱱᱟᱜ Interwoven Layers ᱨᱮᱦᱮᱸᱫ ᱠᱚᱲᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2020

Interwoven Layers ᱨᱮᱦᱮᱸᱫ ᱠᱚᱲᱟ ᱰᱤᱡᱟᱭᱤᱱ

Hung-Yu Chen and Yi-Chia Kao ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Yu [ i ] Design Studio

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#92900 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Interwoven Layers ᱨᱮᱦᱮᱸᱫ ᱠᱚᱲᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱮᱱᱟᱜ-ᱠᱚᱨᱟᱛ ᱥᱟᱶᱛᱟ ᱫ ᱫᱚ ᱢᱩᱬᱩᱛ ᱨᱮᱦᱮᱸᱫ ᱠᱚᱲᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱴᱟᱭᱯᱮᱭ ᱨᱮ ᱒᱐᱑᱙ ᱥᱮᱨᱢᱟ ᱨᱮ ᱥᱟᱨᱮᱱ ᱦᱩᱭ ᱮᱱᱟ ᱾ ᱚᱲᱟᱜ ᱫᱚ ᱢᱤᱫ ᱯᱷᱚᱨᱴᱟᱹ ᱥᱮᱫᱟᱭ ᱛᱮ ᱵᱮᱱᱟᱣ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱮᱵᱤᱱᱮᱴ ᱟᱨ ᱰᱮᱸᱣᱟᱲ ᱠᱚ ᱮᱴᱟᱜ ᱥᱟᱶᱛᱮ ᱴᱩᱴᱩ ᱠᱟᱱᱟ ᱟᱨ ᱥᱟᱢᱟᱱ ᱦᱩᱭ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱴᱷᱟᱶ ᱛᱟᱦᱮᱸ ᱠᱚ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱠᱟᱱᱟ ᱾ ᱡᱷᱤᱡᱷᱨᱤᱭᱟᱹ ᱟᱨ ᱡᱟᱭᱜᱟᱦᱚᱸ ᱥᱟᱫᱷᱚᱱ ᱠᱚ ᱦᱚᱭᱚᱜ ᱢᱮᱥᱟ ᱦᱟᱣᱟ ᱟᱨ ᱚᱨᱚ ᱚᱲᱟᱜ ᱨᱮ ᱪᱟᱞᱟᱜ ᱞᱟᱹᱠᱛᱤ ᱥᱟᱶᱛᱮ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱡᱤᱱᱤᱥ ᱟᱨ ᱨᱚᱝ ᱠᱚ ᱥᱟᱶᱛᱟ ᱫᱚᱦᱲᱟ ᱵᱟᱨ ᱛᱮᱭᱟᱨ ᱠᱚ ᱠᱟᱴᱟᱢᱚᱱ ᱮᱭᱟᱭ ᱾ ᱢᱤᱫ ᱟᱹᱰᱤ ᱯᱷᱟᱨᱚ ᱢᱮᱴᱟᱞ-ᱯᱞᱮᱴ ᱠᱳᱴᱟ ᱫᱚ ᱢᱤᱫ ᱩᱥᱟᱨ ᱠᱚ ᱮᱴᱟᱜ ᱥᱟᱶᱛᱮ ᱡᱟᱦᱟᱱ ᱴᱟᱶᱤ ᱠᱟᱴᱟᱢᱚᱱ ᱟᱠᱟᱱᱟ ᱡᱚᱠᱷᱚᱱ, ᱟᱨ ᱮᱱᱮᱡ ᱥᱟᱦᱴᱟ ᱠᱚᱲᱤᱰᱚᱨ ᱨᱮᱭᱟᱜ ᱫᱮᱠᱷᱟ ᱠᱚᱨᱟᱛ ᱦᱩᱭ ᱮᱱᱟ ᱾ ᱨᱳᱴᱚᱜ ᱢᱮᱴᱟᱞ ᱠᱟᱹᱢᱤ, ᱨᱚᱝ ᱛᱮᱦᱮᱸᱫ ᱠᱟᱱ ᱚᱲᱟᱜ ᱟᱨ ᱠᱚᱞᱟ ᱥᱟᱶᱛᱟ ᱠᱚ ᱠᱟᱴᱷᱟ ᱥᱟᱫᱷᱚᱱ ᱥᱮᱸᱫᱽᱨᱟ ᱠᱟᱛᱮ ᱥᱮᱛᱟᱜ ᱠᱚ ᱢᱮᱥᱟ ᱦᱟᱣᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Interwoven Layers ᱨᱮᱦᱮᱸᱫ ᱠᱚᱲᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Interwoven Layers ᱨᱮᱦᱮᱸᱫ ᱠᱚᱲᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Through cabinet and wall in the articulation of linear reality and virtuality arrayed, intersected and aligned in the domain, it gives rise to spatial layers, as the penetrating design allows air and light to permeate through the interior while materials and colors demarcate and enrich both ends of the axis, and allowing the design underlay to flourish under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
As the structural beam traverses across, the wide metal-plate ceiling slides under in forming a visual focus along a corridor, while utilizing the L-shape extension of flooring materials and walls in creating the extensive visual perception. As the void cabinets in the space are composed of lines and geometry, through wall lines and linear relationships, they create very unique views of the virtual and the real in domain transitions.
ᱴᱮᱜ ᱠᱚ
Distilled, Virtual and Real, Penetration, Memory, Collection, Arts
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
As the minimalist design is imbued with the living memory and artwork collection of the client, the rusted metalwork and painted area create an artistic ambiance in which the design underlay flourishes under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
As the structural beam and column system affected the spatial perception and layout planning, the traversing beam was especially difficult to deal with, and as the corridor and ceiling beam intersect with one another, it prompted metal plate to be inserted in the ceiling to create a new visual perception and focus, hence solving the issue of traversing beams.
ᱜᱚᱵᱮᱥᱚᱱᱟ
As the architectural volume constructs the cubic space, time and daily rituals contribute to the making of such a warm domain. With lines arrayed, intersected and aligned in the domain, it gives rise to spatial layers, as the penetrating design allows air and light to permeate through the interior while materials and colors demarcate and enrich both ends of the axis, and allowing the design underlay to flourish under the metal-plate ceiling, as the changing light and reflection of shadow compose a beautiful picture.
ᱯᱨᱮᱨᱚᱱᱟ
As the architectural volume constructs the cubic space, time and daily rituals contribute to the making of such a warm domain. With distilled design discourse, there is a dialogue reflecting the imagination for the future, under the demarcating axis, an enriched living experience ensues.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in August, 2019 inTaipei.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
As the structural beam and column system affected the spatial perception and layout planning. The traversing beam was especially difficult to deal with, and as the corridor and ceiling beam intersect with one another, it prompted metal plate to be inserted in the ceiling to create a new visual perception and focus, hence solving the issue of traversing beams.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Hung Yu Chen
Yi Chia Kao
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Yu Wei Huang

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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