ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
George PC Kao ᱨᱮᱱᱟᱜ Floating Light Primary Function: ঞের রেঙাचꞌ ভিতরि साजाओ

George PC Kao ᱨᱮᱱᱟᱜ Floating Light Primary Function: ঞের রেঙাचꞌ ভিতরि साजाओ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020

Floating Light Primary Function: ঞের রেঙাचꞌ ভিতরि साजाओ

George PC Kao ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: ACG Design International

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

20,539

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#92848 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Floating Light Primary Function: ঞের রেঙাचꞌ ভিতরि साजाओ ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: Floating Light দ মিদ্‌টাং ঞের ভিতরि साजाও কানা, नोवा দ Taichung Sohor, Taiwan রে पून-ঠারি অড়াꞌ রে মেনাꞌআ। नोवा ঞের দ 2019 সালরে জুন चाঁদো রে চাবা এনা। মিদ্‌টাং অ্যাত্রিয়াম দ প্রকৃতির মার্সাল কে খাড়া জাগা রে आगु কেৎ কানা आর लेভেल কো তালারে চলাচলি হার্‌ राखा কানা। खनিজ रং তে চাবাকান পিদ চেৎ কো দ সিঙ্গি চাবা ধাবিচ মার্সাল আর উমুল রেয়াꞌ बদলাও धारान কো उদুক্‌ ক এদ্‌আ। প্রকৃতির চিনা, মার্‌বল, দারু ভেনির আর रং কাদ ধাতুর কাম দ মিদ্‌টাং সহজ आর बारे-बारेते जुडान টেক্সচার তেয়ার এদ্‌আ। नोवा সাজাও দ মিদ্‌টাং হিस्सादारि জাগা তেয়ার এদ্‌আ, ওঁড়ে খারিয়ান হড় কো जमा হয় आর মিতिनিজ সাঙে रोড় জোঁড় দাড়েয়াꞌ আ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Floating Light Primary Function: ঞের রেঙাचꞌ ভিতরि साजाओ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Floating Light Primary Function: ঞের রেঙাचꞌ ভিতরि साजाओ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Under the shuttling light, shadow and line work, an avantgarde design vocabulary were adopted to create strong contrast with materials while creating visual harmony under conflicting perception, in wholistically conveying the time and space concepts of the designers. As the designers adopted light and shadow for the ongoing narrative of each space, minimal, rational, geometric, linear and the original material texture are the core visual focus for a design theme of a connecting Floating Light.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
With a predominant usage of mineral paint as the compositional base for the overall interior, a simple repetitive spatial texture created a visual rhythm. So apart from light and shadow, another inspiration from the classic game of Snake, time was brought into the spatial configuration as another ongoing connection and continuation, as it traverses freely in the interior in providing sufficient and free-willed lighting whilst providing a guide of spatiality and subtle demarcation.
ᱴᱮᱜ ᱠᱚ
Atrium, Marble, Painted Metalwork, Imported Italian Tiles, Ultra Scratchproof Flooring, Special Glass, Imported Special Paints, Stucco, Genuine Timber Veneer
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
As this residence is situated in a 15-year-old four-story residential building in Taichung City, it added diffuculty to the vertical spatial demarcation, circulation and light guidance. Large use of imported natural masonry materials and mineral paints became the creative foundation of the interior, as the unprocessed materiality conveyed a simple, repetitive yet rythmic spatial quality of a pure and enriched internal experiences, realized by natural elements and design techniques.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Having spent 2 to 3 months in communicating with the client on concepts and requirements, on top of on-site research and evaluations in search of other possibilities, the design team has synergized the actual functions and inner sentiments in realizing them through natural elements and design techniques. During the construction process, whenever there were 2 or more materials coming into a junction, with essential consideration of chromatic fluidity, and understanding of materials.
ᱜᱚᱵᱮᱥᱚᱱᱟ
While the Floating Light design was being developed, the original daytime light of the sky was also preserved. The design team transformed the exquisite pond, no matter how minute compared to the external world, in reflecting the light and cloud in the sky with glamor and energy which was translated to a transcending sense of extension within a limited interior area.
ᱯᱨᱮᱨᱚᱱᱟ
Having originated from the many-year friendship with, and understanding of, the client, the design was to create a domain for the family to congregate and interact, given the long duration of absence of the client from the family, while solidifying the fatherly presence of the client for the children, inspired by the work of a famous poet, X. Sung, of Sung Dynasty, where the design speaks of the eternal loving bond between the father and the children.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was finished in June, 2019 in Taichung City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
With the atrium design that brings in ample natural light in forming dramatic changes at different times, such as light and shadow patterns formed on walls treated with mineral paint, much like a naturally-formed flowing textured pattern which re-defined lighting design by seemingly consolidating all large volumes such as sofa and staircase that lightened the previously heavy and conventional spatial ideology by creating a light touch of spatial ambiance and visual tension.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
George PC Kao
Hsin I Lin
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Squid Image Studio

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ