ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Peter Rattle - CUS (Vic) Pty Ltd ᱨᱮᱱᱟᱜ RMIT Capitol Theatre ᱵᱮᱸᱠᱣᱮᱴ ᱫᱩᱠᱟᱱ ᱵᱮᱵᱚᱥᱛᱟ

Peter Rattle - CUS (Vic) Pty Ltd ᱨᱮᱱᱟᱜ RMIT Capitol Theatre ᱵᱮᱸᱠᱣᱮᱴ ᱫᱩᱠᱟᱱ ᱵᱮᱵᱚᱥᱛᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

RMIT Capitol Theatre ᱵᱮᱸᱠᱣᱮᱴ ᱫᱩᱠᱟᱱ ᱵᱮᱵᱚᱥᱛᱟ

Peter Rattle - CUS (Vic) Pty Ltd ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Commercial Upholstery Solutions (Vic) Pty Ltd

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱰᱤᱡᱟᱭᱤᱱ

RMIT Capitol Theatre ᱵᱮᱸᱠᱣᱮᱴ ᱫᱩᱠᱟᱱ ᱵᱮᱵᱚᱥᱛᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱤᱫ ᱱᱟᱶᱟ ᱛᱮᱠᱱᱳᱞᱳᱡᱤ ᱨᱤᱱ ᱩᱫᱩᱜ ᱥᱚᱫᱚᱨ ᱟᱨ ᱯᱟᱲᱦᱟᱣ ᱢᱚᱸᱪ ᱨᱮ ᱵᱚᱫᱚᱞ ᱠᱟᱛᱮ, ᱠᱮᱯᱤᱴᱚᱞ ᱫᱚ ᱢᱤᱫ ᱵᱤᱥᱮᱥ ᱠᱟᱹᱢᱤ ᱡᱟᱜᱟ ᱞᱮᱠᱟᱛᱮ ᱥᱟᱡᱟᱣ ᱞᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱥᱚᱢᱢᱮᱞᱚᱱ, ᱪᱮᱛᱟᱱ ᱠᱚᱣᱟᱜ ᱯᱟᱲᱦᱟᱣ ᱟᱨ ᱥᱤᱱᱮᱢᱟ ᱜᱨᱟᱯᱷᱤᱠ ᱵᱮᱱᱟᱣ ᱠᱚ ᱦᱩᱭᱩᱜ-ᱟ᱾ ᱵᱤᱥᱮᱥ ᱵᱮᱸᱠᱣᱮᱴ ᱫᱩᱠᱟᱱ ᱟᱨ ᱚᱝᱜᱚ ᱠᱚ ᱱᱤᱛᱚᱜ ᱤᱱᱟᱹ ᱨᱩᱠᱷᱤᱭᱟᱹ ᱟᱠᱟᱜ-ᱟ ᱡᱮ ᱠᱮᱯᱤᱴᱚᱞ ᱫᱚ ᱱᱟᱶᱟ ᱡᱩᱜᱽ ᱨᱤᱱ ᱵᱮᱵᱷᱟᱨᱤᱭᱟᱹ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱫᱷᱚᱨᱚᱦᱚᱨ ᱨᱤᱱᱤᱡ ᱩᱛᱠᱨᱤᱥᱴ ᱠᱟᱹᱢᱤ ᱞᱮᱠᱟᱛᱮ ᱛᱟᱦᱮᱸᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

RMIT Capitol Theatre ᱵᱮᱸᱠᱣᱮᱴ ᱫᱩᱠᱟᱱ ᱵᱮᱵᱚᱥᱛᱟ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ RMIT Capitol Theatre ᱵᱮᱸᱠᱣᱮᱴ ᱫᱩᱠᱟᱱ ᱵᱮᱵᱚᱥᱛᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The Tender brief was to add new modern seating but with a link to the past for this 3 storey dilapidated Building, which was originally designed by renowned Architects Walter Burley Griffin and his wife Marion Mahony Griffin. Built in 1924, this Building was one of the worlds earliest examples of Art Deco / Chicago Gothic styles. Using images from the past the design team were able to create the desired "Chunky Club" style of leather seating to meet the Client, Architect and Buildings needs
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Traditionally upholstered seats are manufactured with a timber carcase, however in this instance a custom metal frame was required for additional strength and support.These frames were bolted and chemically fixed to the concrete plinths so that the seats did not interfere with the glass panels behind the upholstered seats.
ᱴᱮᱜ ᱠᱚ
Banquettes, Seating, Leather, Upholstery, Furniture, Custom Design, Joinery
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The Design utilises both a hard foam insert with a softer outer core covered with Dacron. This is then wrapped with an Aniline pull-up leather that will age over time to give an antique look.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The hardest challenge was to ensure that all seat cushions matched on the 90 degree corners between columns and a 45 degree mitre as well as the curved tops and bottoms. This involved hand made templates and several prototypes prior to the final manufacture.
ᱜᱚᱵᱮᱥᱚᱱᱟ
In order to understand the Clients requirements CUS researched the Buildings history along with other Cinemas from this period. From these observations the production team were able to design the Banquettes to best match the Client's brief along with the heritage format.
ᱯᱨᱮᱨᱚᱱᱟ
After winning this project at the tender stage the design team addressed the issues of how best to manufacture and install the seating against the existing concrete steps as well as the addition of new glasswork and metal balastrades behind the seats. After producing several prototypes, the design and production team were able to reach a satisfactory outcome that was both functional and fitted into the Buildings past life.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project required several months to manufacture in the factory and around 6 weeks to install on site in the Melbourne CBD.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The Banquettes were designed to be oversized and along with the antique green leather the seating blended in with the large floor space, carpets, tall ceilings and columns without taking away from the Art Deco format.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Peter Rattle
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Peter Rattle for CUS (Vic) Pty Ltd
Tatjana Plitt Photography
RMIT University

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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