Natalia Komarova ᱨᱮᱱᱟᱜ Infinity ᱦᱟᱛᱟᱣ ᱠᱩᱨᱥᱤ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2020
Infinity ᱦᱟᱛᱟᱣ ᱠᱩᱨᱥᱤ
Natalia Komarova ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Alter Ego Studio
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#91730 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Infinity ᱦᱟᱛᱟᱣ ᱠᱩᱨᱥᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱤᱱᱯᱷᱤᱱᱤᱴᱤ ᱦᱟᱛᱟᱣ ᱠᱩᱨᱥᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱱᱟᱜ ᱢᱩᱬᱩᱛ ᱡᱚᱨ ᱫᱚ ᱯᱟᱹᱪᱷᱟ ᱴᱮᱠᱟᱣ ᱨᱮ ᱜᱮ ᱮᱢ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱚᱱᱚᱱᱛᱚ ᱪᱤᱱᱦᱟᱹ ᱨᱮᱱᱟᱜ ᱥᱟᱹᱠᱷᱤ ᱠᱟᱱᱟ - ᱢᱤᱫ ᱩᱞᱴᱟ ᱤᱨᱟᱹᱞ ᱮᱞ᱾ ᱡᱮᱞᱮᱠᱟ ᱱᱚᱶᱟ ᱫᱚ ᱟᱹᱪᱩᱨ ᱡᱷᱚᱜ ᱟᱡᱟᱜ ᱠᱚᱲᱟᱢ ᱵᱚᱫᱚᱞᱟᱭ, ᱞᱟᱭᱤᱱ ᱠᱚᱣᱟᱜ ᱪᱟᱹᱞᱩ ᱛᱮᱭᱟᱨ ᱠᱟᱛᱮ ᱟᱨ ᱟᱹᱰᱤ ᱜᱟᱱ ᱛᱟᱞᱟ ᱨᱮ ᱚᱱᱚᱱᱛᱚ ᱪᱤᱱᱦᱟᱹ ᱫᱚᱦᱲᱟ ᱛᱮᱭᱟᱨᱟᱭ᱾ ᱯᱟᱹᱪᱷᱟ ᱴᱮᱠᱟᱣ ᱫᱚ ᱟᱹᱰᱤ ᱜᱟᱱ ᱤᱞᱟᱥᱴᱤᱠ ᱵᱮᱸᱰ ᱛᱮ ᱡᱚᱯᱚᱲᱟᱣ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱵᱟᱦᱨᱮ ᱞᱩᱯ ᱛᱮᱭᱟᱨᱟᱭ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱤᱭᱚᱱ ᱟᱨ ᱥᱚᱢᱟᱱᱛᱟ ᱨᱮᱱᱟᱜ ᱚᱱᱚᱱᱛᱚ ᱪᱟᱠᱨᱤᱭ ᱯᱨᱚᱛᱤᱠ ᱨᱮ ᱦᱚᱸ ᱨᱩᱣᱟᱹᱲᱟᱭ᱾ ᱢᱤᱫ ᱵᱟᱹᱲᱛᱤ ᱡᱚᱨ ᱫᱚ ᱟᱥᱚᱞ ᱡᱚᱝ-ᱥᱠᱤᱰ ᱠᱚ ᱨᱮ ᱮᱢ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱠᱩᱨᱥᱤ ᱨᱮᱱᱟᱜ ᱥᱟᱭᱤᱰ ᱦᱟᱹᱴᱤᱧ ᱠᱚ ᱫᱚ ᱠᱞᱟᱢᱯ ᱞᱮᱠᱟ ᱡᱚᱥ ᱛᱮ ᱯᱷᱤᱠᱥ ᱟᱨ ᱥᱚᱯᱚᱨᱴ ᱮᱢᱟᱭ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Infinity ᱦᱟᱛᱟᱣ ᱠᱩᱨᱥᱤ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Infinity ᱦᱟᱛᱟᱣ ᱠᱩᱨᱥᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The main emphasis of the design is made precisely on the backrest of the armchair. It is as if it changes its shape when turning, setting the dynamics of the lines and recreating the infinity sign in several planes. The backrest is pulled together by several elastic bands that form an external loop, which also returns to the to the symbolism of the cyclic nature of life and balance. The remaining elements of the chair are designed in a minimalist style.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- width - 830 mm, depth - 770 mm, height - 730 mm
- ᱴᱮᱜ ᱠᱚ
- infinity, armchair infinity, conceptual armchair, unusual armchair, infinity symbol
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- A simple-shaped cylindrical ottoman is used as a seat, while a medium-sized orthopedic pillow above it supports the user's lower back and ensures a comfortable stay in the armchair for a long time. An additional emphasis is placed on unique legs-skids that securely fix and support the side parts of the armchair just like clamps do. The legs fastening the side edges of the chair can be made of metal or thick plastic, depending on the wishes of the client. Velveteen is used for the soft surfaces of the chair, because we pay attention to the tactile sensations of customers, which are an integral factor affecting the comfortable and long-term use of furniture. The fabric can be made in several colors, both monophonic and providing contrasting shades for the base with a pillow and backrest. Bands should be made of elastic polymer, which securely fastens the back in the center, ensuring a long service life and harmonizing in color with the main palette of the chair.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- We strove to create a comfortable and spacious armchair with a lightened backrest that would meet modern requirements for comfort and convenience, while maintaining its original shape and identity. For a long time we worked on the creation of the backrest, and as a result, a bicycle tire bent in half served as a prototype for its form. We tried several options for the shape of the seat and back, before we came to the final version, in which we were able to achieve a balance of ergonomics, comfort and ease of production.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- In recent years, the influence of eastern culture has become increasingly noticeable. We tried to take these trends into account and incorporate elements of Chinese philosophy into our design in order to pay tribute to this rich culture and to allow everyone to give the space of their home or office a certain element of symbolism.
- ᱯᱨᱮᱨᱚᱱᱟ
- Backrest shape of Infinity armchair is the reference of the infinity symbol - an inverted figure of eight. In Chinese culture this sign personifies two worlds - darkness and light - Yin and Yang - death and birth. This infinity of perfection in the combination of masculine and feminine was laid in the basis of the design. It offers a user not only a new vision in the design of a piece of furniture, but also introduces a symbolism into the atmosphere for connoisseurs of spiritual practices.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Design of the Infinity armchair was developed in July 2019. The start of production is planned for Autumn 2019.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The potential owner will simply disassemble the armchair into its component parts without any outside help in order to carry out the cleaning of each individual element. The pouf is freely taken out of the loop - you just need to lift it up and pull it towards you. The bent backrest holds firmly due to the legs-clamps and its specific shape, enveloping the pouf. Thus, when assembling the chair, a minimum of fastenings and additional elements are used, which makes its production simple and further use convenient.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Nikita Nekhoroshev
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Natalia Komarova
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
