ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Wenhui Ruan ᱨᱮᱱᱟᱜ Banlan Hairdressing ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱥᱟᱞᱚᱱ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ

Wenhui Ruan ᱨᱮᱱᱟᱜ Banlan Hairdressing ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱥᱟᱞᱚᱱ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020

Banlan Hairdressing ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱥᱟᱞᱚᱱ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ

Wenhui Ruan ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Muyi Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#90484 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Banlan Hairdressing ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱥᱟᱞᱚᱱ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱵᱟᱱᱞᱟᱱ ᱦᱮᱭᱟᱨᱰᱨᱮᱥᱤᱝ ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱯᱩᱡᱷᱳ ᱨᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱ ᱢᱤᱫ ᱩᱸᱫᱩᱠ ᱥᱟᱞᱚᱱ ᱵᱷᱤᱛᱤᱨ ᱠᱟᱬᱟ ᱠᱟᱱᱟ ᱾ ᱟᱭᱟᱨ ᱯᱟᱦᱴᱟ ᱨᱮ ᱠᱟᱸᱪᱟ ᱠᱚᱱᱠᱨᱤᱴ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ ᱟᱨ ᱟᱞᱜᱟ ᱮᱢᱟᱱ ᱥᱟᱡᱟᱣ ᱵᱟᱹᱱᱩᱜ-ᱟ ᱾ ᱵᱷᱤᱛᱤᱨ ᱨᱮ, ᱢᱤᱫ ᱦᱮᱸᱫᱮ ᱵᱟᱠᱥ ᱫᱚ ᱤᱱᱴᱟᱨᱱᱮᱥᱚᱱᱟᱞ ᱠᱞᱟᱭᱤᱱ ᱵᱞᱩ ᱨᱮ ᱛᱮᱞᱟ ᱠᱟᱱ ᱛᱟᱞᱟ ᱠᱚ ᱵᱷᱮᱨᱮᱡ ᱮᱫᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫ ᱟᱛᱩ ᱞᱤᱞ ᱨᱚᱝ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱯᱟᱸᱪᱮᱛ ᱯᱷᱨᱟᱱᱥᱤ ᱠᱟᱞᱟᱠᱟᱨ ᱭᱤᱣᱚᱥ ᱠᱞᱟᱭᱤᱱ ᱢᱤᱥᱟᱹ ᱠᱮᱫᱟ ᱾ ᱯᱞᱟᱱ ᱫᱚ ᱢᱤᱫ L-ᱛᱮ ᱚᱰᱚᱠ ᱠᱟᱱ ᱠᱚᱨᱤᱰᱚᱨ ᱠᱟᱱᱟ, ᱞᱮᱠᱟ ᱯᱟᱦᱴᱟ ᱨᱮ ᱟᱵᱩᱝ ᱟᱨ ᱢᱟᱠ ᱡᱟᱭᱜᱟ ᱠᱚ ᱟᱨ ᱡᱚᱡᱚᱢ ᱯᱟᱦᱴᱟ ᱨᱮ ᱛᱮᱛᱟᱝ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ ᱾ ᱛᱮᱛᱟᱝ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱴᱮᱵᱩᱞ ᱟᱨ ᱪᱮᱭᱟᱨ ᱠᱚ ᱫᱚ ᱢᱟᱲᱟᱝ ᱟᱨ ᱨᱚᱝ ᱨᱮ ᱚᱸᱰᱟ ᱚᱸᱰᱟ ᱜᱮᱭᱟ ᱾ ᱫᱷᱟᱛᱩ, ᱪᱟᱢᱲᱟ ᱟᱨ ᱨᱚᱝ ᱠᱚ ᱢᱮᱥᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱟᱞᱚ ᱫᱚ ᱯᱨᱟᱠᱨᱩᱛᱤᱠ ᱟᱞᱚ ᱞᱮᱠᱟ ᱠᱟᱹᱢᱤᱭᱟ, ᱚᱱᱟ ᱛᱮ ᱛᱟᱞᱟ ᱨᱮᱱᱟᱜ ᱨᱚᱝ ᱴᱷᱤᱠ ᱞᱮᱠᱟ ᱧᱮᱞ ᱚᱜᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Banlan Hairdressing ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱥᱟᱞᱚᱱ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Banlan Hairdressing ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱥᱟᱞᱚᱱ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Located in the busy Taihe Plaza, Banlan adopted the rough and pure concrete in the façade without too much decorations, showing a sense of tension in the space. A touch of blue is clear and open, which is infinitely extended to nothingness, full of artistic vitality. The combination of these two elements create a sense of distance and independence.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The tables and chairs in the waiting area are randomly placed, which are varying in size and color, like Tetris, adding fun to space. Trying to break the traditional shackles, the designers blend several materials as metal, leather and paint to integrate rough and delicacy, strength and femininity, freedom and loneliness.
At the same time, the show of different themes on the screen create a modern, technological atmosphere.
ᱴᱮᱜ ᱠᱚ
interior design, salon, lighting, blue, space design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Black absorbs color and makes colors sharper. Under the black box, IKB appears to be more vivid. It has a mysterious and cold sense of technology that can be explored. It also has infinite grotesque seeds that take you to the sky, the ocean, freedom and nothingness. Staying in it, people are lost in this vast color.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The lighting and layout of the work area is the key to the design. The indoor lighting layout is set according to the orientation to ensure a working environment without shadow and the simulated natural light ensures the true hair color, bringing a complete and balanced solution for customers and hairdressers. The mirror and steel plate stand from the ground to divide the space into several continuous modules, while avoiding human visual errors caused by the reflection of mirrors.
ᱜᱚᱵᱮᱥᱚᱱᱟ
By reorganizing the space, the designer breaks the traditional conventions of hairdressing salon and injects three major elements: mystery, technology and specialty, which are constantly changing, blending and weaving to meet the needs of customers. The project is no longer a single hairdressing salon, but it is more like an art space that spreads aesthetics, promoting the brand to start a new journey of design and experience.
ᱯᱨᱮᱨᱚᱱᱟ
The design is inspired by International Klein Blue (IKB), which is a deep blue hue first mixed by the French artist Yves Klein. IKB's visual impact comes from its heavy reliance on ultramarine, as well as Klein's often thick and textured application of paint to canvas. IKB is applied in Banlan Beauty Salon, which makes it different from the other salons.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in May 2019 in Fuzhou, China.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The box is an L-shaped corridor with a wash and cut function area on the left and a waiting area on the right. The designer disassembles and visually integrates the original structure. A box is embedded on the right side, which not only completes space construction, but also breaks the original narrow shape, providing more possibilities for the interior functions.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Wenhui Ruan
Designer: Yanbin Cai

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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