ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Xiaoyan Wei ᱨᱮᱱᱟᱜ H Chair ᱠᱩᱨᱥᱤ

Xiaoyan Wei ᱨᱮᱱᱟᱜ H Chair ᱠᱩᱨᱥᱤ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2020

H Chair ᱠᱩᱨᱥᱤ

Xiaoyan Wei ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Daisenbear

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

13,376

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#89289 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

H Chair ᱠᱩᱨᱥᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

"ᱮᱪ ᱠᱩᱨᱥᱤ" ᱫᱚ ᱡᱤᱭᱳᱭᱟᱱ ᱣᱮᱭᱤ ᱭᱟᱜ "ᱤᱱᱴᱟᱨᱣᱟᱞ" ᱥᱤᱨᱤᱡᱽ ᱨᱮᱭᱟᱜ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱫ ᱴᱩᱠᱩᱡ ᱠᱟᱱᱟ᱾ ᱩᱱᱤᱭᱟᱜ ᱤᱱᱥᱯᱟᱭᱟᱨᱮᱥᱚᱱ ᱫᱚ ᱡᱟᱜᱟ ᱨᱮ ᱯᱷᱟᱨᱪᱟ ᱞᱟᱹᱴᱩᱜ ᱜᱳᱞᱟᱹᱣ ᱟᱨ ᱨᱩᱯ ᱠᱷᱚᱱ ᱦᱮᱡ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱟᱨ ᱡᱟᱜᱟ ᱛᱟᱞᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱹᱜᱟᱹᱭ ᱵᱚᱫᱚᱞ ᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨᱤᱭᱟᱹ ᱚᱱᱩᱵᱷᱚᱵᱽ ᱥᱩᱫᱷᱨᱟᱹᱣ ᱞᱟᱹᱜᱤᱫ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱥᱟᱫᱷᱭᱚᱛᱟ ᱮᱢᱟ᱾ ᱯᱷᱚᱞ ᱫᱚ ᱟᱨᱟᱢ ᱟᱨ ᱥᱟᱦᱮᱫ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱽᱱᱟ ᱛᱟᱞᱟ ᱨᱮ ᱥᱚᱱᱛᱩᱞᱚᱱ ᱵᱮᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱱᱟᱯᱟᱭ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱠᱟᱸᱥᱟ ᱨᱚᱰ ᱨᱮᱭᱟᱜ ᱵᱮᱵᱷᱟᱨ ᱫᱚ ᱠᱷᱟᱹᱞᱤ ᱢᱚᱡᱽᱵᱩᱛ ᱞᱟᱹᱜᱤᱫ ᱫᱚ ᱵᱟᱝ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱧᱮᱞ ᱵᱤᱵᱷᱤᱱᱱᱚᱛᱟ ᱮᱢ ᱞᱟᱹᱜᱤᱫ ᱦᱚᱸ ᱠᱟᱱᱟ; ᱱᱚᱶᱟ ᱫᱚ ᱵᱟᱨᱭᱟ ᱵᱷᱮᱜᱟᱨ ᱨᱮᱠᱷᱟ ᱥᱟᱶ ᱞᱟᱹᱴᱩᱜ ᱜᱳᱞᱟᱹᱣ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱱᱮᱜᱮᱴᱤᱵᱷ ᱡᱟᱜᱟ ᱩᱫᱩᱜ ᱮᱢᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱟᱜᱟ ᱥᱟᱦᱮᱫ ᱞᱟᱹᱜᱤᱫ ᱢᱚᱪᱟ ᱮᱢᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

H Chair ᱠᱩᱨᱥᱤ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ H Chair ᱠᱩᱨᱥᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The visual language of the "h chair" expresses the designer's unique interpretation of 18 century neoclassic design. A sense of contradiction was created by a combination of hard wood and soft texture. The set of brass metal rods help stabilizing the body structure and bring dramatic visual diversity to the design, in the meantime highlight a very “breathable” negative space made by two flowing curves with different linearity. The entire design full of contradictions and balance.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 660mm x Depth 772mm x Height 650 mm
ᱴᱮᱜ ᱠᱚ
Chair, breathing design, Negative space, Italian neoclassical, New form
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Bentwood/
Ash wood/ Brass/ Leather
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The first creative challenge was to capture the spirit of 18th century neoclassic furniture design and interpret that in a unique but modern way. A good amount of field research was conducted to set the tone of the design. A list of keywords was built at the very beginning to be used as guidelines for design ideation and exploration through the end to the final proposal.
Trying to create an interesting way to express “breathability” in design was another challenge. One has to be simple but dramatic and achieves visual harmony in the design hierarchy. Iterations in scaled 3D models were built to help exploring different possibilities.
Finding the balance between functionality and design was a lengthy journey. After all the sculpting and adjustments, it must be able to perform as a stable chair that brings joy and comfort experience to the consumers. Full size rough prototypes were created once the general framework was lock-in to make sure it is structurally functional. A series tests were conducted in order to find the exact position where the connector should be installed.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The furniture series “interval” concentrates on the expressive beauty that can be created in a room through the dynamic expression of form. By utilizing the negative space in the room my design process creates furniture which captures a sense of surprise and punctuation in an otherwise neutral space.
In this colorful world, we really require such a space for breath and balance.
ᱯᱨᱮᱨᱚᱱᱟ
The h chair is a piece of the “interval” furniture series. The design was inspired by the beauty of free flowing curves and forms in a neutral space. It was meant to bring a comforting and “breathable" experience to users.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in April 2019 and finished in August 2019 in Los Angeles, and exhibit in SaloneSatellite in April 2020
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Two pieces of Bentwood(seat to backrest) connect by the gold metal components, it's also balance originally flowing state of the chair.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
NONE
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Xiaoyan Wei
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photo: Liu Wei

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ