ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Kai Jen Xiao ᱨᱮᱱᱟᱜ Dunyue ᱚᱯᱷᱤᱥ

Kai Jen Xiao ᱨᱮᱱᱟᱜ Dunyue ᱚᱯᱷᱤᱥ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020

Dunyue ᱚᱯᱷᱤᱥ

Kai Jen Xiao ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Dunyue

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#88172 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

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ᱰᱤᱡᱟᱭᱤᱱ

Dunyue ᱚᱯᱷᱤᱥ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱨᱚᱲ ᱵᱟᱯᱞᱟ ᱡᱷᱚᱜ, ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱷᱟᱹᱞᱤ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱦᱟᱹᱴᱤᱧ ᱵᱟᱝ ᱠᱟᱱᱟ ᱵᱟᱹᱲᱛᱤ ᱥᱚᱦᱚᱨ/ᱡᱟᱭᱜᱟ/ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱡᱩᱲᱟᱹᱣ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱞᱮᱠᱟ ᱠᱚᱢ ᱪᱤᱱᱦᱟᱹ ᱜᱟᱹᱨᱮᱛ ᱟᱨ ᱡᱟᱭᱜᱟ ᱥᱚᱦᱚᱨ ᱨᱮ ᱵᱟᱝ ᱴᱷᱤᱞᱟᱹᱣᱟ, ᱧᱤᱱᱫᱟᱹ ᱫᱚ ᱥᱚᱲᱚᱠ ᱨᱮ ᱩᱠᱩ ᱯᱷᱮᱥᱟᱰ ᱞᱮᱠᱟ ᱛᱟᱦᱮᱱᱟ, ᱧᱤᱫᱟᱹ ᱫᱚ ᱥᱚᱦᱚᱨ ᱨᱮ ᱠᱟᱺᱪ ᱞᱟᱭᱤᱴᱼᱵᱚᱠᱥᱚ ᱞᱮᱠᱟ ᱵᱟᱰᱟᱭᱚᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Dunyue ᱚᱯᱷᱤᱥ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Dunyue ᱚᱯᱷᱤᱥ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The designer,Xiao Kai-Ren,initially chose the environment for its upright and square characteristics ,rather than for the three-sided natural lighting. However ,it is its lighting that enables the more particular placement and ingenious collocation of the entire field , with the curtains only allowed to be arranged in central shading to avoid excessive exposure that would affect the carefully-stacked shelter of the interior.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
With regard to the metallic materials,the common thought for the beams it sends out is the piercing coldness. After pondering the solution to this matter ,it was decided that the entire space be coated with polished black floor tiles for the configuration of the remaining fields to discard the hardness and inflexibility brought out by the integration of metals into the environment.
ᱴᱮᱜ ᱠᱚ
Office ,Interior Desig,Shared ,Cool Color ,Metal
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The light source of the office must covers all the bases,At the same time to master the lighting and atmosphere needs ,in large office areas using large hanging device ,into the uniform lighting and set up flexible projection lamps ,in addition to lighting needs ,projection light can be arbitrarily adjusted into indirect lighting effect ,Illuminating the space 3-dimension level.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The new generation of office must have the ability to create and collaborate capabilities within the office layout which can make a person unconsciously interact and share in the space.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Every corner of the office has its own special purpose and flexibility,and to preserve the foundation and to allow it to expand and create more different imaginations,both in terms of human function and item storage and application ,all possibilities are taken into account.
ᱯᱨᱮᱨᱚᱱᱟ
The design concept reflects the title of the project ,Space Oddity ,whose purpose it is to create independent working spaces which belong to each individual designer ,just like that of a space capsule , while opening up the rest of the environment by making use of its square-shaped pattern. Although partitioned into separated divisions ,the advantage of the overall area is fully utilized to develop a capacious working.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
October ,2017 ,Taipei ,Taiwan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In recent years,the boundaries between work and life have been continuously broken. After the concept of Flexible Office was put forward ,more and more people have called for enterprises to provide a high-quality office environment , which can improve the enthusiasm of employees and improve work efficiency. The traditional office space has not met the needs of the times,creating an interactive social space has become the latest model for the development of office.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
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ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Xiao Kai-Ren ,dunyue ,2017

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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