ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Chengbo Xu ᱨᱮᱱᱟᱜ Deyun Honey Sweet ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ

Chengbo Xu ᱨᱮᱱᱟᱜ Deyun Honey Sweet ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020

Deyun Honey Sweet ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ

Chengbo Xu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Xu Cheng Bo Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#87405 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Deyun Honey Sweet ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱰᱮᱭᱩᱱ ᱦᱚᱱᱤ ᱥᱩᱭᱤᱴ ᱫᱚ ᱢᱤᱫ ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱤᱫ ᱯᱩᱨᱟᱹᱱ ᱪᱤᱱ ᱫᱮᱥᱟᱜ ᱪᱟᱨ ᱠᱚᱱᱟ ᱟᱝᱜᱟᱱ ᱞᱮᱠᱟ ᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱫᱚ ᱫᱟᱠᱷᱤᱱ ᱛᱮ ᱢᱮᱛ ᱮᱢ ᱟᱠᱟᱱᱟ ᱟᱨ ᱟᱭᱢᱟ ᱟᱝᱜᱟᱱ ᱠᱚ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱚ ᱫᱚ ᱛᱟᱞᱟ, ᱥᱮᱫᱢᱟᱦᱟᱸ ᱟᱨ ᱥᱮᱫᱦᱮᱸᱫᱮ ᱫᱤᱥᱚᱢ ᱛᱮ ᱢᱤᱫ ᱟᱠᱥᱤᱥ ᱛᱮ ᱡᱩᱲᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱠᱟᱹᱢᱤ ᱡᱟᱭᱜᱟ ᱠᱚ ᱫᱚ ᱕᱒᱐ ᱜᱮᱥᱴ ᱞᱟᱹᱜᱤᱫ ᱪᱤᱱ ᱵᱟᱱᱠᱩᱭᱮᱴ ᱦᱚᱞ, ᱢᱤᱫ ᱟᱭᱢᱟ-ᱠᱟᱹᱢᱤ ᱦᱚᱞ, ᱢᱤᱴᱤᱝ ᱠᱚᱴᱷᱟ ᱠᱚ ᱟᱨ ᱢᱤᱫ ᱪᱟᱭ ᱠᱚᱴᱷᱟ ᱢᱮᱱᱟᱜ-ᱟ ᱾ ᱢᱩᱬᱩᱛ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱡᱮᱰ, ᱡᱮᱰ ᱥᱮᱸᱫᱨᱟ, ᱥᱟᱦᱴᱟ ᱥᱮᱸᱫᱨᱟ, ᱥᱚᱱᱟ ᱤᱴᱟ, ᱥᱚᱱᱟ ᱯᱟᱛᱛᱚᱨ ᱟᱨ ᱢᱚᱝᱜᱚᱞᱤᱭᱟ ᱦᱮᱸᱫᱮ ᱫᱷᱤᱨᱤ ᱠᱟᱱᱟ ᱾ ᱥᱠᱨᱤᱱ ᱠᱟᱸᱴᱷᱟ, ᱛᱟᱢᱟ ᱥᱮᱨᱢᱟ ᱢᱩᱨᱛᱤ, ᱦᱮᱸᱫᱮ ᱤᱴᱟ, ᱪᱷᱟᱶᱟᱲ ᱟᱨ ᱪᱷᱟᱶᱟᱲ ᱵᱮᱢ ᱞᱮᱠᱟᱱ ᱠᱟᱛᱷᱟ ᱠᱚ ᱫᱚ ᱯᱩᱨᱟᱹᱱ ᱚᱲᱟᱜ ᱛᱮᱭᱟᱨ ᱠᱟᱹᱣᱲᱤ ᱠᱚ ᱫᱚᱦᱲᱟ ᱚᱰᱚᱠ ᱮᱫᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Deyun Honey Sweet ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Deyun Honey Sweet ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱤᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Facing South, the project is composed by multiple courtyards. It adopts the traditional Chinese royal garden-like building structure, which is connected by an axis with three directions as the middle, the east and the west.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
With a total area of 30,000 square meters, it is the largest private quadrangle courtyard in China at present. The Chinese banquet hall can accommodate 120 guests, and it connected with a bamboo lane and the courtyard landscape. The tea room is in a strong cultural atmosphere, where there are Chinese paintings hanging on the wall, telling the traditional Chinese cultural stories. In the west of the project, there is a kaleidoscope-like wine cellar. Up along the stairs, 6,699 bottles of wine from all around the world are displayed on the shelves.
ᱴᱮᱜ ᱠᱚ
hospitality, interior design, oriental, traditional, banquet
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The main materials include jade, jade carving, wood carving, gold brick, gold foil and mongolia black stone, which are the traditional materials for ancient royal decoration.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The quadrangle courtyard restored the traditional architectural technique to the largest extend, which can be reflected in the details like screen wall, copper lion sculpture, black brick, eave and roof beam.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Deyun Honey Sweet Hotel showcased the unique charm of Chinese architecture. With the combination of tradition and modernity, the project created a new leisure lifestyle of collection, exhibition and tasting.
ᱯᱨᱮᱨᱚᱱᱟ
The design is inspired by the traditional royal architecture in Qing Dynasty, where each door, courtyard, ornament and even food are custom-made by the standard of royal and imperial families. It is a place for cultural exhibition, business meetings, private gatherings and weddings.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Featured the traditional Chinese royal quadrangle courtyard, Deyun Honey Sweet Hotel is located in the hereditary land of Hao Ge who is the eldest son of Huang Taiji in Qing Dynasty. It is completed in August 2016.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Facing South, the project is composed by multiple courtyards. It adopts the traditional Chinese royal garden-like building structure, which is connected by an axis with three directions as the middle, the east and the west. The functional areas include Chinese banquet hall, multi-function hall, Chinese VIP room, meeting room, etc.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Design Director: Xu Chengbo

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ