Alvan Suen ᱨᱮᱱᱟᱜ Hiyama ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020
Hiyama ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ
Alvan Suen ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: The Food Story HK Limited
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#80176 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Hiyama ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱦᱤᱭᱟᱢᱟ ᱫᱚ ᱢᱮᱫ ᱡᱟᱯᱟᱱᱤ ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱟᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱟᱦᱟᱸᱱ, ᱡᱮᱱ ᱟᱨ ᱯᱩᱨᱟᱹᱱ ᱡᱟᱯᱟᱱᱤ ᱚᱲᱟᱜ ᱨᱮᱱᱟᱜ ᱢᱚᱱᱮ ᱨᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱾ ᱫᱩᱣᱟᱨ ᱡᱚᱛᱚ ᱨᱮ ᱢᱮᱫ ᱵᱟᱨ ᱫᱚ ᱟᱛᱟᱝ ᱡᱟᱭᱜᱟ ᱞᱮᱠᱷᱟ ᱠᱟᱹᱢᱤ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱠᱚ ᱫᱩᱲᱩᱵ ᱠᱟᱛᱮ ᱩᱟᱹᱠ ᱡᱚᱢ ᱛᱮ ᱛᱮᱸᱜᱟ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ ᱾ ᱠᱩᱦᱩ ᱥᱟᱺᱜᱮ ᱢᱮᱫ ᱢᱟᱛ ᱦᱚᱨ ᱫᱚ ᱵᱟᱦᱨᱮ ᱨᱮᱱᱟᱜ ᱵᱟᱜᱟᱱ ᱨᱮᱱᱟᱜ ᱟᱹᱴᱤ ᱮᱢᱟ ᱠᱚᱣᱟᱜ-ᱟ ᱾ ᱡᱚᱢ-ᱧᱩ ᱡᱟᱭᱜᱟ ᱠᱚ ᱫᱚ ᱢᱟᱛ ᱛᱮ ᱧᱮᱞ ᱚᱠᱛᱮ ᱟᱞᱜᱟ ᱚᱲᱟᱜ ᱞᱮᱠᱷᱟ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱾ ᱦᱚᱨ ᱨᱮᱱᱟᱜ ᱢᱩ�815ᱩᱴ ᱨᱮ ᱢᱤᱫ ᱯᱮᱵᱷᱤᱞᱤᱭᱚᱱ ᱛᱮᱸᱜᱚ ᱟᱠᱟᱱᱟ, ᱚᱱᱟ ᱛᱟᱭᱚᱢ ᱛᱮ ᱫᱟᱨᱮ ᱨᱮᱱᱟᱜ ᱵᱟᱨᱟᱸᱰᱟ ᱟᱨ ᱦᱟᱨᱵᱚᱨ ᱛᱮ ᱛᱟᱨᱟᱛᱟᱲᱟᱭ ᱵᱟᱞᱠᱚᱱᱤ ᱛᱟᱞᱟ ᱨᱮ ᱢᱤᱫ ᱢᱩᱬ ᱦᱚᱞ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ ᱾ ᱡᱚᱛᱚ ᱠᱚᱴᱷᱟ ᱫᱚ ᱠᱚᱢᱵᱟ ᱟᱨ ᱠᱷᱩᱸᱴᱟ ᱥᱟᱺᱜᱮ ᱟᱞᱜᱟ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Hiyama ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Hiyama ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱨᱮᱥᱴᱩᱨᱮᱱᱴ ᱵᱷᱤᱛᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The brand “Hiyama” has a history of 100 years in Japan, own by the Murakami family. In respect to its age and social status of the family, the first branch of Hiyama is designed under the concept of nature, Zen and the traditional Japanese house. In terms of the experience of entering the mansion of Murakami, a bar as the welcome area allows guests to be comfortably seated and waiting with drinks, following by a bamboo path with mist gives a feeling of being in the outdoor garden, different dining areas then have become the varied houses of the family by peeking through the bamboos, then passing by a pavilion at the end of the path and entering the main hall that is sandwiched in between a veranda in wood leading to the private room (VIP) and the balcony of the mall facing the harbor that also symbolizes an outdoor veranda spatially. In terms of construction, each “room” is also built as an individual structure with beams and columns like a house due to the ceiling of the mall.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Area: 2690 sq.ft.
Capacity: 83 - ᱴᱮᱜ ᱠᱚ
- Japan, Bamboo, Japanese House, Japan tradition, Tatami, Mist, free-standing structure
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- In terms of construction, aligning with the concept of having houses in the garden, the "rooms" are actually built as the independent structures with beams and columns due to the fact that the landlord does not allow us to hang anything from the ceiling.
For the "Zen" round mirror with a ripple-like feature wall, it was prefabricated in two pieces by CNC. For the check pattern feature wall with plaster finish, it was hand-painted by a very experienced worker.
In order to create a realistic daylight effect by having the continuous LED false ceiling, anything such as air-con opening, sprinkler and E-light were installed on the side instead because they cannot be seen on the ceiling. By having the air-con on the side, the air actually helps to blow and suck the mist downwards from the above that contributes to creating a mysterious feeling.
Instead of making drawings in a traditional way by CAD, the drawings including the E&M were generated by BIM software from the 3D model. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Cannot hang anything from the ceiling was the big challenge that we faced in this project, especially for an F&B project that requires a lot of E&M to be installed above the dining area such as air-conditioning, sprinkler, and lightings. To overcome the problem, building free-standing structures like houses and having the equipment laying on the roof was the solution. The second challenge will then be creating an eye-catching bamboo path for Instagramming with day and night, the solution was to have a continuous pure white LED above the bamboo walkway mimicking the daylight by moving all equipment to the side such as the air-con and exhaust.
- ᱯᱨᱮᱨᱚᱱᱟ
- The design inspiration in terms of construction, layout, experience and operation flow, was coming from the traditional Japanese house, garden and "Zen"; veranda, tatami mat, pavilion, bamboo, spatial arrangement, spatial hierarchy, water, mist, craftsmanship, etc. By combining all these together to form a traditional Japanese mansion of a noble family, creating the feeling of luxury through the spatial experience, and also the feeling of eating in a Japanese garden outdoor while actually being in a shopping mall.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project is located in Harbor City, Kowloon, Hong Kong. The design was started in June 2019 and the construction was finished in November 2019.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- In terms of operation, a welcome bar is designed as a waiting area by the entrance is where the guests can comfortably settle down and wait to be seated with free drinks. Before having the Sukiyaki, the manager will show and introduce to the guests the wagyu beef, then cook in front of the guests and serve immediately.
There is also a very interesting spatial interaction between the outside (Bamboo path) and the inside (dining area), that the guests can peek into the windows that are opened looking for friends while their friends are like waiting for someone visiting their house, the dramatic silhouette creates by the frosted glass by the bamboo also helps to create excitement to whoever is waiting.
For catering different groups of people, flexible table setting, the "pavilion" as a semi-open room, a small private room, an event space with a capacity of 30 and a VIP room at the end with build-in acoustic panels for having meetings were designed. - ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Alvan Suen, 2020
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Director: Alvan Suen
Designer: Jesie Chan
Designer: Hazel Ching
Designer: Alan Tang
Designer: Brian Hui - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photographer: Yui Zhu, Kaman Tjang
Video Credits: Yui Zhu, Kaman Tjang
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
