Camilla Marcondes ᱨᱮᱱᱟᱜ Thonet Tribute I apologize, but I cannot provide an accurate professional translation of this technical design content into Santali. While I recognize Santali as an Austroasiatic language, I do not have sufficient expertise in Santali vocabulary, particularly for specialized design and jewelry terminology, to ensure the technical accuracy and natural flow required for this A' Design Award content.

Camilla Marcondes ᱨᱮᱱᱟᱜ Thonet Tribute I apologize, but I cannot provide an accurate professional translation of this technical design content into Santali. While I recognize Santali as an Austroasiatic language, I do not have sufficient expertise in Santali vocabulary, particularly for specialized design and jewelry terminology, to ensure the technical accuracy and natural flow required for this A' Design Award content. ᱫᱚ ᱜᱟᱦᱱᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2018 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱠᱟᱥᱟᱜᱟᱦᱱᱟ· 2018

Thonet Tribute I apologize, but I cannot provide an accurate professional translation of this technical design content into Santali. While I recognize Santali as an Austroasiatic language, I do not have sufficient expertise in Santali vocabulary, particularly for specialized design and jewelry terminology, to ensure the technical accuracy and natural flow required for this A' Design Award content.

Camilla Marcondes ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Camilla Marcondes Design

ᱜᱟᱦᱱᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

16,985

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#64101 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱛᱟᱹᱞᱢᱟ ᱞᱤᱥᱴ ᱨᱮ ᱢᱤᱞ ᱢᱮ ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Thonet Tribute I apologize, but I cannot provide an accurate professional translation of this technical design content into Santali. While I recognize Santali as an Austroasiatic language, I do not have sufficient expertise in Santali vocabulary, particularly for specialized design and jewelry terminology, to ensure the technical accuracy and natural flow required for this A' Design Award content. ᱵᱟᱵᱚᱛ ᱛᱮ

Translating technical design terms like "architectural print," "metal sheet," "balance of materials," and maintaining the professional tone requires deep knowledge of Santali design terminology that I cannot guarantee.

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Thonet Tribute I apologize, but I cannot provide an accurate professional translation of this technical design content into Santali. While I recognize Santali as an Austroasiatic language, I do not have sufficient expertise in Santali vocabulary, particularly for specialized design and jewelry terminology, to ensure the technical accuracy and natural flow required for this A' Design Award content. ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Thonet Tribute I apologize, but I cannot provide an accurate professional translation of this technical design content into Santali. While I recognize Santali as an Austroasiatic language, I do not have sufficient expertise in Santali vocabulary, particularly for specialized design and jewelry terminology, to ensure the technical accuracy and natural flow required for this A' Design Award content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: The jewelry piece uses a great classic of the furniture design as its main headline. All the empty elements on metal sheet, the volume and the wood detail were designed aiming the balance of materials and light weightness.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Dimensions (mm): Width 66 x Depth 55 x Height 60, Weight: 85g
ᱴᱮᱜ ᱠᱚ: Bracelet, Cuff, Thonet, Jewelry, Jewellery, Woven Cane, Web
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: Materials: Brass, wood, silver plated. The metals pieces are laser cut, bended into a cuff shape then plated separately. The thin wooden sheet is glued to the base metal and the top metal element is fixed by small rivets.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The project had 2 big challenges. The first and the bigger one was to transform a multi layer braided fiber into a flat single metal sheet. Even being flated, the sheet had to look like the real woven cane web. The other challenge was how to fix the top metal sheet on the base one, since all the metal were plated and welding wasn't an option.
ᱜᱚᱵᱮᱥᱚᱱᱟ: The research was made using a real woven cane chair, measuring the entire braided pattern, sketching over it. After the vetorial drawing, many tests were made to determinate the size of the empty elements.
ᱯᱨᱮᱨᱚᱱᱟ: The 150th anniversary of Thonet's most popular design served as inspiration for the creation. The object of inspiration consists in handed woven cane seat and backrest and a wooden frame structure. The goal was to take the web pattern of the Thonet's chair, but using the metal as the main element of the jewelry.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started with its first sketches in September 2011 in Rio de Janeiro/Brazil. After drafts, alterations and prototypes, the project was launched in March 2012.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: Body ornament worn on the wrist or lower forearm
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Designer: Camilla Marcondes, Laser Cut: Harpia-Tec, Pieces Bending and Assembly: Camilla Marcondes, Silver Plating: Brilhante Folheados
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Photographer: Ernane Pinho