Udo Hubert Dagenbach Glada-Berlin ᱨᱮᱱᱟᱜ Historical Park ᱯᱟᱨᱠ, ᱥᱟᱸᱭᱦᱟᱺᱡᱟᱹᱜᱟᱹ

Udo Hubert Dagenbach Glada-Berlin ᱨᱮᱱᱟᱜ Historical Park ᱯᱟᱨᱠ, ᱥᱟᱸᱭᱦᱟᱺᱡᱟᱹᱜᱟᱹ ᱫᱚ ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2017 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱥᱳᱱᱟᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ· 2017

Historical Park ᱯᱟᱨᱠ, ᱥᱟᱸᱭᱦᱟᱺᱡᱟᱹᱜᱟᱹ

Udo Hubert Dagenbach Glada-Berlin ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Glasser and Dagenbach

ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#54366 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Historical Park ᱯᱟᱨᱠ, ᱥᱟᱸᱭᱦᱟᱺᱡᱟᱹᱜᱟᱹ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱦᱤᱥᱴᱚᱨᱤᱠᱟᱞ ᱯᱟᱨᱠ ᱫᱚ ᱵᱟᱨᱞᱤᱱ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱡᱚᱱᱚᱠ ᱯᱟᱨᱠ ᱟᱨ ᱥᱟᱸᱭᱦᱟᱺᱡᱟᱹᱜᱟᱹ ᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱑᱘᱔᱒ ᱟᱨ ᱑᱘᱔᱙ ᱛᱟᱞᱟ ᱨᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱ ᱢᱤᱫ ᱯᱨᱩᱥᱤᱭᱟᱱ ᱡᱮᱞᱠᱷᱟᱱᱟ ᱨᱮᱭᱟᱜ ᱡᱟᱹᱜᱟᱹ ᱨᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱫᱚᱥᱟᱨ ᱢᱟᱨᱟᱝ ᱞᱟᱹᱲᱦᱟᱭ ᱨᱮᱭᱟᱜ ᱢᱩᱪᱟᱹᱫ ᱨᱮ ᱱᱚᱸᱰᱮ ᱨᱟᱡᱽᱱᱤᱛᱤᱠ ᱡᱮᱞᱤ ᱠᱚᱣᱟᱜ ᱫᱚᱦᱚ ᱟᱨ ᱠᱚ ᱟᱛᱠᱟᱨ ᱮᱱᱟ, ᱟᱨ ᱑᱙᱕᱘ ᱨᱮ ᱚᱲᱟᱜ ᱠᱚ ᱨᱟᱹᱯᱩᱫ ᱠᱮᱫᱟ, ᱠᱷᱟᱹᱞᱤ ᱵᱟᱦᱨᱮ ᱨᱮᱭᱟᱜ ᱜᱟᱨ ᱮᱢ ᱛᱟᱦᱮᱸᱱᱟ ᱾ ᱡᱮᱞᱠᱷᱟᱱᱟ ᱨᱮᱭᱟᱜ ᱤᱯᱤᱞ ᱞᱮᱠᱟᱱ ᱰᱤᱡᱟᱭᱱ ᱫᱚ ᱪᱮᱛᱟᱱ ᱟᱨ ᱞᱟᱛᱟᱨ ᱚᱛ ᱟᱨ ᱦᱮᱡᱽ ᱛᱮ ᱩᱭᱦᱟᱹᱨ ᱦᱟᱛᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱠᱚᱸᱠᱨᱤᱴ ᱠᱤᱩᱵ ᱫᱚ ᱢᱟᱲᱟᱝ ᱨᱮᱭᱟᱜ ᱛᱟᱞᱟ ᱱᱮᱞ ᱵᱤᱱᱫᱩ ᱟᱛᱠᱟᱨᱚᱜ ᱠᱟᱱᱟ ᱾ ᱥᱟᱱᱰᱵᱞᱟᱥᱴ ᱠᱟᱱ ᱵᱮᱡᱽ ᱠᱚᱸᱠᱨᱤᱴ ᱫᱚ ᱟᱲᱜᱟ ᱠᱟᱱ ᱤᱴᱟ ᱜᱟᱨ ᱨᱮᱭᱟᱜ ᱡᱚᱰᱟᱣ ᱥᱟᱶ ᱢᱤᱞᱟᱹᱣᱜ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱱ ᱫᱚ ᱨᱟᱹᱥᱠᱟᱹ ᱟᱨ ᱩᱭᱦᱟᱹᱨ ᱫᱚ ᱢᱤᱫ ᱞᱮᱱᱰᱥᱠᱮᱯ ᱨᱮ ᱢᱮᱥᱟᱜ ᱮᱫᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Historical Park ᱯᱟᱨᱠ, ᱥᱟᱸᱭᱦᱟᱺᱡᱟᱹᱜᱟᱹ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Historical Park ᱯᱟᱨᱠ, ᱥᱟᱸᱭᱦᱟᱺᱡᱟᱹᱜᱟᱹ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: The Prussian prison was constructed from 1842 to 1849 in Berlin. At the end of World War 2 political prisoners have been captured and tortured there. In 1958 the buildings, except the outer wall, have been destroyed. After the political reunion of the two parts Berlin, the city contracted the Glasser and Dagenbach with the planning. The star shaped buildings are conveyed through a series of elevated and sunken grass sections and hedges. The prisons once central observation area is symbolized by a concrete cube as center of an architectural garden with elements of Land and Minimal Art.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: The whole park area has a size of roughly 2,8 ha. About 330 m of the old prison wall was restored. It is about 4 to 5 m high.
To block the view against existing buildings from the 1970ies we planted many oevergreen pine trees.
In a prison cell a sound installation is started when you enter the cell. Poem from prisoners and knocking sound codes can be heard about 5 minutes. A poem from a former prisoner during the Nazi Period is written on the inside of the prison wall.
ᱴᱮᱜ ᱠᱚ: historical park, Berlin, Geschichtspark Moabit, Moabit Prison, memorial
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: The parks architectural elements are made out of sandblasted, beige coloured concrete. The concrete has the same colour like the the joints of the old remaining brick wall which is left from the former prison. The existing trees are left as visible layers of time which covered this place throughout the postwar time until the fall of the Berlin Wall. Red leafed book trees as hedges show the former prison cell structure. Column like growing Junipers replace the former yard birds walking in the triangular shaped outdoor yards.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: Only prison walls where left . The prison as building and its historical context was not visible any more. The story of the prison is transcripted in a public park through land and minimal art, without a didactic approach. You can receive just as much information as you like. The design completely relies on the impression of the architectural and vegetative elements. We avoided any mannerist attitude; it took a lot of energy to reject political influence from outside and to keep the neighbors and interested citizens informed.
ᱜᱚᱵᱮᱥᱚᱱᱟ: A long process of both public and internal discussion in the team developed the design direction. The client wanted to reach a combination of both recreational park and memorial. This has not been realized before. It took a long time of thinking what means will be used to tell the history of the prison and yet provide a recreational landscape.
ᱯᱨᱮᱨᱚᱱᱟ: This project shows a way how to combine the design for a recreational park with a memorial. With means of land art, and minimal art the story of the historically meaningful space is told by forming an architectural garden that allows both recreation and memory.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started 1990 and was finished after 17 years in 2007 in Berlin.
The planning process started with a research contract and then extended to a planning contract. The construction took 3 years.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The prison park is locked daily at night for security purposes. So the prison function stays somehow alive. The park needs some protection at night as the central station is close by.
It has 3 entrances, on each entrance information pannels are installed, explaining the historical and architectural story of the park.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: all copyrights belong to Udo Dagenbach, glasser and dagenbach, 2006
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Architect: Alexander Khomiakov
Landscape Architect: Martina Levin
Landscape Architect:Volker Roehrs
Landscape Architect: Sabrina Schroeder
Landscape Architect: Katania Schulz
Drafts women: Marina Kanzler
Landscape Architect: Andreas Steiner
Landscape Architect: Leighton Pace
Landscape Architect: Sabine Linke
artist for sound installation and choice of poem: Christiane Keppler
artist for inclusion of neighbourhood kids: Serge Petit
artist for inclusion of neighbourhood kids: Gabriele Roßkamp
artist for inclusion of neighbourhood kids: Bärbel Rothaar
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: image 1: Udo Dagenbach, topview,2007
image 2: Udo Dagenbach, panopticum,2007
image 3: Udo Dagenbach, entrance, 2007
image 4: Udo Dagenbach, entrance 2, 2007
image 5: Udo Dagenbach, layout plan, 2007