ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Sana Alabdulwahed ᱨᱮᱱᱟᱜ El_Masnad ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱠᱟᱨᱯᱮᱴ

Sana Alabdulwahed ᱨᱮᱱᱟᱜ El_Masnad ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱠᱟᱨᱯᱮᱴ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2016 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2016

El_Masnad ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱠᱟᱨᱯᱮᱴ

Sana Alabdulwahed ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Sana Alabdulwahed

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#47459 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

El_Masnad ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱠᱟᱨᱯᱮᱴ ᱵᱟᱵᱚᱛ ᱛᱮ

El_Masnad ᱢᱮᱱᱟᱜ ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱠᱟᱨᱯᱮᱴ ᱠᱚ ᱯᱩᱨᱮᱭᱟᱜᱼᱟ ᱯᱩᱨᱟᱹ ᱠᱚᱴᱷᱟ ᱨᱮᱭᱟᱜ ᱞᱟᱹᱜᱤᱫ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱭᱟᱜ ᱦᱟᱛ ᱮᱛᱦᱚᱵ ᱠᱟᱛᱷᱟ, ᱡᱟᱦᱟᱸ ᱟᱹᱨ ᱛᱮ ᱥᱟᱹᱩᱫᱤ ᱚᱲᱟᱜ ᱠᱚᱨᱮ ᱢᱤᱫ ᱯᱟᱨᱚᱬᱟᱭ ᱛᱮᱜᱮ ᱛᱟᱦᱮᱸᱱᱟ, ᱚᱱᱟ ᱠᱚ ᱟᱹᱨᱦᱚᱵ ᱠᱟᱛᱮ ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱡᱤᱱᱤᱥ ᱨᱮᱭᱟᱜ ᱢᱩᱬᱩᱛ ᱟᱸᱭᱜᱟ ᱨᱩᱯ ᱠᱚ ᱮᱢ ᱦᱟᱪᱟᱨ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱟᱨ ᱮᱴᱟᱜ ᱟᱹᱰᱤ ᱪᱮᱛᱟᱱ ᱨᱮᱭᱟᱜ ᱚᱱᱩᱞ ᱟᱹᱭᱦᱟᱭ ᱠᱚ ᱚᱰᱚᱠ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱾ El_Masnad ᱠᱩᱲᱤ ᱠᱚ ᱟᱛᱮ ᱩᱬᱩ ᱛᱮ ᱛᱟᱦᱮᱸ ᱦᱩᱭ ᱠᱟᱛᱮ ᱛᱟᱹᱦᱮᱸᱱ ᱟ, ᱚᱱᱟᱛᱮ ᱪᱮᱛᱟᱱ ᱠᱟᱛᱷᱟ ᱮᱛᱟᱜ ᱮᱛᱟᱜ ᱟᱨ ᱡᱚᱛᱚ ᱡᱚᱴᱚᱦᱚᱸ ᱦᱩᱭ ᱠᱟᱱᱟ ᱾ ᱴᱩᱠᱨᱟ ᱠᱚ ᱨᱮᱭᱟᱜ ᱮᱴᱠᱟᱛᱮ ᱥᱟᱹᱨᱤ ᱡᱟᱭᱜᱟ ᱵᱟᱭ ᱛᱟᱹᱦᱮᱸᱱ ᱛᱮ, ᱟᱨ ᱟᱡ ᱥᱚᱫᱚᱨ ᱛᱮ ᱟᱹᱰᱤ ᱨᱟᱹᱥᱠᱟᱹ ᱨᱚᱠᱚᱢ ᱛᱮ ᱡᱩᱲᱟᱹᱣ ᱮᱢ ᱦᱩᱭ ᱟᱲᱟᱹᱜᱟ ᱾ ᱯᱷᱚᱢ ᱠᱚᱨ ᱪᱮᱫ ᱯᱟᱸᱡᱮ ᱟᱠᱥᱤᱥ ᱟᱹᱲᱟᱹ ᱴᱮᱴᱠᱮ ᱴᱟᱨ ᱛᱮ ᱨᱩᱯ ᱮᱢ ᱦᱩᱭ ᱠᱟᱱᱟ, ᱟᱨ ᱥᱮᱢᱚᱸᱜᱮ ᱴᱟᱸᱠᱟ ᱟᱠᱟᱱ ᱯᱮᱞᱴ ᱛᱮ ᱠᱟᱴᱟ ᱠᱟᱛᱮ ᱠᱟᱴᱮᱡ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱪᱮᱫ ᱢᱤᱫ ᱨᱚᱲᱟᱹ ᱟᱠᱟᱱ ᱠᱟᱨᱯᱮᱴ ᱫᱚ ᱚᱰᱚᱠ ᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

El_Masnad ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱠᱟᱨᱯᱮᱴ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ El_Masnad ᱡᱟᱦᱟᱸ ᱪᱮᱛᱟᱱ ᱠᱟᱨᱯᱮᱴ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Armrests, traditionally, initiates nodes where the space is highly activated in Saudi Arabia. El_Masnad uses armrest as the main component for seating unit and neglect all other parts of a seating device. El_Masnad brings the users close to the ground, so it is much more playful and intuitive for this demographic. It allows the Sitting behaviors to emerge organically and intuitively in many different configurations.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
For one set, a pair of two pieces: w 335cm X d 180cm X h 30cm
For two sets, two pairs of two pieces, four pieces: w 470cm X d 180cm X h 30cm
Weight: 12 kg
ᱴᱮᱜ ᱠᱚ
outdoor, livingroom, carpet, local
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Manufacturing includes:
5-axis hot wire milling for filling foam.
CNC stitching on felt for generated pattern design.
The upholstery roll up around the foam like the traditional way of rolling a carpet. Felt was used as contemporary alternative material for traditional wool carpets.
El_Masnad is not made of any hard material that may create an obstacle in the space. It rather made with soft materials where circulation can take place.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
One of the most difficult challenges was finding Saudi women willing to participate in taking pictures. The Second challenge was to see the demographic dramatic lifestyle changes as an outsider, which is critical to synthesize the research findings for the design outcome. Lastly, was Understanding the relationship between the designers, makers and consumers.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Perception of Saudis: The appropriate perception of personal space in the Arab world is when there is a strong eye and physical contact while conducting conversation, therefore, the pieces fit together, interlocking making contact easy and intuitive. Arab appreciate complex geometrical forms, and a boxy forms may look naïve, Therefore, the traditional armrest outline was converted into an irregular polygon. Arab view forms with considering the harmonious interplay of forms, so the perception of balance is achieved when two of non-linear El-Masnad are put together.
ᱯᱨᱮᱨᱚᱱᱟ
We, Saudi’s end up sitting on the ground every time though there is a typical seating device in the living room. This sparked my curiosity, and inspired to create a the living room that is intuitive for us.
El Masnad design embraces the floor as a living space and it celebrates the Middle Eastern leisure culture.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
el-Masnad was made for a thesis study at Art Center College of Design in Pasadena, CA, U.S.A. It was part of the Master program in Environmental design, in Furniture and Fixtures track.
Thesis started with winter term of 2014 and ended by the end of the Spring 2015. The first prototype was presented at the graduate show on April 18th of 2014.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The orientation:
The development of new technologies, like tablets, eliminates the need for seating units in the living room to face t.v. wall. Therefore, the layout of El_Masnad coming together, is not oriented and does not have a direction. It integrates multiple users doing different activities.
The height:
El_Masnad is close to the ground, so it is playful and intuitive for this demographic. It makes the space feels higher.
The posture:
Sitting behaviors emerges organically and intuitively in all different situations. In addition, the users intuitively adapt new sitting position as time goes by.
The angle:
El_Masnad emphasizes the front angle for reclining instead of what is typical of using the side angle to address the variable reclining angles.

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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