ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Kris Lin ᱨᱮᱱᱟᱜ City Lente Primary Function: ᱢᱳᱰᱮᱞ ᱚᱲᱟᱜ

Kris Lin ᱨᱮᱱᱟᱜ City Lente Primary Function: ᱢᱳᱰᱮᱞ ᱚᱲᱟᱜ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2026

City Lente Primary Function: ᱢᱳᱰᱮᱞ ᱚᱲᱟᱜ

Kris Lin ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Grandjoy Holdings Group Co., Ltd

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#183363 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

City Lente Primary Function: ᱢᱳᱰᱮᱞ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: ᱪᱮᱝᱰᱩ ᱨᱮᱱᱟᱜ ᱴᱚᱝᱡᱤᱞᱤᱱ ᱨᱮ ᱛᱷᱟᱯᱮᱱ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱢᱤᱫ ᱰᱟᱸᱴᱟ ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱯᱟᱸᱡᱟ ᱠᱟᱛᱷᱟ ᱨᱮ ᱴᱷᱤᱠ ᱨᱮ ᱢᱮᱱ ᱠᱟᱛᱷᱟ ᱨᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ। ᱱᱚᱶᱟ ᱰᱟᱸᱴᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱠᱟᱛᱷᱟ ᱠᱚ ᱵᱟᱝ ᱦᱩᱭᱩᱜᱼᱟ ᱟᱨ ᱢᱤᱫ ᱟᱠᱚᱱ ᱮᱢ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ (Invisible Order System)। ᱩᱠᱩ ᱟᱠᱟᱱ ᱫᱩᱠᱟᱹᱲ, ᱢᱤᱫ ᱨᱮ ᱢᱮᱥᱟᱣ ᱠᱟᱱ ᱡᱟᱭᱜᱟ ᱟᱨ ᱞᱤᱱᱤᱭᱟᱨ ᱡᱩᱞᱩᱜ ᱫᱚ ᱢᱤᱫ ᱮᱠ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱛᱮᱭᱟᱨ ᱛᱮ ᱮᱢᱚᱜᱼᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱨᱮᱫᱟᱜ ᱫᱚ ᱩᱫᱩᱜ ᱠᱟᱛᱷᱟ ᱠᱷᱟᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱚᱠᱛᱚᱠ ᱟᱠᱟᱱᱟ। ᱱᱚᱶᱟ ᱰᱟᱸᱴᱟ ᱫᱚ ᱥᱚᱦᱚᱨ ᱨᱮᱱᱟᱜ ᱛᱮᱭᱟᱨ ᱠᱚ ᱢᱤᱫ ᱥᱚᱨᱚᱥ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱛᱮᱭᱟᱨ ᱨᱮ ᱢᱮᱥᱟᱣ ᱟᱠᱟᱱ ᱰᱤᱴᱮᱞᱤᱝ ᱠᱷᱟᱛᱮ ᱩᱫᱩᱜᱼᱟ, ᱟᱨ ᱢᱤᱫ ᱮᱠ ᱟᱨ ᱴᱷᱤᱠ ᱛᱮ ᱢᱮᱱᱟᱜ ᱡᱤᱭᱚᱱ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱠᱚᱜᱼᱟ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

City Lente Primary Function: ᱢᱳᱰᱮᱞ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ City Lente Primary Function: ᱢᱳᱰᱮᱞ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Urban Plateau Value Of Tongzilin
The project is located in the core area of Tongzilin, Chengdu, a typical luxury residential enclave and urban high ground.

Invisible Order System Under De Symbolized Luxury
The design avoids symbolic expressions of luxury and introduces an Invisible Order System. Concealed doors, integrated storage, and linear lighting create a continuous and low interference spatial system where order is perceived rather than visually emphasized.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
City Lente is a residential interior design with an open plan layout. Organized along a north south axis, the space maximizes natural daylight and cross ventilation.
Key features include integrated storage systems, concealed doors, linear lighting, and flexible zoning strategies. Glass partitions and half height walls define spaces while maintaining continuity.

The lighting system uses energy efficient LED sources and indirect illumination to improve comfort and reduce energy consumption. The design emphasizes continuity, low visual interference, and long term stability.
ᱴᱮᱜ ᱠᱚ
Model house, light luxury, Variable space
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
City Lente adopts a systematically integrated design approach. Walls, doors, and storage are unified into a continuous interface to reduce visual fragmentation. Concealed doors are achieved through material continuity and precise detailing, ensuring a cohesive spatial expression.

Lighting uses linear fixtures and indirect illumination to create a soft and evenly distributed environment. Materials include stone, wood veneer, and antique bronze stainless steel, complemented by Italian furniture brands such as Rugiano and Baxter.
The design emphasizes reducing visible elements and enhancing spatial clarity and functional efficiency through system integration.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The main challenge was redefining luxury within the established context of Tongzilin. The project needed to maintain high end quality while avoiding symbolic and excessive expressions.

Balancing restraint and refinement while ensuring functional completeness required precise control. The integrated interface and concealed systems demanded high construction accuracy.

From a social perspective, expectations of luxury remain visually oriented. The design responds by guiding users toward experiential value. Through systematic design and detailed execution, this transition is achieved.
ᱜᱚᱵᱮᱥᱚᱱᱟ
City Lente is a residential spatial design study exploring new expressions of luxury living in high density urban contexts. Through case analysis, user behavior research, and spatial prototyping, it defines a direction of de symbolized luxury.

Data is based on behavioral observation, material testing, and light environment simulation, involving the design team and target users. The research shows that reducing visual interference and enhancing spatial continuity significantly improves residential comfort.

The project proposes an Invisible Order System that positively influences both spatial design and living experience, offering a new approach for contemporary residential environments.
ᱯᱨᱮᱨᱚᱱᱟ
Minimal Shift From Object To Experience
The design reduces decorative expression within a conventional luxury framework. Minimalism transforms luxury into light, materiality, and spatial atmosphere, establishing a restrained and lasting sense of value.

Invisible Order As Integrated System
Concealed systems and integrated interfaces embed order within the space, reducing visual noise while enhancing functional clarity.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project began in Shanghai, China in March 2025 and ended in Chengdu, Sichuan Province, China in August 2025.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The space is centered on adaptability. The open plan living, dining, and kitchen areas create a continuous field where multiple uses coexist without fixed partitions. Residents define boundaries through patterns of use.

Concealed storage integrates into surfaces to maintain clarity and order. Linear and indirect lighting provide a soft and stable visual environment with reduced sensory load.

Instead of rigid divisions, the space is guided by variations in materials, scale, and interfaces, creating an intuitive and coherent experience. This adaptability allows the space to respond to diverse living scenarios and align with contemporary lifestyles.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Kris Lin International design
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Kris Lin International design

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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