Thiago Mondini ᱨᱮᱱᱟᱜ Vitrine Delumini Primary Function: ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2026
Vitrine Delumini Primary Function: ᱮᱠᱡᱤᱵᱤᱥᱚᱱ
Thiago Mondini ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Thiago Mondini Arquitetura
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#180516 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Vitrine Delumini Primary Function: ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
Book Text: ᱱᱚᱶᱟ ᱫᱚ ᱵᱨᱟᱡᱤᱞ ᱨᱮ ᱢᱤᱫ ᱢᱟᱨᱟᱬ ᱫᱚᱠᱟᱱ ᱨᱮ ᱯᱷᱟᱨᱱᱤᱪᱚᱨ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱠᱟᱱᱟ ᱾ ᱡᱚᱛᱚ ᱡᱤᱱᱤᱥ ᱨᱮᱭᱟᱜ ᱟᱛᱟᱬ ᱵᱟᱲᱛᱤ ᱞᱟᱹᱜᱤᱫ ᱮᱛᱚᱢ ᱮᱛᱚᱢ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱫᱚ ᱨᱚᱝᱜᱮ ᱵᱷᱚᱨᱛᱤ ᱠᱷᱟᱱ ᱵᱟᱝ ᱢᱤᱱᱤᱢᱚᱞ ᱦᱩᱭᱩᱜᱼᱟ ᱾ ᱟᱡᱚᱢ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱫᱚᱠᱟᱱ ᱨᱮᱭᱟᱜ ᱵᱟᱨᱜᱟᱱᱰᱤ ᱨᱚᱝ ᱦᱟᱴᱤᱧ ᱨᱮ ᱩᱫᱩᱜᱚᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱱᱤᱩᱴᱨᱟᱞ, ᱟᱞᱜᱟ ᱵᱮᱵᱷᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱫᱚᱠᱟᱱ ᱨᱮᱭᱟᱜ ᱯᱩᱸᱰ ᱦᱟᱴᱤᱧ ᱨᱮ ᱩᱫᱩᱜᱚᱜ ᱠᱟᱱᱟ ᱾ ᱢᱤᱫᱴᱟᱺ ᱛᱮᱥᱟᱨ ᱡᱟᱭᱜᱟ ᱦᱚᱸ ᱢᱮ�1ᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱡᱟᱹᱛᱤ ᱠᱟᱲᱟ ᱨᱚᱝ ᱨᱮ, ᱢᱟᱨᱟᱝ ᱴᱚᱱ ᱨᱮᱭᱟᱜ ᱯᱷᱟᱨᱱᱤᱪᱚᱨ ᱟᱨ ᱡᱤᱱᱤᱥ ᱠᱚ ᱩᱫᱩᱜᱚᱜ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Vitrine Delumini Primary Function: ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Vitrine Delumini Primary Function: ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This exhibition presents furniture within a large-scale store in Brazil, organized to enhance the perception of each product. Distinct zones were created to emphasize their character: the burgundy area showcases special, standout pieces; the white section features neutral, versatile products; and a third, darker-toned space highlights furniture and items with deeper hues, providing a carefully curated and visually coherent presentation.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 585 square meters
- ᱴᱮᱜ ᱠᱚ
- interior, interior design, store, commercial, furniture, brazil, brazilian, brasil, contemporary, color, burgundy, ecletic
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The design focused on highlighting each product through distinct spatial environments. Rich burgundy walls were chosen to intensify colors and create striking contrasts, while white walls provide a neutral backdrop that emphasizes the form and details of the furniture. The process combined careful color studies, material selection, and spatial composition to ensure each piece stands out without visual conflict, creating a balanced and immersive exhibition experience.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The greatest challenge was the limited time available to complete the project, which demanded rapid yet careful decision-making. Equally complex was working with the existing product stock while creating a visually coherent and engaging exhibition. Internally, the design had to respect aesthetic and social expectations for a modern retail experience, while externally, constraints included production limitations, material availability, and the need to adapt to the store’s physical layout and technical possibilities.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Research was design-focused, exploring how spatial environments affect product perception. Objectives were to highlight furniture through color and context while creating an engaging visitor experience. Methodology included spatial analysis, color studies, and material testing. Data was collected via mock-ups, material samples, and staff/visitor feedback. Participants included store staff and visitors. Results showed distinct zones improved product visibility and appreciation. Insights revealed that environmental contrast enhances perception, impacting retail display strategies, visitor engagement, and design thinking in commercial spaces.
- ᱯᱨᱮᱨᱚᱱᱟ
- A vibrant furniture display, intentionally departing from the typical white and minimal commercial interiors, designed to engage and inspire both clients and industry professionals.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in July 2025 and finished in August 2025, in Balneario Camboriu, Brazil.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Interaction is guided by the store’s spatial layout. Visitors naturally move through four distinct zones: the burgundy area highlights vibrant pieces, the white zone emphasizes neutral forms, the rear space showcases lighting, and the upper dark area presents deeper-toned furniture. Each transition frames products in contrast-rich environments, enhancing perception and engagement, allowing visitors to appreciate color, form, and material more clearly than in a conventional display.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Architect: Thiago Mondini
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso
Image #4: Photographer ArqVerso
Image #5: Photographer ArqVerso
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