B'in Live Co., Ltd. ᱨᱮᱱᱟᱜ Rene Final Call ᱞᱟᱭᱤᱵᱽ ᱠᱚᱱᱥᱟᱨᱴ ᱢᱟᱸᱪ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱩᱛᱥᱟᱵ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱩᱛᱥᱟᱵ· 2026
Rene Final Call ᱞᱟᱭᱤᱵᱽ ᱠᱚᱱᱥᱟᱨᱴ ᱢᱟᱸᱪ ᱰᱤᱡᱟᱭᱤᱱ
B'in Live Co., Ltd. ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: B’in Live Co., Ltd
ᱩᱛᱥᱟᱵ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#176733 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Rene Final Call ᱞᱟᱭᱤᱵᱽ ᱠᱚᱱᱥᱟᱨᱴ ᱢᱟᱸᱪ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱨᱮᱱᱮ ᱯᱷᱟᱭᱱᱟᱞ ᱠᱚᱞ ᱫᱚ ᱮᱨᱮᱱᱟ ᱧᱮᱞᱤᱡ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱢᱤᱫ ᱞᱟᱭᱤᱵᱽ ᱠᱚᱱᱥᱟᱨᱴ ᱴᱩᱨ ᱢᱟᱸᱪ ᱠᱟᱱᱟ᱾ ᱯᱩᱱ ᱥᱮᱫ ᱨᱮᱱᱟᱜ ᱱᱚᱶᱟ ᱢᱟᱸᱪ ᱫᱚ ᱒᱘ ᱢᱤᱴᱟᱨ ᱚᱥᱟᱨ, ᱒᱒ ᱢᱤᱴᱟᱨ ᱡᱤᱞᱤᱧ ᱟᱨ ᱒.᱒ ᱢᱤᱴᱟᱨ ᱩᱥᱩᱞ ᱢᱮᱱᱟᱜ-ᱟ, ᱡᱮᱢᱚᱱ ᱧᱮᱞ ᱦᱚᱨ ᱠᱚ ᱥᱚᱢᱟᱱ ᱛᱟᱦᱮᱸᱱᱟ᱾ ᱛᱟᱞᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱴᱚᱨᱱᱴᱮᱵᱚᱞ ᱓.᱖ ᱢᱤᱴᱟᱨ ᱦᱟᱹᱵᱤᱡ ᱨᱟᱠᱟᱵᱚᱜ-ᱟ ᱟᱨ ᱜᱮᱞ ᱜᱚᱴᱟᱝ ᱟᱡ ᱛᱮ ᱠᱟᱹᱢᱤᱭᱟᱜ ᱞᱤᱯᱷᱴ ᱥᱟᱶᱛᱮ ᱢᱤᱫ ᱛᱮ ᱵᱚᱫᱚᱞᱚᱜ ᱴᱚᱯᱚᱜᱽᱨᱟᱯᱷᱤ ᱠᱚ ᱵᱮᱱᱟᱣᱟ᱾ ᱠᱚᱱᱥᱟᱨᱴ ᱫᱚ ᱯᱩᱱ ᱦᱟᱹᱴᱤᱧ ᱛᱮ ᱪᱟᱞᱟᱜ-ᱟ, ᱫᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱫᱨᱤᱥᱭᱚ ᱠᱷᱚᱱ ᱜᱷᱟᱸᱥ ᱟᱨ ᱠᱮᱠᱴᱚᱥ ᱨᱮᱱᱟᱜ ᱯᱟᱦᱴᱟ ᱯᱟᱦᱴᱟ ᱜᱚᱞ ᱦᱟᱹᱵᱤᱡ᱾ ᱢᱤᱫ ᱥᱤᱫᱽ ᱛᱮ ᱛᱤᱧᱜᱩ ᱟᱠᱟᱱ ᱯᱮ-ᱰᱟᱭᱢᱮᱱᱥᱚᱱ ᱮᱞᱤᱰᱤ ᱢᱮᱴᱨᱤᱠᱥ ᱛᱮ ᱥᱮᱨᱮᱧ ᱨᱮᱱᱟᱜ ᱟᱹᱲᱟᱹ ᱠᱚ ᱟᱛᱩᱨ ᱞᱮᱠᱟᱛᱮ ᱩᱫᱩᱜᱚᱜ-ᱟ᱾ ᱢᱚᱰᱩᱞᱟᱨ ᱦᱟᱹᱴᱤᱧ ᱠᱚ ᱦᱚᱛᱮᱛᱮ ᱱᱚᱶᱟ ᱛᱮᱭᱟᱨ ᱫᱚ ᱫᱚᱦᱲᱟ ᱡᱚᱲᱟᱣ ᱟᱨ ᱫᱚᱦᱲᱟ ᱵᱮᱵᱷᱟᱨ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Rene Final Call ᱞᱟᱭᱤᱵᱽ ᱠᱚᱱᱥᱟᱨᱴ ᱢᱟᱸᱪ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Rene Final Call ᱞᱟᱭᱤᱵᱽ ᱠᱚᱱᱥᱟᱨᱴ ᱢᱟᱸᱪ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The four-sided stage ensures balanced sightlines, combining a ten-segment outer lifting system with a central turntable for dynamic formation shifts. The concert unfolds in four chapters. It opens with an oceanic scene as a giant jellyfish descends and Led fish surround the audience. The arena transforms into a landscape as rising platforms form terraced rings of turf and cacti. A vertical 3d Led matrix creates a waterfall of lyrics and memories, with three Led rooms marking emotional chapters.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The stage measures 28 meters wide, 22 meters long, and 2.2 meters high, with the central turntable capable of elevating to 3.6 meters, synchronizing with ten independent lifts to create varying topographies. The overhead section includes mechanisms for the whale balloon, suspended truss rotation platforms, five 3D Led matrices, two adjustable lighting trusses, and four large jellyfish installations. The musicians' pit adopts a recessed layout for acoustic depth, with Unplugged segments extending onto the main stage for direct interaction.
- ᱴᱮᱜ ᱠᱚ
- 360 Degrees Stage, 3D LED Matrix, Time, Immersive Experience, Modularity, Playfulness, René Liu, Touring Concert, Final Call
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The stage structure adopts standard modular components for reassembly and reuse. Mirror-finished lifting platforms extend light refraction, while the 3d Led matrix, composed of pixel-controlled light strips, delivers high transparency and immersive depth. The top dome integrates these Led arrays with dynamic trusses to form a unified light field. The curved floor Led minimizes masking panels to preserve circular continuity. The color strategy transitions from marine blue to grassy green, then narrows into a monochrome emotional palette before returning to pure white.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The key challenge was the four-sided stage, which required precise adjustment of truss heights, lift levels, and sightline clearances at each venue. Transforming underwater scenes into live turf within four minutes demanded exact stagecraft, storage planning, and crew coordination. Under-stage compartments housed ten lifts, inflatable whale and bear props, and modular grass panels, requiring careful zoning and preplanning. The curved Led floor also needed micro-modular calibration to keep the circular imagery seamless while ensuring on-site safety.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The 2025 Rene Final Call Live Tour turns themes of time and memory into a spatial narrative of flight. A four-sided stage with a central turntable and ten lifts mirrors life's peaks and valleys. Four chapters, ocean, earth, memory, and Light, move from underwater calm to shared vibrancy, then reflection and illumination. A vertical 3D Led matrix cascades lyrics and visuals, while Led 'rooms' recall past works. Whale and bear props spark childlike wonder, and a paper airplane links performer and audience. Modular hardware enables reuse, reducing energy waste as the artist's 30-year journey becomes a rediscovery of memory.
- ᱯᱨᱮᱨᱚᱱᱟ
- Rooted in the concept of 'flight,' the concert revisits the artist's lifelong creative journey and emotional memories. Time fragments are transformed into spatial metaphors, as a four-sided stage is deconstructed and reassembled into four narrative chapters, searching, growing, courage, and companionship. The audience travels across time, beginning in a tranquil underwater world and moving through kinetic lighting and shifting scenes. Each chapter reflects life's highs and lows, guiding spectators to rediscover youth, emotion, and innocence in a moving escape from reality.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished in 2025 in Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Audiences were first soothed by the 'underwater silence' of the opening scene before erupting in excitement as the whale appeared. The turf sequence fostered a sense of togetherness-fans sitting and singing along-becoming the most acclaimed segment for its intimacy. The vertical Led lyric waterfall immersed the audience, while the 'room' sequence awakened collective memories among long-time fans. Functionally, the four-sided layout ensured that even the farthest spectators could clearly see the artist's expressions, vastly improving proximity and engagement.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- B’IN LIVE CO., LTD.
Producer: Yu-Yang Chou and Wen-Yu Shih
Production Assistant: Pei-Min Yeh, Wen-Chi Chang and Wen-Ying Tseng
Production Manager: Ming-Wen Tan
Stage Manager: Kuo-Hao Chou
Stage Design: Pei-Lun Kuo
Lighting Design: Rokerfly Design - Jen Wei Chan
Lighting Programmer: Ta-Hsiang Hsu
Laser Design: Chieh-Hsiu Li
Visual Design: Phototaxis.tv
Visual Design Coordinator: Nelson Wu - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- B’IN LIVE CO., LTD.
ᱥᱯᱚᱱᱥᱚᱨᱰ
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