Kazoo Design Studio ᱨᱮᱱᱟᱜ Banana Na Na ᱥᱟᱡᱟᱣ ᱢᱩᱨᱛᱤ ᱫᱚ ᱚᱲᱟᱜ ᱥᱟᱢᱟᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱚᱲᱟᱜ ᱥᱟᱢᱟᱱ· 2026
Banana Na Na ᱥᱟᱡᱟᱣ ᱢᱩᱨᱛᱤ
Kazoo Design Studio ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Kazoo Design Studio
ᱚᱲᱟᱜ ᱥᱟᱢᱟᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#175683 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Banana Na Na ᱥᱟᱡᱟᱣ ᱢᱩᱨᱛᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
Banana Na Na ᱫᱚ ᱢᱤᱫ ᱥᱟᱡᱟᱣ ᱯᱚᱨᱥᱮᱞᱤᱱ ᱢᱩᱨᱛᱤ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱤᱸᱜᱩ ᱟᱠᱟᱱ ᱠᱟᱭᱨᱟ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱩᱯ ᱫᱚ ᱧᱮᱞᱚᱜ ᱠᱟᱱᱟ ᱡᱮ ᱢᱤᱫ ᱩᱯᱩᱨᱩᱢ ᱪᱷᱟᱭᱟ ᱛᱤᱱᱟᱹᱜ ᱫᱷᱟᱹᱵᱤᱡ ᱵᱚᱫᱚᱞ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱡᱟᱦᱟᱸ ᱛᱟᱭᱚᱢ ᱦᱚᱸ ᱩᱯᱩᱨᱩᱢᱚᱜᱼᱟ᱾ ᱡᱚᱛᱚ U ᱨᱩᱯ ᱫᱚ ᱥᱚᱢᱟᱱ ᱨᱮᱭᱟᱜ ᱵᱩᱡᱷᱟᱹᱣ ᱮᱢᱚᱜᱼᱟ, ᱟᱨ ᱴᱩᱠᱨᱟᱹ ᱟᱨ ᱜᱷᱩᱨᱟᱹᱣ ᱟᱠᱟᱱ ᱫᱟᱨᱮ ᱠᱚ ᱛᱟᱲᱟᱢ ᱨᱮᱭᱟᱜ ᱵᱩᱡᱷᱟᱹᱣ ᱥᱮᱞᱮᱫᱚᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱫᱟᱨᱮ ᱠᱚ ᱥᱟᱦᱟᱭ ᱡᱟᱝᱜᱟ ᱞᱮᱠᱟ ᱦᱚᱸ ᱠᱚ ᱠᱟᱹᱢᱤᱭᱟ, ᱪᱮᱫᱟᱜ ᱥᱮ ᱱᱚᱶᱟ ᱡᱤᱱᱤᱥ ᱨᱮ ᱪᱮᱯᱮᱫ ᱛᱟᱞᱠᱟ ᱵᱟᱹᱱᱩᱜᱼᱟ᱾ Banana Na Na ᱫᱚ ᱰᱤᱡᱤᱴᱟᱞ ᱞᱮᱠᱟᱛᱮ ᱢᱚᱰᱮᱞ ᱟᱠᱟᱱᱟ ᱟᱨ ᱯᱨᱚᱴᱚᱴᱟᱭᱤᱯ ᱞᱮᱠᱟᱛᱮ ᱯᱮ ᱰᱟᱭᱢᱮᱱᱥᱚᱱ ᱨᱮ ᱪᱷᱟᱯᱟ ᱟᱠᱟᱱᱟ, ᱛᱟᱭᱚᱢ ᱯᱚᱱ ᱦᱟᱹᱴᱤᱧ ᱯᱞᱟᱥᱴᱚᱨ ᱢᱚᱞᱰ ᱛᱮ ᱯᱚᱨᱥᱮᱞᱤᱱ ᱨᱮ ᱰᱷᱟᱞᱟᱭ ᱟᱠᱟᱱᱟ᱾ ᱚᱥᱟᱨ ᱫᱚ 19 ᱥᱮᱸᱴᱤᱢᱤᱴᱚᱨ, ᱜᱚᱦᱤᱨ ᱫᱚ 4.3 ᱥᱮᱸᱴᱤᱢᱤᱴᱚᱨ ᱟᱨ ᱩᱥᱩᱞ ᱫᱚ 8 ᱥᱮᱸᱴᱤᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Banana Na Na ᱥᱟᱡᱟᱣ ᱢᱩᱨᱛᱤ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Banana Na Na ᱥᱟᱡᱟᱣ ᱢᱩᱨᱛᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This controversial banana sculptural piece is a bold reinterpretation of a home decor object. Two key ideas shaped its design. Firstly the objective was to explore how much an object's form can be altered while still retaining its recognizability and secondly how to reimagine a banana in an upright standing position, defying its natural tendency to rest on its side.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Width: 19 cm x Depth: 4.3 cm x Height: 8 cm
- ᱴᱮᱜ ᱠᱚ
- banana, contemporary, pop art, home decor
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The product was digitally designed using 3d modelling software and the prototype was 3d printed. A four part plaster mold was made from the prototype using traditional mold-making techniques. Porcelain was picked as the material of choice for its complementary role in the object's final look.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The object does not have a flat base, but instead the ridges coming in from its sides play the role of supporting feet. Getting the object to sit correctly without rocking on a tabletop and not be back or front heavy was the biggest challenge that had to be overcome. A few different variations were made before finalizing the design that fulfilled the above criteria.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This object was an attempt of turning a portmanteau (merging of two words) into a physical object. The name of this object derives from the words banana and the chorus "na na na na na" sung in Opus' 1984 song "Live is Life". The objective was to make the banana look like it would turn from its' resting position (laying flat on its' side) to a standing position in order to dance. The banana edges have been changed from smooth continuous ones to wavy dashed ones in order to add a sense of rhythmical motion.
- ᱯᱨᱮᱨᱚᱱᱟ
- Among all fruits, the banana has one of the most instantly recognizable silhouettes. It has repeatedly surfaced in pop art, paintings, sculptures, photographs, and installations cementing its role not only as an iconic form but also, at times, as a playful or provocative cultural symbol.
The name of the object is derived from the combination of banana and the repetitive na na na na na chorus in Opus' 1984 song Live is Life. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This project started in August 2025 and was completed within one month in Istanbul, Turkey.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The overall U-shaped form of the object gives it a sense of balance, while the dashed and twisted ridges add a sense of rhythm to its character.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Designer: Konstantinos Paradeisopoulos
Designer: Zeynep Onder Paradeisopoulos - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- All photos belong to Kazoo Design Studio.
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾