Miki Orihara ᱨᱮᱱᱟᱜ Rinn Kyoto Miyagawasuji Hitotose Aki ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2025
Rinn Kyoto Miyagawasuji Hitotose Aki ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Miki Orihara ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Rinn Kyoto Miyagawasuji Hitotose Aki
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#170630 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Rinn Kyoto Miyagawasuji Hitotose Aki ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱨᱤᱱ ᱠᱭᱳᱛᱚ ᱢᱤᱭᱟᱜᱟᱣᱟᱥᱩᱡᱤ ᱦᱤᱛᱚᱛᱚᱥᱮ ᱟᱠᱤ ᱫᱚ ᱠᱭᱳᱛᱚ ᱨᱮᱱᱟᱜ ᱢᱤᱭᱟᱜᱟᱣᱟ-ᱥᱩᱡᱤ ᱧᱩᱛᱩᱢᱟᱱ ᱦᱚᱨ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ, ᱚᱠᱟ ᱦᱚᱨ ᱫᱚ ᱯᱟᱨᱚᱢᱯᱟᱨᱤᱠ ᱦᱚᱨ ᱪᱮᱦᱨᱟ ᱫᱚᱦᱚ ᱟᱠᱟᱫᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱚᱲᱟᱜ ᱨᱮᱱᱟᱜ ᱨᱚᱝ, ᱨᱩᱯ ᱟᱨ ᱫᱷᱟᱡᱽ ᱵᱟᱵᱚᱛ ᱨᱮ ᱢᱮᱱᱟᱜ ᱠᱚᱴᱚ ᱴᱚᱞᱟ ᱱᱤᱭᱚᱢ ᱠᱚ ᱢᱟᱱᱟᱣ ᱠᱮᱫᱟ᱾ ᱢᱟᱨᱥᱟᱞ ᱯᱞᱟᱱ ᱫᱚ ᱯᱮᱲᱟ ᱠᱚ ᱫᱩᱣᱟᱨ ᱨᱮᱱᱟᱜ ᱧᱩᱛᱟᱹᱛ ᱢᱟᱨᱥᱟᱞ ᱠᱷᱚᱱ ᱡᱟᱹᱥᱛᱤ ᱢᱟᱨᱥᱟᱞ ᱚᱲᱟᱜ ᱦᱟᱹᱵᱤᱡ ᱟᱹᱭᱩᱨ ᱤᱫᱤ ᱠᱚᱣᱟ, ᱟᱨ ᱵᱮᱢᱟᱦᱟ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱠᱟᱱᱛᱷ ᱨᱮᱱᱟᱜ ᱪᱷᱩᱭᱩ ᱪᱮᱦᱨᱟ ᱮ ᱩᱫᱩᱜᱼᱟ᱾ ᱢᱤᱫ ᱴᱚᱞᱟ ᱠᱟᱜᱚᱡᱽ ᱥᱤᱞᱯᱤ ᱥᱟᱶᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱣᱟᱥᱤ ᱠᱟᱜᱚᱡᱽ ᱫᱚ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨᱚᱜ ᱠᱟᱱᱟ, ᱡᱮᱢᱚᱱ ᱠᱟᱠᱤᱥᱤᱵᱩ ᱩᱯᱪᱟᱨ, ᱠᱚᱭᱚᱨᱤ ᱢᱚᱪᱚᱲ ᱟᱨ ᱯᱷᱩᱠᱩᱨᱚ-ᱵᱟᱨᱤ ᱯᱚᱨᱚᱛ ᱯᱚᱨᱚᱛ ᱫᱚᱦᱚ᱾ ᱩᱫᱮᱥ ᱫᱚ ᱟᱨᱟᱢ ᱛᱟᱦᱮᱸᱱ ᱞᱟᱹᱜᱤᱫ ᱛᱷᱤᱨ ᱟᱨ ᱞᱚᱞᱚ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Rinn Kyoto Miyagawasuji Hitotose Aki ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Rinn Kyoto Miyagawasuji Hitotose Aki ᱦᱚᱴᱮᱞ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This facility is located on Miyagawa-suji and features a design that emphasizes harmony with its surroundings. The lighting plan makes full use of materials and cooperation with a local washi paper artist has been designed with local production for local consumption in mind. Kakishibu washi paper and the koyori technique are used to add shading, aiming to create a facility with concern and warmth in the traditional streetscape.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Although Japanese paper is used extensively, it is expressed in a variety of ways. Japanese paper mixed with clay and colored Japanese paper plus plastering, kakishibu, which has been used since ancient times for its antiseptic and water-repellent properties koyori, in which Japanese paper is picked up and twisted by hand fukuro-bari, in which the surface is covered to seal the cavity, and furthermore, lighting is installed in the cavity.
- ᱴᱮᱜ ᱠᱚ
- Interior Design, Hotel Luxury, Living space, Guesthouse, Asia , Japan
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Kyoto has strict regulations in place to protect its traditional landscape, and the colors, shapes and designs of buildings must conform to a prescribed style. We have actively worked to comply with these regulations, incorporating external lighting into the interior of the first floor without any sense of incongruity, and creating a “stillness” and “movement” atmosphere on the second floor, created by Kyoto artisans.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- While overcoming the strict landscape regulations, how can we create a new style without destroying the good image that many people have of Kyoto's machiya? We also carefully considered what kind of measures would be needed to ensure that guests would be comfortable in the hot summers and cold winters.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- We held discussions with the Japanese paper artists about colors and construction methods, and solved the problem in a variety of ways. We also reread works such as Junichiro Tanizaki's In Praise of Shadows, E. Oryong's The Shrinking Japanese Mind and Bruno Taut's Nippon and summarized our way of thinking.
- ᱯᱨᱮᱨᱚᱱᱟ
- The space has been created to reflect the Japanese aesthetics of drawing in, with the intention of capturing the atmosphere of Miyagawa-cho, Kyoto, inside the room. To change from the dim light upon arrival at the inn to the brightness of the interior, the lighting is based on Junichiro Tanizaki's In ei Raisan. In the guest rooms, indirect lighting is used to accentuate the texture of the walls, and the materials and lighting are carefully selected.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- 605-0801 4-297-10 Miyagawasuji Higashiyama-ku Kyoto city
Completed on October 26, 2023. - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Design plays an important role in shaping cities. I also think it has a role to play in passing on culture to the next generation. I hope this book will be a chance for many people to learn about the importance of design.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Lead Designer : Miki Orihara
Interior Designer : Mao Namikawa
Graphic Designer : Kei Sakai
Washi paper-making artist : Wataru Hatano - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Main Image / Toshihide Kajiwara
Image #1 / Toshihide Kajiwara
Image #2 / Toshihide Kajiwara
Image #3 / Toshihide Kajiwara
Image #4 / Toshihide Kajiwara
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
