Ivan Krupin ᱨᱮᱱᱟᱜ Shiroyama ᱡᱚᱢᱟᱜ ᱚᱲᱟᱜ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2025
Shiroyama ᱡᱚᱢᱟᱜ ᱚᱲᱟᱜ
Ivan Krupin ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Shiroyama
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#165963 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Shiroyama ᱡᱚᱢᱟᱜ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱯᱨᱚᱡᱮᱠᱴ ᱨᱮᱱᱟᱜ ᱢᱩᱲᱩᱛ ᱵᱤᱥᱚᱭ ᱫᱚ ᱢᱤᱫ ᱴᱟᱺᱰᱤ ᱛᱮ ᱵᱚᱞᱚᱱ ᱟᱨ ᱡᱚᱯᱚᱲᱟᱣ ᱠᱟᱱᱟ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱠᱟᱡᱟᱠᱷ ᱟᱨ ᱡᱟᱯᱟᱱᱤᱡᱽ ᱞᱟᱠᱪᱟᱨ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱟᱨ ᱥᱟᱝᱥᱠᱨᱤᱛᱤᱠ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱨᱭᱚᱟᱱᱡᱤ ᱫᱷᱤᱨᱤ ᱵᱟᱜᱟᱱ ᱟᱨ ᱣᱟᱵᱤ ᱥᱟᱵᱤ ᱨᱮᱱᱟᱜ ᱵᱤᱥᱚᱭ ᱫᱚ ᱯᱟᱹᱵᱤᱛᱟᱹᱨ ᱵᱟᱭᱴᱮᱨᱮᱠ ᱫᱟᱨᱮ ᱟᱨ ᱵᱚᱡᱽᱡᱷᱤᱨᱟ ᱵᱩᱨᱩ ᱥᱚᱨᱮᱥ ᱥᱟᱶ ᱢᱤᱫᱴᱟᱹᱝ ᱛᱮ ᱡᱚᱯᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱪᱟᱹᱨᱭᱟᱹᱲ ᱨᱮᱱᱟᱜ ᱡᱤᱭᱟᱹᱞᱤ ᱫᱚ ᱵᱷᱤᱛᱟᱹᱨ ᱨᱮ ᱫᱚᱨᱭᱟ ᱠᱟᱛᱟ ᱠᱷᱚᱱ ᱦᱟᱛᱟᱣ ᱟᱠᱟᱱ ᱫᱷᱤᱨᱤ, ᱵᱤᱨᱟᱹᱴ ᱫᱷᱤᱨᱤ ᱞᱮᱠᱟᱱ ᱥᱚᱯᱷᱟ ᱨᱩᱯ ᱛᱮ ᱵᱚᱞᱚᱱ ᱟᱠᱟᱱᱟ ᱟᱨ ᱫᱷᱟᱛᱩ ᱪᱷᱟᱛᱟ ᱠᱷᱚᱱ ᱩᱥᱟᱹᱨᱟ ᱟᱠᱟᱱ ᱢᱟᱨᱥᱟᱞ, ᱟᱨ ᱡᱤᱱᱤᱥ ᱠᱚᱣᱟᱜ ᱡᱤᱭᱟᱹᱞᱤ ᱫᱷᱟᱹᱨᱤᱡ ᱥᱟᱶ ᱡᱟᱭᱜᱟ ᱵᱷᱟᱨᱟᱣ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Shiroyama ᱡᱚᱢᱟᱜ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Shiroyama ᱡᱚᱢᱟᱜ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The main theme of the project is interpenetration and interconnection. Starting with the name, Japanese translation of the name of the location, through the relationship with the nature of the rocky seashore on which the restaurant is located and ending with the interpenetration of Japanese and Kazakh culture, expressed in metaphors, colors and selection of materials and author’s elements. Each element in the interior has its own meaning and contribution to the overall harmony and atmosphere.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Total area of the restaurant is 286 sqm.
- ᱴᱮᱜ ᱠᱚ
- Shiroyama, Uniting, Culture, Nature, Restaurant
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- An interesting point is that to save money, CBPB slabs were used to imitate concrete panels in wall decoration. Characteristic local materials were also used, such as tabletops made of local Elm, and stones were taken from the shore under the windows of the restaurant. A podium in the center of the room allows patrons behind the bar to use regular chairs, eliminating the difference in height.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The main challenge when creating the project was the construction budget, as well as the remoteness and isolation of the city. The search for cost reduction and the need to use local possibilities and materials were the main problems when creating the interior
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- An important point in the creation of the project was the task of immersing visitors in a harmonious atmosphere of the environment and showing how local nature and culture can subtly resonate with another culture. My goal was to give visitors a sense of harmony between Japanese cuisine and their familiar surroundings and cultural symbols, without going into design for the sake of design in the form of just a good impersonal interior.
- ᱯᱨᱮᱨᱚᱱᱟ
- I found inspiration in the nature of the Caspian Sea coast, on the shore of which the restaurant is located, and panoramic glazing allows us to strengthen this connection. I looked for themes in Japanese and Kazakh culture to combine them. Thus, the central composition personifies the sacred Baiterek tree, uniting the past, present and future in Kazakh culture, which is reflected in the stylized inverted sea, while other elements gently lead into the atmosphere of Japanese contemplation
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in January 2023 and was completed in March 2024. Located in Aktau, Kazakhstan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The interior was created taking into account changes in natural light throughout the day. In the morning it is filled with sunlight and becomes light, thanks to the reflective property of the metal ceiling, in the evening the reflection of the sunset fills it with its own shades, and at night the restaurant is immersed in a cozy atmosphere created by accent lighting and a variety of backlights that highlight the architecture and interior elements.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1 : Photographer Rauf Ismailov
Optional image #1 : Photographer Rauf Ismailov
Optional image #2 : Photographer Rauf Ismailov
Optional image #3 : Photographer Rauf Ismailov
Optional image #4 : Photographer Ivan Krupin
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
