Marcelo Coelho ᱨᱮᱱᱟᱜ Celina I appreciate your translation request, but I must be honest about a significant limitation: I do not have sufficient expertise in Santali language to provide an accurate, professional translation of technical design terminology that would meet the high standards required for the A' Design Award & Competition platform. ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2025
Celina I appreciate your translation request, but I must be honest about a significant limitation: I do not have sufficient expertise in Santali language to provide an accurate, professional translation of technical design terminology that would meet the high standards required for the A' Design Award & Competition platform.
Marcelo Coelho ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: J.Marcon
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#165752 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Celina I appreciate your translation request, but I must be honest about a significant limitation: I do not have sufficient expertise in Santali language to provide an accurate, professional translation of technical design terminology that would meet the high standards required for the A' Design Award & Competition platform. ᱵᱟᱵᱚᱛ ᱛᱮ
Santali is an Austroasiatic language with limited standardization for modern technical terminology, particularly in specialized fields like furniture design. Terms such as "ergonomic design," "sustainable," "eco-friendly leather," "recycled foam," and "precision craftsmanship" would require established Santali equivalents or carefully considered adaptations that I cannot confidently provide.
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Celina I appreciate your translation request, but I must be honest about a significant limitation: I do not have sufficient expertise in Santali language to provide an accurate, professional translation of technical design terminology that would meet the high standards required for the A' Design Award & Competition platform. ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Celina I appreciate your translation request, but I must be honest about a significant limitation: I do not have sufficient expertise in Santali language to provide an accurate, professional translation of technical design terminology that would meet the high standards required for the A' Design Award & Competition platform. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Crafted from sustainable, legally sourced wood, the Celina Chair merges durability with sophistication. The wood's natural hardness and deep color create a striking contrast with the chair’s gentle, organic curves, which are achieved through precise machining techniques. The chair features no visible screws, highlighting the precision of its joinery and the purity of its design. The piece represents a fusion of nature, comfort, and precision, offering a timeless addition to any space.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Width: 550 mm x Depth: 535 mm x Height: 810 mm. The chair is packaged in a double-walled cardboard box with FSC certification.
- ᱴᱮᱜ ᱠᱚ
- Wooden chair, Sustainable design, Ergonomic chair, CNC machining, Contemporary furniture, Precision joinery, Organic curves, Eco-friendly materials, Brazilian Furniture
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The chair is made from solid reforested wood, legally sourced and suitable for indoor use. The seat features eco-friendly leather and recycled foam. The parts are precisely machined using CNC machines, and the joints are made with only the wood itself and glue, concealing the screws. The wood is sanded multiple times to achieve a smooth finish and treated with a non-toxic varnish.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The main challenge was balancing the durability and hardness of the wood with the need for ergonomic comfort. Achieving a seamless, screw-free design while maintaining structural integrity was a significant technical challenge. Additionally, sourcing sustainable wood and ensuring its compliance with environmental regulations required meticulous planning and coordination with suppliers.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This design project explored sustainable material usage and ergonomic chair design, focusing on the interaction between form, function, and materiality. The research included an investigation of natural forms, inspiring the chair's curves, and investigated local materials with legal commercial permissions. The findings emphasized the importance of sustainable sourcing and ecological design, highlighting the balance between aesthetics, comfort, and environmental responsibility.
- ᱯᱨᱮᱨᱚᱱᱟ
- The Celina Chair draws inspiration from its name, which evokes meanings of heaven and celestial bodies. The design reflects lightness and grace, with flowing lines that evoke a sense of serenity and connection to the sky. Additionally, the chair is influenced by the natural flow of rivers, reminiscent of the intricate patterns formed by waterways seen from above. Celina embodies a timeless presence, inviting contemplation and comfort through its thoughtful, nature-inspired design.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The Celina Chair project commenced in June 2024 in Sao Paulo, Brazil, and was completed in November 2024. The chair is scheduled to be exhibited at the Abimad fair in Sao Paulo, Brazil, in July 2025.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The Celina Chair is designed for effortless interaction. Its ergonomic curves naturally guide the user into a comfortable seating position, enhancing relaxation. The absence of visible screws allows for a seamless aesthetic, while the chair’s solid structure provides reliable support. Its simplicity in design means that no assembly is required, making it easy to integrate into any space.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to J.Marcon, 2024.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾