Tomoaki Kageyama ᱨᱮᱱᱟᱜ Sakura Cyclone ᱴᱮᱵᱩᱞ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2025
Sakura Cyclone ᱴᱮᱵᱩᱞ
Tomoaki Kageyama ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Tomoaki Kageyama
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#164534 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Sakura Cyclone ᱴᱮᱵᱩᱞ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱱᱚᱶᱟ ᱫᱚ ᱪᱮᱨᱤ ᱜᱟᱡᱟᱲ ᱠᱷᱚᱱ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱫ ᱠᱟᱴᱟ ᱴᱮᱵᱩᱞ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱞᱮᱠᱟᱛᱮ ᱚᱛ ᱨᱮ ᱡᱟᱱᱟᱢ ᱟᱠᱟᱱ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱪᱮᱨᱤ ᱫᱟᱨᱮ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱟᱨ ᱢᱤᱫ ᱦᱚᱲ, ᱡᱚᱠᱷᱚᱱ ᱞᱟᱭᱤᱴ ᱪᱟᱹᱞᱩ ᱦᱩᱭᱩᱜᱼᱟ, ᱪᱷᱟᱭᱟ ᱨᱮ ᱪᱮᱨᱤ ᱵᱟᱦᱟ ᱦᱚᱨᱚᱜᱼᱟ ᱟᱨ ᱡᱟᱭᱜᱟ ᱪᱚᱢᱚᱠᱚᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱢᱤᱫ ᱴᱮᱵᱩᱞ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱥᱟᱸᱵᱮᱞ ᱫᱚ ᱢᱤᱫ ᱵᱤᱥᱮᱥ ᱚᱠᱛᱚ ᱨᱮ ᱵᱚᱫᱚᱞ ᱮᱭᱟ᱾ ᱪᱮᱨᱤ ᱵᱟᱦᱟ ᱫᱚ ᱡᱟᱯᱟᱱ ᱨᱮ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱠᱟᱱᱟ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱪᱮᱨᱤ ᱵᱟᱦᱟ ᱫᱚ ᱥᱮᱨᱢᱟ ᱨᱮᱭᱟᱜ ᱠᱷᱟᱹᱞᱤ ᱢᱤᱫ ᱦᱟᱯᱛᱟ ᱜᱟᱱ ᱦᱟᱹᱵᱤᱡ ᱦᱚᱨᱚᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱴᱮᱵᱩᱞ ᱪᱮᱨᱤ ᱫᱟᱨᱮ ᱨᱮᱭᱟᱜ ᱛᱤᱱᱟᱹᱜ ᱜᱟᱱ ᱫᱤᱱ ᱨᱮᱭᱟᱜ ᱪᱚᱢᱚᱠ ᱥᱟᱶᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Sakura Cyclone ᱴᱮᱵᱩᱞ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Sakura Cyclone ᱴᱮᱵᱩᱞ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This design proposal is a low table made of molded cherry plywood. The unique point of this table is the design of the shadow that falls from the table. This table usually looks like a large cherry tree growing on the earth. On the other hand, when turning on the light, the cherry blossom blooms in a shadow and makes the space brilliant. It is a table that turns an evening into a special time.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The furniture was made in a workshop in the Hida region in Japan, a famous furniture production area in Japan. The size of this table is H400 mm*D400 mm, W400mm.
- ᱴᱮᱜ ᱠᱚ
- Table, Cherry blossom, Sakura, shadow
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The furniture is made of Molded plywood. Detailed mating is the key to designing accurate shadows. I created a mechanism to adjust the angle of the plywood installation with wires, allowing fine adjustment of the falling shadows.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- It was difficult to consider the configuration of parts to realize that only when the pendant light is turned on at night a shadow falls and cherry blossoms bloom. I created several scale models and conducted many experiments to check the shadows by turning on the lights. Then, I realized this idea using the construction method of diagonally mating R500mm curved wood.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- I explored the essential elements of Japaneseness in order to create a table that is uniquely Japanese. In the process, I came across the famous book “In Praise of Shadows” by the famous Japanese classic writer, Junichiro Tanizaki. Through this book, Tanizaki showed that since ancient times, Japanese people have been conscious of the shadows behind light and have found a sense of beauty in these shadows. Therefore, we designed this table based on the hypothesis that we could create essentially Japanese furniture by designing the shadows that fall from the table, which modern people are usually unaware of.
- ᱯᱨᱮᱨᱚᱱᱟ
- This table is a conceptual design in my lab. I tried to incorporate Japanese essential aesthetics into a Western furniture table.
Cherry blossom is an important symbol in Japan. But cherry blossoms bloom for only about one week of the year. Japanese people are fascinated by the momentary brilliance of cherry blossoms. I designed it with the fleeting brilliance of the Cherry blossom tree. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in 2022 in Nagoya Japan and finished at the end of 2023.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- During the day, users relax with a cup of tea or a book at the table, where they can feel the warmth of the wood. At night, they can spend a special time drinking a glass of wine on the table, which becomes as brilliant as a cherry tree in full bloom thanks to the shadows cast by the room light. We envision that this table will also used in restaurants or pubs.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
