Jyun Shen Zeng ᱨᱮᱱᱟᱜ Holy Sky ᱨᱤᱦᱤᱰᱤᱧᱥᱤᱭᱟᱲ ᱡᱟᱭᱜᱟᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2025
Holy Sky ᱨᱤᱦᱤᱰᱤᱧᱥᱤᱭᱟᱲ ᱡᱟᱭᱜᱟᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Jyun Shen Zeng ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Kensing Interior Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#164377 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Holy Sky ᱨᱤᱦᱤᱰᱤᱧᱥᱤᱭᱟᱲ ᱡᱟᱭᱜᱟᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱦᱚᱢ ᱥᱠᱟᱭ ᱮᱴᱟᱜ ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱠᱨᱤᱥᱴᱤᱭᱟᱱ ᱚᱲᱟᱜ ᱦᱚᱲ ᱠᱚ ᱞᱟᱹᱜᱤᱛ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱢᱤᱫ ᱨᱤᱦᱤᱰᱤᱧᱥᱤᱭᱟᱱ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟᱭ ᱾ ᱱᱚᱶᱰᱮ ᱪᱷᱚᱭᱜᱟᱲᱟ ᱢᱚᱴᱚᱨ ᱠᱚᱨᱵᱤ ᱛᱟᱦᱮᱸ ᱚᱲᱟᱜ ᱨᱮ, ᱡᱚᱛᱚ ᱥᱤᱢᱟᱱᱟ ᱦᱟᱹᱥᱩ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱮᱢ ᱞᱮᱱᱟ ᱴᱮᱞᱤᱵᱷᱤᱥᱚᱱ ᱪᱟᱴᱚᱢ ᱟᱨ ᱦᱮᱸᱰᱮ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟᱱᱟ ᱛᱮᱭᱟᱨ ᱞᱟᱹᱜᱤᱛ, ᱪᱟᱴᱚᱢ ᱛᱮ ᱥᱟᱫᱮᱨ ᱠᱟᱱᱟ ᱟᱨ ᱢᱤᱫ ᱠᱨᱩᱥ ᱞᱮᱠᱟᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱫᱼᱟ ᱾ ᱪᱮᱛ ᱦᱟᱹᱥᱩᱭᱟᱜ ᱵᱟᱦᱟ ᱢᱩᱬᱩᱛ ᱠᱚ ᱪᱟᱸᱰᱚ ᱠᱷᱚᱱ ᱦᱮᱡ ᱟᱠᱟᱱ ᱚᱨᱠᱚᱭᱟᱜ ᱨᱚᱥᱬᱟᱹ ᱠᱚ ᱮᱢ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱢᱤᱫ ᱚᱞ ᱫᱩᱣᱟᱹᱨ ᱨᱮ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱯᱮ ᱫᱩᱣᱟᱹᱨ ᱠᱚ ᱡᱚᱲᱟᱣ ᱟ ᱾ ᱢᱤᱫ ᱠᱷᱩᱞᱟ ᱠᱚᱨᱵᱤ ᱛᱮ ᱡᱟᱭᱜᱟ ᱠᱚ ᱡᱚᱲᱟᱣ ᱦᱩᱭ ᱟᱠᱟᱫᱼᱟ ᱟᱨ ᱡᱟᱭᱜᱟ ᱵᱮᱵᱷᱟᱨ ᱡᱟᱦᱟᱸ ᱵᱟᱲᱟᱭ ᱠᱟᱱᱟ ᱾ ᱡᱟᱦᱟᱸᱱ ᱪᱤᱡ ᱠᱚ ᱟᱨ ᱨᱚᱸ ᱠᱚ ᱩᱯᱟᱨ ᱪᱚᱴᱟᱭ ᱨᱮ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱫᱼᱟ ᱟᱨᱦᱚᱸ ᱢᱤᱫ ᱡᱟᱛᱟ ᱮᱠᱨᱩᱴ ᱛᱮᱭᱟᱨ ᱞᱟᱹᱜᱤᱛ ᱾ ᱛᱤᱱ ᱪᱟᱠᱟᱛ ᱨᱚᱸ ᱟᱨ ᱵᱟᱲᱟᱭᱼᱟᱜ ᱠᱮᱵᱤᱱᱮᱴ ᱠᱚ ᱢᱮᱱᱟᱜ-ᱟ ᱛᱟᱭᱚᱢ ᱨᱮᱭᱟᱜ ᱪᱟᱪᱟᱲ ᱠᱚ ᱠᱚᱢ ᱢᱮ ᱞᱟᱹᱜᱤᱫ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Holy Sky ᱨᱤᱦᱤᱰᱤᱧᱥᱤᱭᱟᱲ ᱡᱟᱭᱜᱟᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Holy Sky ᱨᱤᱦᱤᱰᱤᱧᱥᱤᱭᱟᱲ ᱡᱟᱭᱜᱟᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- We created a symbol of Jesus’s arrival within the space, using floor boundary lines to define the TV wall and living area, extending all the way to the wall to form a cross-like image.
The surrounding ceiling lighting resembles rays of light pouring down from the heavens, converging in a circular corridor that seamlessly connects the three doors, creating a unique atmosphere within the space. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This space is 130 square meters.
- ᱴᱮᱜ ᱠᱚ
- sacred,continue,light,arc,cross,natural
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- In the future, environmental protection on Earth will be a necessary consideration. Therefore, green materials were chosen for the paint.
Durability was also taken into account to reduce the need for repeated applications and minimize waste.
For the cabinetry, flexible designs were used, allowing for adaptability in future updates or space innovations.
This ensures that the cabinets can be continuously reused, reducing environmental waste and enhancing the potential for green materials and recycling. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- In use, we need to consider different age groups, as their reach and habits vary. Therefore, we designed everything with ease of access and convenience in mind.
Whether it's the simple and intuitive color schemes or the natural flow of movement within the space, everything is aimed at improving the usability and functionality of the environment for users. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- In our spatial design, we considered how to use the most efficient method to maximize the space's benefits without wasting any small areas, while also ensuring the overall aesthetics create a pleasant experience for users.
We used an open-plan layout to establish spatial connections and expanded space usage by overlapping areas. As a result, we created a comfortable living environment and enhanced interaction for multiple users within the same space. - ᱯᱨᱮᱨᱚᱱᱟ
- We drew inspiration for the design from Christianity. Since the users are a devout Christian family, we envisioned rays of light descending from heaven and the imagery of the cross, as well as using simple materials to shape the overall design in terms of form, color, and texture.
We also incorporated layers of light and shadow from the heavenly light, creating a sacred, simple, and natural spatial environment. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Start in Taiwan in January 2024 and complete in Taiwan in September 2024
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- We used similar materials and colors for the various surface finishing needs. Whether it's the special paint for the TV wall, the cabinet doors in the entryway, or the flooring materials, everything is matched under the same theme.
This approach creates maximum harmony in the overall space, allowing each area to feel coordinated within the entire environment.
This, in turn, draws the user's attention and enhances their satisfaction with the space. - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Director JYUN SHEN ZENG
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Chen Yun Chi，Holy，2024
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
