ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Stephy Teng ᱨᱮᱱᱟᱜ Sime Darby Kia Office Interior Design

Stephy Teng ᱨᱮᱱᱟᱜ Sime Darby Kia Office Interior Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2025

Sime Darby Kia Office Interior Design

Stephy Teng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Star Interior Design Limited Company

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#162722 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Sime Darby Kia Office Interior Design ᱵᱟᱵᱚᱛ ᱛᱮ

Sime Darby Kia ge Taiwan re mit̠ office interior kanae. Design ge 859.5 square meter jayga do baria floor re taiyar akana, mit̠ floor re sales aar eaǃ floor re administration menaɁa. Okoi floor reyo mit̠ pantry aar window-gej lounge menaɁa jaharedko chɛt̠-arɛl gitiɁ lelaɁ hoṛo do turui aar informal baɛthak lagit̠ bɛbohar akana. Standard divider ko badle re nichera partition ko rakab lena jaha turuiɁ department barea re khula gapla ko sahajya ea. Glass partition ko office aar baɛthak room reko prakritik ronoṛ tahen ea. 34 hoṛo lagit̠ mit̠ baɛthak room reyo adjust ea partition menaɁa. Sim aar sada rong ko company ren pahchan ko cetan ea.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Sime Darby Kia Office Interior Design ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Sime Darby Kia Office Interior Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The office spans two floors: one for sales and the other for administrative functions. Each floor has a dedicated pantry with essential appliances, window-side lounging areas, and seating for 6-8 people, serving as both relaxation and informal meeting spaces to encourage team interaction. Lower partitions replace typical 140-150 cm dividers, fostering open communication. Wood grain and white finishes reflect the company's identity. A 34-person meeting room with high-speed connectivity and adjustable partitions ensures flexibility and functionality.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The site is 859.5 square meters and consists of two floors. There are offices, conference rooms, manager's rooms, nursing rooms, lounge areas, and pantries. The designer emphasized the fluid connection between different functional areas. The office space is divided into two floors. Each floor is designed with a dedicated pantry and discussion area to promote teamwork among the six departments. Glass partitions were installed in the meeting rooms and office to ensure that natural light is maximized.
ᱴᱮᱜ ᱠᱚ
Eco-friendly, natural light, wood grain, openness, teamwork.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The primary materials used include system cabinets, woodwork, light steel frames, glass, and carpet, all of which meet fire and flame resistance standards. Low-formaldehyde materials ensure safety and environmental friendliness. The office features the company's corporate identity colors, combining wood tones and white to create a warm and bright atmosphere. Specific areas such as the pantries and meeting rooms are covered with gradient carpets, adding a layer. The gradient color scheme, combined with the wood tones and bright style, injects vitality into the office space.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
With the brand planning to expand in Taiwan over the next decade, the project must account for potential increases in workforce requirements. The designer had to creatively plan within the limited space to ensure that the office meets current needs while maintaining sufficient flexibility for future growth. Furthermore, to achieve optimal work efficiency and employee satisfaction, the designer carefully planned the specific locations and functions of each department to balance 'maintaining openness' and 'facilitating smooth communication.'
ᱜᱚᱵᱮᱥᱚᱱᱟ
To align with the brand's vision, the designer blended the company's culture with international trends, carefully planning for six departments. The initial design focused on wood textures and light tones to define the atmosphere. However, a deeper understanding of the company culture was key to meeting users' needs. The open layout fosters close collaboration, reflecting core business values. Employees engage in ongoing exchanges in an environment filled with natural light and wood textures. The lighting design prioritizes natural light, with indirect lighting enhancing openness and brightness.
ᱯᱨᱮᱨᱚᱱᱟ
Sime Darby, originally from the UK and later expanding into a Malaysian enterprise, is now re-entering the Taiwanese market. The brand seeks an office design that balances international appeal with Taiwanese cultural elements. After understanding the company's structure, the designer carefully planned the space to accommodate six departments, ensuring functionality for all users. With wooden tones and a bright style, the office fosters a fresh atmosphere while emphasizing team collaboration, interaction, and respect for each department's workspace.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in February 2024 in Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The new design has created a more comfortable and inviting work environment, significantly enhancing employee satisfaction compared to the previous open-plan layout. The upgraded natural lighting and ventilation conditions, in particular, have been highly praised. Natural light not only enhances the aesthetic appeal of the office but also boosts work efficiency and overall atmosphere. The client also noted that the new office space contributes to a better company image, providing a more professional appearance during client and partner visits.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Stephy Teng
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Star Interior Design Limited Company

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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