Marius Mateika ᱨᱮᱱᱟᱜ Symphony ᱚᱨᱠᱮᱥᱴᱨᱟ ᱠᱚᱱᱥᱚᱨᱴ ᱦᱚᱞ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2024
Symphony ᱚᱨᱠᱮᱥᱴᱨᱟ ᱠᱚᱱᱥᱚᱨᱴ ᱦᱚᱞ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ
Marius Mateika ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: MAMA Architects
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#161333 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Symphony ᱚᱨᱠᱮᱥᱴᱨᱟ ᱠᱚᱱᱥᱚᱨᱴ ᱦᱚᱞ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱥᱤᱢᱯᱷᱚᱱᱤ ᱫᱚ ᱢᱤᱫ ᱠᱚᱱᱥᱚᱨᱴ ᱦᱚᱞ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱥᱤᱢᱯᱷᱚᱱᱤ ᱚᱨᱠᱮᱥᱴᱨᱟ ᱮᱱᱮᱡ ᱥᱮᱨᱮᱧ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱫᱚ ᱞᱤᱛᱷᱩᱣᱟᱱᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱞᱱᱤᱭᱩᱥ ᱨᱮ ᱢᱮᱱᱟᱜ 1000 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱡᱚᱴᱤᱞ ᱡᱤᱭᱚᱢᱮᱴᱨᱤᱠ ᱨᱩᱯ ᱢᱮᱱᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱫᱚᱦᱲᱟ ᱵᱮᱱᱟᱣ ᱠᱟᱱᱟ᱾ ᱨᱚᱢᱵᱚᱥ, ᱛᱤᱨᱠᱚᱬᱟ ᱟᱨ ᱥᱟᱯᱷᱟ ᱟᱨ ᱰᱚᱨᱟᱭᱟᱱ ᱛᱟᱞ ᱞᱮᱠᱟᱱ ᱢᱟᱱᱚᱠ ᱡᱤᱱᱤᱥ ᱠᱚ ᱩᱯᱟᱹᱭ ᱛᱮ ᱢᱚᱰᱩᱞᱟᱨ ᱦᱚᱨ ᱵᱮᱵᱷᱟᱨ ᱞᱮᱱᱟ᱾ ᱱᱚᱶᱟ ᱡᱚᱲᱚᱣ ᱡᱤᱱᱤᱥ ᱠᱚ ᱡᱚᱲᱟᱣ ᱟᱨ ᱴᱷᱤᱠ ᱮᱱᱟ ᱡᱮᱢᱚᱱ ᱥᱟᱰᱮ ᱜᱩᱱ ᱟᱨ ᱧᱮᱞ ᱥᱩᱜᱟᱹᱲ ᱵᱟᱨᱭᱟ ᱢᱮᱥᱟ ᱫᱟᱲᱮᱭᱟᱜ᱾ ᱠᱟᱸᱛᱷ ᱠᱚ ᱫᱚ ᱚᱠ ᱵᱷᱤᱱᱤᱨ ᱛᱮ ᱫᱷᱟᱠᱟᱣ ᱯᱞᱟᱥᱴᱟᱨᱵᱚᱨᱰ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱛᱟᱞᱟ ᱛᱟᱞᱟ ᱛᱮ ᱢᱟᱨᱥᱟᱞ ᱯᱟᱴᱴᱤ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱠᱟᱸᱛᱷ ᱨᱮᱭᱟᱜ ᱱᱟᱠᱥᱟ ᱠᱚ ᱢᱟᱨᱮ ᱞᱤᱛᱷᱩᱣᱟᱱᱤᱭᱟᱱ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱩᱭᱦᱟᱹᱨ ᱚᱪᱚᱭᱮᱫᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Symphony ᱚᱨᱠᱮᱥᱴᱨᱟ ᱠᱚᱱᱥᱚᱨᱴ ᱦᱚᱞ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Symphony ᱚᱨᱠᱮᱥᱴᱨᱟ ᱠᱚᱱᱥᱚᱨᱴ ᱦᱚᱞ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Main objective was to achieve an entirely new acoustic standard, tailored specifically for symphony orchestra performances. We adopted a "lego constructor" philosophy, we meticulously devised several standard elements such as rhombuses, triangles, and both smooth and ribbed planes. Subsequently, we methodically assembled the interior using these components, adjusting their placement—adding or subtracting as necessary—to achieve a harmonious blend of acoustical excellence and aesthetic appeal.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This is not a new hall. It is a reconstructed 1000m2 space with a complex geometric shape.
- ᱴᱮᱜ ᱠᱚ
- Lithuanian Symphony Hall, Marius Mateika, Indrė Ankudavičienė, MAMA architects
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- For the wall decor, we used plasterboards covered with oak veneer, with LED strips in between. Oak parquet flooring. Ceilings painted plasterboard.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- We adopted a "lego constructor" philosophy, wherein, in collaboration with acousticians (the acoustic aspect of the project overseen by the "Akustika plus" team), we meticulously devised several standard elements such as rhombuses, triangles, and both smooth and ribbed planes. Subsequently, we methodically assembled the interior using these components, adjusting their placement—adding or subtracting as necessary—to achieve a harmonious blend of acoustical excellence and aesthetic appeal.
- ᱯᱨᱮᱨᱚᱱᱟ
- We were inspired by ancient Lithuanian ethnic motifs and the old runic alphabet. We decided to integrate ethnic elements into the modern new concert hall to make the space more mystical. You can find these motifs on the decorated walls.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in September 2019.
Reconstruction completion March 2023.
The renovated building is located in Vilnius, Lithuania. - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The primary focus of the symphony orchestra hall is the listener. Our main objective was to achieve an entirely new acoustic standard (the object is reconstruction), tailored specifically for symphony orchestra performances of the highest caliber.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer Leonas Garbacauskas, Lithuanian State Symphony Orchestra Hall, 2024
Image #2: Photographer Leonas Garbacauskas, Lithuanian State Symphony Orchestra Hall, 2024
Image #3: Photographer Leonas Garbacauskas, Lithuanian State Symphony Orchestra Hall, 2024
Image #4: Photographer Leonas Garbacauskas, Lithuanian State Symphony Orchestra Hall, 2024
Image #5: Photographer Leonas Garbacauskas, Lithuanian State Symphony Orchestra Hall, 2024
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
