ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Shunsuke Ohe ᱨᱮᱱᱟᱜ Eiju दफ्तर

Shunsuke Ohe ᱨᱮᱱᱟᱜ Eiju दफ्तर ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2024

Eiju दफ्तर

Shunsuke Ohe ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Shunsuke Ohe

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#160701 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Eiju दफ्तर ᱵᱟᱵᱚᱛ ᱛᱮ

नोवा दफ्तर बारिया माल्जा रे गाटें आकान आ, जोतो माल्जा आलादा आलादा विषय तेयार आकाना। मुख्य माल्जा रेयाक विषय प्रकृति साथे मिसराव कान आ, आर आगनतुक होड़ बोलो रेयाक २४ गोमोट बांधाव होड़ो मारांग दारे लेका दुआर तेयेन भितरि सिम रे बोलो दाड़ेयाक आ। सोवाल जाक रे दारे रुप आर काठ सामान बाहा आकाना। तला माल्जा रेयाक डिजाइन विषय खुला दाक रे जहाज लुम लेका कान आ। मुख्य माल्जा खोन आलादा, सभा रूम होड़ नील आर पोंड रोङ रे एका आकाना। सिंगी बाहा झरोखा होड़ो माङरुः बोलोक आ आर मित जुर ठंडा वातावरण तेयार एत आ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Eiju दफ्तर ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Eiju दफ्तर ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
On the main floor, visitors can enter the interior space through a 24-piece arched monument at the entrance that resembles a large tree. Various greens are arranged on the walls, floor, and ceiling. It is a modern space, but at the same time, it is a space designed with a perfect balance of natural elements.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Project area : 1F 148.8 , 2F 38.9 sqm / Category : office
ᱴᱮᱜ ᱠᱚ
green , office , wood , conferenceroom , meetingroom , LUSTYdesign , Shunsuke Ohe
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Ceiling : cloth , paint / Walls : cloth , paint , green , glass / Floor : carpet , pvc tile
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Each floor is designed with a different theme.
The main floor has a theme of fusion with nature, and the sub-floor has a theme of a cruise ship sailing on the open sea.
The various seating layouts allow staff to work at their preferred seat according to their mood at any given time. The meeting rooms are also available in both private and open formats. The space is not designed only for design, but also for rational and efficient office space that can meet all kinds of needs.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The sub-floor, designed to resemble a cruise ship sailing on the open sea, is a conference room with a blue and white color scheme that contrasts with the main floor. Louver panels are installed on the walls, and indirect lighting is installed behind the louver panels to make it look as if sunlight is shining through the gaps between the wings. This gives the impression that sunlight is shining through the gaps between the louvers.
ᱯᱨᱮᱨᱚᱱᱟ
The office consists of two floors, each designed with a different theme.
The theme of the main floor is "fusion with nature," with plants and wooden materials scattered throughout.
The design theme of the sub-floor is "a cruise ship sailing on the ocean.
The main colors of the space are blue and white, a refreshing change from the main floor.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Project Duration : From April 2023 to October 2023
Project location : Osaka(Japan)
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The main floor has a variety of seating arrangements, including high counter seating, tables along the windows, oval tables under a symbolic circular structure protruding from the ceiling, and personal booths, allowing staff to work wherever they feel comfortable at the time.
In addition, there are two meeting rooms, one completely soundproofed and the other open with glass walls.
There is also a bar counter and sofas facing the windows where staff can take a break from work and relax.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyright© LUSTYdesign Inc. All Rights Reserved
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photograph : HIROSHI TANIGAWA by ToLoLo studio

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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