ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Szu Wei Lee ᱨᱮᱱᱟᱜ The Hoyu ᱚᱯᱷᱤᱪ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Szu Wei Lee ᱨᱮᱱᱟᱜ The Hoyu ᱚᱯᱷᱤᱪ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2024

The Hoyu ᱚᱯᱷᱤᱪ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ

Szu Wei Lee ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: LSW Architects

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#153133 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Hoyu ᱚᱯᱷᱤᱪ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱦᱚᱭᱩ ᱚᱠᱟ ᱛᱟᱭᱯᱮᱭ ᱨᱮᱱᱟᱜ ᱢᱤᱧ ᱵᱮᱯᱟᱨᱤ ᱵᱤᱞᱰᱤᱝ ᱨᱮᱭᱟᱜ ᱪᱚᱴ ᱠᱷᱚᱱ ᱢᱤᱫ ᱚᱯᱷᱤᱪ ᱦᱮᱮᱰᱠᱣᱟᱴᱚᱨᱠᱟᱜ ᱠᱟᱱᱟ ᱾ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱜᱟᱰᱤ ᱨᱮᱭᱟᱜ ᱪᱤᱠᱬᱤᱭᱟᱜ ᱨᱩᱯ ᱠᱷᱚᱱ ᱯᱨᱮᱨᱚᱱᱟ ᱮᱢᱟᱠᱟᱱᱟ, ᱪᱮᱫ ᱢᱮᱱᱛᱮ ᱠᱩᱦᱤᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱚᱴᱚᱢᱚᱵᱟᱭᱤᱞ ᱮᱡᱮᱱᱥᱤ ᱨᱮᱭᱟᱜ ᱠᱷᱮᱛᱨᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱾ ᱢᱤᱫ ᱡᱟᱸᱛᱟᱨ ᱨᱮ ᱪᱮᱛᱟᱱ ᱠᱚ ᱠᱟᱸᱪ ᱠᱟᱸᱪ ᱛᱮ ᱠᱟᱰᱟᱜ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱡᱟᱸᱦᱟᱸ ᱴᱟᱸᱜᱤ ᱠᱩᱴᱤ ᱟᱨ ᱪᱷᱟᱭᱟ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱴᱷᱤᱠ ᱚᱰᱚᱠ ᱛᱮᱭᱟᱨ ᱚᱰᱚᱠ ᱠᱟᱛᱮ, ᱪᱤᱱᱤ ᱨᱮᱭᱟᱜ ᱵᱟᱜᱩᱣᱟ ᱴᱨᱟᱭᱜᱨᱟᱢ ᱨᱮᱭᱟᱜ ᱴᱷᱮᱱ ᱟᱨ ᱟᱴᱷᱮᱱ ᱞᱟᱭᱤᱱ ᱠᱚ ᱚᱠᱟ ᱦᱩᱰᱤᱧ ᱨᱟᱠᱟᱵᱚ ᱠᱟᱛᱮ ᱾ ᱴᱨᱟᱠᱮᱴᱤᱱ ᱚᱰᱚᱠ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱴᱷᱤᱠᱚᱱᱟ ᱠᱷᱟᱞᱤ ᱡᱟᱭᱜᱟ ᱨᱮ ᱵᱤᱞᱰᱤᱝ ᱨᱮᱭᱟᱜ ᱵᱟᱦᱨᱮ ᱨᱩᱯ ᱦᱟᱸᱰᱤᱡ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱾ ᱵᱤᱞᱰᱤᱝ ᱞᱟᱦᱟ ᱨᱮ ᱢᱤᱫ ᱫᱟᱜ ᱯᱩᱠᱷᱩᱨᱤ ᱮᱴᱦᱚᱵᱮᱫ ᱟᱨ ᱚᱨᱤᱭᱮᱱᱴᱟᱞ ᱠᱩᱴᱟᱢ ᱴᱷᱚᱲᱦᱟᱣ ᱠᱟᱛᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Hoyu ᱚᱯᱷᱤᱪ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Hoyu ᱚᱯᱷᱤᱪ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Considering the energetic relationship between formless fluids and Chinese Bagua, and how they manifest in corresponding tangible objects, elements embodying wind, dance movement, and dynamic flows have been incorporated into both the architecture and interior spaces, creating a contemporary ambiance.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Construction area 650 square meter.
ᱴᱮᱜ ᱠᱚ
Interior architects, office, headquarters, oriental, water, rooftop
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
To establish a unique and oriental context, the design concept draws from the linear composition of the Bagua trigrams, incorporating both broken and unbroken lines. Interweaving in a continuous and rhythmic linear pattern, glass curtain walls and wooden slats are arranged alongside the windows to create an orderly sequence of light and shadows.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
On the landscape side, it incorporates traditional Chinese garden planning and includes a water pond beside the building. The reflection of the building and vegetation in the water forms an oriental aesthetic status, fostering a natural harmony between the headquarters, oriental aesthetics, and environmental energy.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Bagua is a Chinese Taoist cosmology system that explains the dynamic and static states of eight natural phenomena (including sky, lake, fire, thunder, wind, water, mountain, and earth), and it includes eight trigrams, each consisting of three sets of broken or unbroken lines.
ᱯᱨᱮᱨᱚᱱᱟ
The headquarters is located on the rooftop of a commercial building, which is a prominent city landmark featuring massive diagonal triangular glass curtain walls. In homage to the company's esteemed reputation in the automotive agency field, the overall interior design draws inspiration from the streamlined shapes of cars.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Zhongshan District, Taipei city.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In the foyer leading to the conference hall, a triangular void in the travertine wall reflects the building's exterior. Inside the conference hall, the ceiling features a matte titanium cladding, complementing the glossy marble flooring and imbuing the space with a serene ambiance like the still water.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to LSW Architects
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Szu-Wei Lee
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Kyleyu Photo Studio

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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