ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
ITLs ᱨᱮᱱᱟᱜ Archipelago Uduḱ Bagan

ITLs ᱨᱮᱱᱟᱜ Archipelago Uduḱ Bagan ᱫᱚ ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ· 2024

Archipelago Uduḱ Bagan

ITLs ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: ITLs

ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#152078 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Archipelago Uduḱ Bagan ᱵᱟᱵᱚᱛ ᱛᱮ

Ne romānćok uduḱ bagan, eṕril khon okṭobar 2023 tele hoena Suncheon International Garden Fair lạgit́ bạc̣hao akan, South Korea-renaḱ South Sea dareahoṛ dṛśyo emhoṅ daṛeyaḱa. Bhābonā modelling lạgit́ huṅri ar bhui-rūp design lạgit́ laser scanning beohar kate, ne dareahoṛ-renaḱ prākṛtik suṅdor uduḱa ar naua bagan design dare̕oa. Kola, proyukti ar prākṛti-renaḱ ne milaṅ darśoniye̕ko dasae̕ko bagan sikṣạ-renaḱ suṅdor ar sirjońśilota bhitar do oḍoḱoḱa, prākṛti ar mạnmi budhi-renaḱ ekoṭa-pe uduḱa.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Archipelago Uduḱ Bagan ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Archipelago Uduḱ Bagan ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This show garden, chosen as the artist's garden for the Suncheon International Garden Fair taking place from April to October 2023, was designed around the theme of coastal scenery. Drawing inspiration from the coastal and island forms of the South Sea of South Korea, we used sand to conduct concept modeling and express the topography of the coast. This was then followed by a topographical design process using laser scanning.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Creative materials were evaluated with the aim of deriving design forms. The sand was chosen for the conceptual modeling process due to the diversity of creative forms it can generate. The resulting creative form can then progress to the next stage of the design process through precise 3D laser scanning.
ᱴᱮᱜ ᱠᱚ
3D laser scan, korea, archipelago, show garden, garden design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
This project introduced an art psychotherapy course featuring a virtual client. The designs were initially inspired by creations made using sand. This sand-derived artwork served as the starting point for the design process. The design lines for the concept were extracted through laser scanning of the sand model. Subsequently, shapes were realized via laser CNC processing, which enabled the expression of irregular lines inherent in the sand model. This work utilized 3D laser scanning technology and precision laser CNC technology.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In the process of assembling each shape, which was cut with precision by CNC, difficulties arose due to unforeseen field conditions.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The process unfolds as follows:

We employ sand, a highly mutable material, to craft a topographic model.
The resulting creative terrain models are then examined using a laser scanner. In this case, we utilized a Leica RTC 360 for the 3D laser scanning.
The scanning results yield contour lines generated through three-dimensional modeling work using software tools like Cyclone, Rhino, and AutoCAD. These produced contours are well-prepared for utilization in the subsequent stages of the design process.
ᱯᱨᱮᱨᱚᱱᱟ
'Inspired by the coastal scenery of the South Sea of South Korea, the installation art piece was meticulously designed.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
22/9/2022~17/3/2023,
Suncheon, Jeollanam-do, Republic of Korea
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
It would be better if we focused on the form of each part of the work through the creation of a sense of space.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Moohan Kim, Jinsoo Hong, Jongeun Yang, Sujung Lee, Hyobean Lee, Younghyun Noh

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ