ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ascanio Zocchi ᱨᱮᱱᱟᱜ Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content.
Ascanio Zocchi ᱨᱮᱱᱟᱜ Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content.
Ascanio Zocchi ᱨᱮᱱᱟᱜ Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content.
Ascanio Zocchi ᱨᱮᱱᱟᱜ Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content.
Ascanio Zocchi ᱨᱮᱱᱟᱜ Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content.

Ascanio Zocchi ᱨᱮᱱᱟᱜ Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content. ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱠᱟᱥᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2025

Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content.

Ascanio Zocchi ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Vetreria Malagoli

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#148519 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ
ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content. ᱵᱟᱵᱚᱛ ᱛᱮ

For professional translation of design competition materials to Santali, I recommend consulting with:

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content. ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Kotiso I apologize, but I cannot provide an accurate professional translation to Santali for this content. Santali is a language with limited standardized design and architectural terminology, and I lack sufficient expertise in Santali to ensure the technical accuracy and natural flow required for A' Design Award competition content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This object represents the two protagonist cities of the international year of glass. Milan and Venice
Milan represented with the geometry and transparency of the top and base, its skyline which in recent years has seen this transformation with glass as the protagonist in the buildings of various shapes thrown towards the sky such as in Piazza Gae Aulenti and City Life.
the object was included in the precious ADI DESIGN INDEX 2023 and used as a symbol for the International Year of Glass 2022 in Milan and Venice
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
dimensions 100 L 180 P cm with a height of 75 cm slabs thickness of 8 mm
ᱴᱮᱜ ᱠᱚ
table, dinning, glass, Venezia, Milano, MIlano Glass Week, Italian Glass Week,
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The glass blocks are subjected to a heating treatment, and are immersed in water, causing them to shatter into small pieces.
With the recovered pieces, small agglomerates of glass are created which are placed in a melting furnace.
The table top and the base are produced in extra-clear Float glass 8 mm thick thermally tempered and subsequently worked on the edges with a polished edge grinding.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
the challenge was to combine two similar materials, colored glass and float glass, achieving a union that generates an effect of color and transparency, inspired by the colors of the Venice lagoon and the landscape of Milan at dawn
ᱜᱚᱵᱮᱥᱚᱱᱟ
the research carried out for this project was to represent with glass a symbolic object for the Italian capitals of design in the international year of glass. create a bridge that combines design, art and technology in a single object. combine artistic glass with Float technical glass with new technologies.
ᱯᱨᱮᱨᱚᱱᱟ
Milan with transparency and geometry Venice with plays of color that here become drops of the lagoon fused on the tempered glass float plate, every shape, gesture and color has its own meaning.
The transparency of flat glass and the transparency of colored glass with colors inspired by the play of light at dawn on the sea of the Venice lagoon.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
the project started in Milan in April 2022, carried out in Modena at the headquarters and finished in August 2022 at the company headquarters
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
it is a table and can be used as a dining table or a desk
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
ADI DESIGN INDEX 2023
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
image 1 photographer Ascanio Zocchi 2022
image 2 photographer Ascanio Zocchi 2022
image 3 photographer Ascanio Zocchi 2022
image 4 photographer Ascanio Zocchi 2022
image 5 photographer Ascanio Zocchi 2022
ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱟᱲᱦᱟᱣ ᱢᱮ

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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