ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Byrant Hong ᱨᱮᱱᱟᱜ Poetic and Artistic ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Byrant Hong ᱨᱮᱱᱟᱜ Poetic and Artistic ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2023

Poetic and Artistic ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Byrant Hong ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Siang Jie Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

18,470

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#147894 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Poetic and Artistic ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱠᱟᱣᱥᱤᱭᱩᱝ ᱥᱟᱦᱟᱨ ᱨᱮ ᱢᱮᱱᱟᱜ 480 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱟᱨ ᱨᱮᱭᱟᱜ ᱢᱚᱬᱮ ᱢᱟᱦᱟᱞᱟ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱟᱵᱤ ᱞᱮᱠᱟᱱ ᱟᱨ ᱠᱟᱨᱤᱜᱚᱨᱤ ᱞᱮᱠᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱫᱚ ᱨᱮᱦᱮᱲ ᱟᱨ ᱡᱷᱟᱹᱞ ᱜᱮᱭᱟ, ᱚᱱᱟᱛᱮ ᱥᱤᱧᱚᱛ ᱢᱟᱨᱥᱟᱞ ᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱟᱹᱭᱩᱨ ᱥᱟᱹᱛ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱫᱚᱦᱲᱟ ᱥᱟᱡᱟᱣ ᱦᱩᱭᱮᱱᱟ᱾ ᱢᱟᱲᱟᱝ ᱟᱨ ᱫᱚᱥᱟᱨ ᱢᱟᱦᱟᱞᱟ ᱫᱚ ᱦᱚᱲ ᱦᱚᱯᱚᱱ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ ᱟᱨ ᱚᱱᱟ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱟᱹᱜᱩ ᱫᱟᱨᱟᱢ ᱪᱟ ᱚᱲᱟᱜ ᱦᱚᱸ ᱢᱮᱱᱟᱜᱼᱟ, ᱟᱨ ᱛᱮᱥᱟᱨ ᱠᱷᱚᱱ ᱢᱚᱬᱮ ᱢᱟᱦᱟᱞᱟ ᱨᱮ ᱢᱚᱬᱮ ᱦᱚᱲ ᱨᱮᱱᱟᱜ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱹᱯᱤᱫ ᱚᱲᱟᱜ, ᱯᱟᱲᱦᱟᱣ ᱚᱲᱟᱜ ᱟᱨ ᱦᱚᱲᱢᱚ ᱡᱚᱠᱷᱟ ᱚᱲᱟᱜ ᱠᱚ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱫᱷᱤᱨᱤ ᱵᱷᱤᱱᱤᱨ ᱠᱟᱸᱛᱷ ᱫᱚ ᱫᱚᱥᱟᱨ ᱢᱟᱦᱟᱞᱟ ᱨᱮᱭᱟᱜ ᱪᱮᱛᱟᱱ ᱦᱟᱹᱵᱤᱡ ᱨᱟᱠᱟᱵ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱚᱴ ᱠᱷᱚᱱ ᱪᱮᱛᱟᱱ ᱦᱟᱹᱵᱤᱡ ᱡᱷᱟᱨᱠᱷᱟ ᱠᱚ ᱢᱤᱫ ᱛᱮ ᱵᱮᱵᱷᱟᱨᱚᱜ ᱡᱟᱭᱜᱟ ᱠᱚ ᱨᱮ ᱥᱤᱧ ᱢᱟᱨᱥᱟᱞ ᱠᱚ ᱟᱹᱜᱩᱭᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Poetic and Artistic ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Poetic and Artistic ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Entering the entrance to the left, passing through a door imitating a classical garden, is the reception tea room. The natural patterns, the giant rock veneer walls, the slender wooden shutters selected for the large floor-to-ceiling windows, the stone island-connected wooden long table and the complete set of chairs under the light create the essence of Chinese classical poetry and painting.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
480m2
ᱴᱮᱜ ᱠᱚ
Byrant Hong, Siang Jie Interior Design, Poetic and Artistic, Residential House, Chinese classical
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The whole second floor is a public space for the entire family. The designer used the depth of the house and opened floor-to-ceiling windows on the prominent surface to allow sunlight to enter the whole area. n addition, the low patio wall inside the restaurant is decorated with grids to align the lines, and tea mirrors are installed on both sides of the grids. The space is visually widened with the refraction effect and the deliberate splicing of the entire floor pavement.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The building is a typical penetrating house that the width is narrow, the depth of the house is deep, and the stairs are located in the centre of the building. The plane is cut into two spaces, the front and the rear, also known as the "Love Ladder", which creates low-intensity, incomplete areas and other issues. However, this case's designer broke the house's traditional design and adjusted the interior space.
ᱜᱚᱵᱮᱥᱚᱱᱟ
However, due to the new townhouse, the existing pipeline configuration corresponds to the reorganization of the first and second floors, which requires a significant and challenging adjustment. To achieve the best spatial effect, the designer overcomes them one by one, and the first floor is accessed through the gate. The lighting surface of the first and second floors is adjusted from the narrow side to the broad side, and the interior layout is planned accordingly to enhance the indoor lighting and sense of space greatly.
ᱯᱨᱮᱨᱚᱱᱟ
Compared with the flat-floor space planning of ordinary apartment-style residences, the house divides the public and private areas vertically, combining the privacy and spatial independence of moving lines. This case is a design of a five-storey house. The first and second floors are public spaces, and the third to fifth floors are the independent bedroom space, study and exercise spaces for a family of five, three generations of the same family.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in October 2019 in Kaohsiung City, Taiewan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Breaking the floor area to separate upstairs and downstairs, the designer extended the large rock veneer wall on the first floor vertically upward to the second floor's ceiling. As a high patio connecting the two floors in series, the first and second-floor spaces are penetrated by the light and sound. The two floors can not only receive visiting guests but also have a more humane and family feeling in life, highlighting the subtle advantages of the house.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Byrant Hong

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ