Daisuke Nagatomo and Minnie Jan ᱨᱮᱱᱟᱜ We Transforming ᱪᱟᱠᱽᱞᱟᱭ ᱟᱨᱛᱷᱚ ᱵᱮᱵᱚᱥᱛᱷᱟ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2023
We Transforming ᱪᱟᱠᱽᱞᱟᱭ ᱟᱨᱛᱷᱚ ᱵᱮᱵᱚᱥᱛᱷᱟ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ
Daisuke Nagatomo and Minnie Jan ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: MisoSoupDesign
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#147257 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
We Transforming ᱪᱟᱠᱽᱞᱟᱭ ᱟᱨᱛᱷᱚ ᱵᱮᱵᱚᱥᱛᱷᱟ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱣᱤ ᱴᱨᱟᱱᱥᱯᱷᱚᱨᱢᱤᱝ ᱫᱚ ᱪᱟᱠᱽᱞᱟᱭ ᱟᱨᱛᱷᱚ ᱵᱮᱵᱚᱥᱛᱷᱟ (ᱥᱟᱨᱠᱩᱞᱟᱨ ᱤᱠᱚᱱᱚᱢᱤ) ᱵᱟᱵᱚᱛ ᱛᱮ ᱢᱤᱫ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱞᱮᱭᱟᱣᱴ ᱫᱚ ᱦᱤᱲᱤᱧᱠᱚ ᱥᱚᱡᱽᱦᱮ ᱟᱨᱛᱷᱚ ᱵᱮᱵᱚᱥᱛᱷᱟ ᱨᱮᱭᱟᱜ ᱮᱱᱟᱝ ᱠᱷᱚᱱ, ᱵᱚᱫᱚᱞᱚᱜ ᱠᱟᱱ ᱱᱤᱛᱚᱜ ᱦᱚᱛᱮᱛᱮ, ᱴᱮᱠᱟᱣ ᱛᱟᱦᱮᱸᱱ ᱞᱮᱠᱟᱱ ᱟᱜᱟᱢ ᱥᱮᱫ ᱠᱚ ᱟᱹᱭᱩᱨ ᱤᱫᱤᱠᱚᱭᱟ ᱾ ᱵᱷᱤᱛᱨᱤ ᱠᱟᱛᱷᱟ ᱫᱚ ᱮᱭᱟᱭ ᱜᱚᱴᱟ ᱵᱤᱥᱚᱭ ᱴᱚᱴᱷᱟ ᱨᱮ ᱦᱟᱹᱴᱤᱧ ᱟᱠᱟᱱᱟ: ᱡᱚᱢᱟᱜ, ᱡᱤᱱᱤᱥ ᱨᱮᱭᱟᱜ ᱡᱤᱭᱚᱱ ᱪᱚᱠᱚᱨ, ᱱᱟᱶᱟ ᱵᱮᱯᱟᱨ ᱢᱚᱰᱮᱞ, ᱠᱟᱯᱲᱟ, ᱚᱲᱟᱜ ᱵᱮᱱᱟᱣ ᱠᱟᱹᱢᱤ (ᱟᱨᱠᱤᱴᱮᱠᱪᱚᱨ), ᱤᱱᱯᱷᱨᱟᱥᱴᱨᱟᱠᱪᱚᱨ ᱟᱨ ᱴᱮᱠᱟᱣ ᱛᱟᱦᱮᱸᱱ ᱞᱮᱠᱟᱱ ᱡᱤᱭᱚᱱ ᱦᱚᱨᱟ ᱾ ᱢᱩᱬᱩᱛ ᱜᱟᱰᱮᱞ ᱨᱮ ᱢᱚᱰᱩᱞᱟᱨ ᱥᱮᱞᱯᱷ ᱥᱤᱥᱴᱚᱢ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱱᱚᱶᱟ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱫᱚ ᱥᱩᱨ ᱥᱩᱨ ᱹᱻ᱐ ᱯᱨᱚᱛᱤᱥᱚᱛ ᱫᱩᱦᱲᱟᱹ ᱵᱮᱵᱷᱟᱨᱚᱜ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ ᱾ ᱡᱚᱛᱚ ᱯᱨᱚᱫᱚᱨᱥᱚᱱ ᱡᱤᱱᱤᱥ ᱟᱨ ᱠᱟᱯᱲᱟ ᱠᱚ ᱫᱚ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱛᱟᱭᱚᱢ ᱫᱩᱦᱲᱟᱹ ᱡᱤᱭᱚᱱ ᱠᱚ ᱮᱢ ᱟᱠᱟᱫᱮᱭᱟ ᱾ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱫᱚ ᱑᱑᱒᱓ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
We Transforming ᱪᱟᱠᱽᱞᱟᱭ ᱟᱨᱛᱷᱚ ᱵᱮᱵᱚᱥᱛᱷᱟ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ We Transforming ᱪᱟᱠᱽᱞᱟᱭ ᱟᱨᱛᱷᱚ ᱵᱮᱵᱚᱥᱛᱷᱟ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Sharing the same sky and the same ocean, Taiwan is also moving towards the future in tandem with the world. This exhibition design is a journey of perpetual transformation, from a linear economy past, thru a transforming present, to a sustainable future defined by visitors.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Total Area: 1123 m2
Venue dimension: 48m x 23.4m - ᱴᱮᱜ ᱠᱚ
- Circular Economy, Exhibition Design, Taiwan, Design Expo
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Main structure is composed by Infinity Shelf system, which makes this exhibition design as nearly 90 percent recyclable. All the display material and fabrics are to have their second life after this exhibition.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- This exhibition challenges design and build method of temporary exhibition, which commonly produce large amount of demolished trash after the exhibition. Therefore, the material and construction methods are chosen carefully to have second life after the end of the exhibition.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This exhibition design challenges the circular design by reducing the waste after the exhibition, utilizing recycled materials, and creating social impact by education general public with sustainable lifestyle.
- ᱯᱨᱮᱨᱚᱱᱟ
- The design of exhibition is inspired by the concept of circular, which refers to no-waste, utilization of existing resources, and application of innovative solution.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in May 2022 in Taipei, Taiwan, and finished in September in Kaohsiung, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The visitor goes through the entrance of dark space with stripe LED lights and reaches to the blue wall space with white wavy ceiling area. Afterwards, the main exhibition content starts to describe the issues of world sustainability. The main contents are divided into 7 themes zones, Food, Product life cycle, New business model, Fabric, Architecture, Infrastructure, and Sustainable Lifestyle.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Curatorial Group:
REnato lab ｜ Aining Ouyang
MisoSoupDesign ｜ Minnie Jan
MisoSoupDesign ｜ Daisuke Nagatomo
Design Team:
Sugar Hu, Jenny Yeh, Lily Lee
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
