ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Hsin Chih Wu ᱨᱮᱱᱟᱜ Into the Heart ᱡᱟᱭᱜᱟ ᱠᱮᱸᱫᱨᱟ ᱵᱷᱤᱛᱨᱤ ᱰᱤ�devices

Hsin Chih Wu ᱨᱮᱱᱟᱜ Into the Heart ᱡᱟᱭᱜᱟ ᱠᱮᱸᱫᱨᱟ ᱵᱷᱤᱛᱨᱤ ᱰᱤ�devices ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2023

Into the Heart ᱡᱟᱭᱜᱟ ᱠᱮᱸᱫᱨᱟ ᱵᱷᱤᱛᱨᱤ ᱰᱤ�devices

Hsin Chih Wu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Harmony Construction Limited Company

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

9,917

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#146783 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Into the Heart ᱡᱟᱭᱜᱟ ᱠᱮᱸᱫᱨᱟ ᱵᱷᱤᱛᱨᱤ ᱰᱤ�devices ᱵᱟᱵᱚᱛ ᱛᱮ

ᱭᱤᱸᱴᱤ ᱦᱮᱨᱴ ᱨᱮ ᱛᱟᱭᱯᱮᱭ, ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱯᱨᱚᱯᱚᱴᱤ ᱰᱮᱣᱮᱞᱚᱯᱢᱮᱸᱴ ᱠᱚᱢᱯᱮᱱᱤ ᱞᱟᱹᱜᱤᱫ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱ ᱢᱤᱫ ᱡᱟᱭᱜᱟ ᱠᱮᱸᱫᱨᱟ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟᱭ ᱾ ᱒᱒᱔ ᱪᱚᱠᱚᱨ ᱢᱤᱴᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱢᱮᱱᱟᱜ ᱠᱟᱱᱟ ᱢᱤᱫ ᱨᱤᱥᱮᱯᱥᱚᱱ ᱠᱟᱩᱸᱴᱟᱨ, ᱢᱤᱫ ᱱᱮᱜᱚᱥᱤᱮᱥᱚᱱ ᱡᱟᱭᱜᱟ, ᱢᱤᱫ ᱣᱤᱟᱭᱯᱤ ᱠᱚᱴᱷᱟ, ᱢᱚᱰᱮᱞ ᱠᱚᱴᱷᱟ ᱫᱮᱠᱷᱟᱣ ᱡᱟᱭᱜᱟ ᱟᱨ ᱢᱤᱫ ᱥᱴᱟᱯ ᱞᱟᱩᱸᱡ ᱾ ᱨᱩᱠᱥ ᱥᱟᱨᱮᱯᱷᱚᱥ ᱥᱟᱶᱛᱮ ᱢᱮᱱᱟᱜ ᱥᱮᱫᱟᱜ ᱥᱮᱫᱟᱜ ᱯᱟᱛᱷᱚᱨ ᱢᱟᱨᱵᱮᱞ ᱯᱮᱱᱮᱞ ᱠᱚ ᱰᱮᱸᱣᱟᱞ ᱠᱚ ᱟᱨ ᱵᱤᱢ ᱥᱴᱨᱚᱠᱴᱚᱨ ᱨᱮ ᱮᱨᱟᱣ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱷᱟᱛᱤᱨ ᱚᱲᱟᱜ ᱠᱟᱴᱷ ᱢᱤᱫ ᱥᱟᱫᱟ ᱟᱨ ᱨᱩᱨᱟᱞ ᱛᱟᱦᱮᱸ ᱥᱮᱞᱮᱫ ᱮᱫᱟᱭ ᱾ ᱠᱟᱴᱷᱟ ᱮᱞᱤᱢᱮᱸᱴ ᱠᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱠᱟᱲᱟ ᱠᱟᱴᱷᱟ ᱛᱮ ᱥᱟᱫᱟ ᱦᱩᱭᱮᱫ ᱠᱟᱱᱟ, ᱟᱨ ᱛᱟᱛᱮᱭᱩ ᱦᱩᱲᱩᱰ ᱨᱚᱥᱱᱟᱭ ᱥᱟᱶᱛᱮ ᱢᱤᱫ ᱢᱤᱫᱦᱮᱲ ᱵᱟᱛᱟᱵᱚᱨᱚᱬ ᱠᱚᱢᱚᱲᱮ ᱦᱩᱭᱮᱫ ᱠᱟᱱᱟ ᱾ ᱥᱞᱟᱭᱰᱤᱸᱜ ᱜᱞᱟᱥ ᱫᱟᱨᱣᱟᱡᱟ ᱠᱚ ᱨᱟᱠᱟᱵᱚᱨ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱠᱟᱛᱮ ᱡᱟᱭᱜᱟ ᱠᱚ ᱡᱤᱞᱤᱨᱟᱱ ᱛᱟᱦᱮᱸ ᱟᱭᱛᱮ ᱟᱨ ᱱᱤᱡᱮᱨᱟᱜ ᱜᱩᱯᱛᱚ ᱛᱟᱦᱮᱸᱟᱜ ᱛᱮᱭᱟᱨ ᱠᱟᱛᱮ ᱟᱨᱦᱚᱸ ᱨᱟᱠᱟᱵ ᱮᱫᱟᱭ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Into the Heart ᱡᱟᱭᱜᱟ ᱠᱮᱸᱫᱨᱟ ᱵᱷᱤᱛᱨᱤ ᱰᱤ�devices ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Into the Heart ᱡᱟᱭᱜᱟ ᱠᱮᱸᱫᱨᱟ ᱵᱷᱤᱛᱨᱤ ᱰᱤ�devices ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This interior design project is a sales center for property development. The interior includes a reception counter, negotiation area, VIP room, model room display area, and staff lounge.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project is about 224 square meters.
ᱴᱮᱜ ᱠᱚ
Interior, Design, Sales Center, Modern, Style
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Inside, marble panels with a rough surface in gray stone are presented on the wall, and the warm woods create a rustic and simple tone, which is welcoming and refreshing. As moving inward, one will realize that the designer uses curved elements to introduce into the space, which eliminates the cold and hard feeling of the carriers and makes the visual experience soft and smooth.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The designer carefully plans the interior to create an immersive movement arrangement, using natural texture materials and warm yellow lighting to build a harmonious relationship between people and the environment. The warm and comfortable atmosphere is created by the warm colors and textures, offering guests an intuitive and beautiful experience.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Moreover, a quiet and beautiful scene is woven under the mutual description of stone and wood, looking lowkey yet gorgeous. Moving slowly to the meeting and discussion area, the sliding glass doors are separated by a long rainbow, and the light permeable feature makes the visual experience spacious and bright while retaining the privacy of the interior space.
ᱯᱨᱮᱨᱚᱱᱟ
To erase the cold impression of the typical sales center, the designer has delicately used warm and pure colors and materials, combined with the human touch designs to create a comfortable and pleasant commercial space to guide the visitors and potential clients to build a picture of a beautiful future residence.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project will be completed in 2026 in Taipei, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
On the other hand, the warm yellow light polishes the space, giving the guests a warm and friendly atmosphere. Through the designer clever idea, marble panels with a rough surface in gray stone are used to decorate the structure of the beams, providing the space with a sense of lightness.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Harmony Construction Limited Company, 2022

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ