ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Kun-Han Yang ᱨᱮᱱᱟᱜ Luna ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱠᱮᱯᱷᱮ ᱤᱥᱴᱮᱨᱤᱭᱟᱨ, ᱠᱚᱯᱷᱤ ᱠᱞᱟᱥᱨᱩᱢ

Kun-Han Yang ᱨᱮᱱᱟᱜ Luna ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱠᱮᱯᱷᱮ ᱤᱥᱴᱮᱨᱤᱭᱟᱨ, ᱠᱚᱯᱷᱤ ᱠᱞᱟᱥᱨᱩᱢ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2023

Luna ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱠᱮᱯᱷᱮ ᱤᱥᱴᱮᱨᱤᱭᱟᱨ, ᱠᱚᱯᱷᱤ ᱠᱞᱟᱥᱨᱩᱢ

Kun-Han Yang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: THINKTHROUGH Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#142289 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Luna ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱠᱮᱯᱷᱮ ᱤᱥᱴᱮᱨᱤᱭᱟᱨ, ᱠᱚᱯᱷᱤ ᱠᱞᱟᱥᱨᱩᱢ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱩᱛᱷᱤ ᱚᱞ: ᱞᱩᱱᱟ ᱢᱮᱱᱛᱮ ᱢᱤᱫ ᱠᱮᱯᱷᱮ ᱟᱨ ᱠᱚᱯᱷᱤ ᱠᱞᱟᱥᱨᱩᱢ ᱠᱟᱱᱟ, ᱚᱠᱟ ᱛᱟᱭᱚᱭᱩᱟᱱ ᱥᱷᱚᱦᱚᱨ, ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱯᱮ ᱪᱤᱞᱛᱟᱲ ᱚᱲᱟᱜ ᱨᱮ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱮᱱᱟ, ᱟᱨ ᱡᱟᱦᱟᱸ ᱨᱮᱭᱟᱜ ᱚᱠᱛᱚ ᱡᱟᱭᱜᱟ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ ᱑᱒᱑ ᱥᱠᱣᱟᱨ ᱢᱤᱴᱟᱨ ᱾ ᱯᱩᱭᱞᱩ ᱛᱟᱞᱟ ᱨᱮ ᱢᱤᱫ ᱠᱚᱯᱷᱤ ᱵᱟᱨ ᱟᱨ ᱢᱤᱫ ᱜᱮᱞᱟᱨᱤ ᱢᱮᱱᱟᱜ ᱠᱟᱱᱟ, ᱚᱲᱟᱜ, ᱮᱴᱦᱟᱲ ᱟᱨ ᱫᱟᱨᱩ ᱨᱮᱭᱟᱜ ᱡᱟᱲᱤ ᱛᱮ ᱡᱟᱯᱟᱱ ᱨᱮᱭᱟᱜ ᱯᱚᱛᱷᱚᱨ ᱵᱟᱹᱜᱤᱪᱷᱟ ᱫᱚ ᱦᱟᱹᱛᱤᱭᱟᱨᱮ ᱟᱹᱰᱤ ᱭᱟᱫ ᱠᱮᱫᱟᱭ ᱾ ᱵᱟᱨ ᱛᱟᱞᱟ ᱨᱮ ᱑᱙᱗᱐ ᱡᱩᱜ ᱨᱮᱭᱟᱜ ᱢᱩᱲᱩᱛ ᱚᱲᱟᱜ ᱥᱟᱢᱟᱱ ᱠᱚ ᱛᱟᱦᱮᱸᱟᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱚᱱᱰᱮ ᱫᱚᱦᱚ ᱡᱟᱭᱜᱟ ᱟᱨ ᱪᱟᱸᱫᱳ ᱧᱮᱞ ᱡᱟᱭᱜᱟ ᱦᱚᱸ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱯᱮ ᱛᱟᱞᱟ ᱨᱮ ᱢᱤᱫ ᱟᱺᱛᱟᱨᱦᱟᱛᱭᱟᱹ ᱥᱟᱹᱨᱛᱤᱯᱷᱤᱠᱮᱴ ᱠᱚᱯᱷᱤ ᱠᱞᱟᱥᱨᱩᱢ ᱢᱮᱱᱟᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱥᱴᱮᱱᱞᱮᱥ ᱥᱴᱤᱞ ᱨᱮᱭᱟᱜ ᱠᱮᱵᱤᱱᱮᱴ ᱟᱨ ᱠᱟᱸᱪ ᱨᱮᱭᱟᱜ ᱡᱷᱤᱡᱷᱨᱤᱭᱟᱹ ᱠᱚ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱡᱟᱯᱟᱱ ᱨᱮᱭᱟᱜ ᱟᱹᱰᱤᱭᱟᱹ ᱥᱟᱶᱛᱮ ᱪᱟᱸᱫᱳ ᱟᱨ ᱦᱟᱛᱟᱝ ᱥᱮᱨᱢᱟ ᱨᱮᱭᱟᱜ ᱵᱤᱥᱚᱭ ᱠᱚ ᱡᱩᱲᱟᱹᱣ ᱮᱫᱟᱭ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Luna ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱠᱮᱯᱷᱮ ᱤᱥᱴᱮᱨᱤᱭᱟᱨ, ᱠᱚᱯᱷᱤ ᱠᱞᱟᱥᱨᱩᱢ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Luna ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱠᱮᱯᱷᱮ ᱤᱥᱴᱮᱨᱤᱭᱟᱨ, ᱠᱚᱯᱷᱤ ᱠᱞᱟᱥᱨᱩᱢ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
As a commercial space, the first floor uses a large number of wood grain elements to create a Japanese impression. Besides, the Japanese rock garden and grilles create a Zen atmosphere, while the cafe bar cabinet uses terrazzo and concrete to express the image of time-shifting. The second floor retains the original building materials from the 1970s. The materials are reborn with innovative designs, echoing the innovation plan of the local business district. The third floor is different from the Zen atmosphere of the first floor, and the design team has injected the essence of Japanese design into the space.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project is a three-story building with a total area of 121 square meters. The first floor is a coffee bar and gallery, the second floor is a seating area, and the third floor is a professional international certified coffee classroom. With the consideration of maintaining a proper distance between each table and the addition of a moon and a raft-like platform, the design team has created a flexible and comfortable space even with a total capacity of 32 people on the first and second floors. This makes the space more than just a coffee tasting but an environment of adventure and exploration that resonates with historical patterns.
ᱴᱮᱜ ᱠᱚ
Cafe, Hayao Miyazaki, shrine, moon, vintage.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Materials include: log materials such as Taiwan cedar, stone, stainless steel, glass, red bricks, hollow bricks, plants, etc. The first and second floors are mainly to preserve the original condition and elements of the building. The third floor is designed in a new Japanese style, transforming an unused space into an internationally certified coffee classroom. The design team uses minimalist elements and lines to divide the space and then uses stainless steel cabinets to enhance the professional image. In the end, the front and back are installed with glass to reflect the modern Japanese style and the Tiger Moutain Shrine respectively.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
After construction, the design team realized that it was challenging to naturally express abstract concepts in design. With limited resources and unlimited ideas, there were trade-offs to be made in terms of scale. Fortunately, the design team finally succeeded in planning each floor to echo and connect with Japanese elements and to use the different styles of each floor to show the impression of time.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The first floor is a combination of a coffee bar and an art gallery, with stone and wood grain to create the mood of a Japanese rock garden. On the second floor, there is an eclectic mix of Taiwanese and Japanese-style seating and moon viewing space. On the opposite side of the moon is a raft with a few meteors. The third floor is an internationally certified coffee classroom with white light fixtures on the ceiling. When the daylight falls, the cool white temperature echoes the moonlight on the second floor. The Japanese Zen style also evolves on the first, second, and third floors.
ᱯᱨᱮᱨᱚᱱᱟ
The design is inspired by two things: the location and the Japanese comic master: Hayao Miyazaki. In terms of location, Tiger Mountain retains a shrine from the Japanese colonial period. And the atmosphere full of history and culture nurtures the surrounding environment, which covers the cafe located at the foot of the mountain. The client is very fond of the story created by Hayao Miyazaki, which is full of innocent childishness and rich in meaning. As a result, the design team used the Japanese style as the base and the romantic elements of the starry sky and the moon to make the coffee tasting a romantic story with interesting adventures.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in November 2021 in Taoyuan City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The experience of the commercial space is wide and narrow may affect the entire atmosphere of the space. In particular, the cafe is an environment where customers stay for a long time, so the disadvantage is more obvious. To make it easier for the staff to serve the customers, the design team used cabinets to decorate the first and second floors and used color blocks to weaken the abruptness of the space on the third floor.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
KUN-HAN YANG
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
THINKTHROUGH Design

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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