ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Vladimir Zagorac ᱨᱮᱱᱟᱜ Bio One ᱚᱯᱷᱤᱥ ᱜᱟᱸᱰᱩ

Vladimir Zagorac ᱨᱮᱱᱟᱜ Bio One ᱚᱯᱷᱤᱥ ᱜᱟᱸᱰᱩ ᱫᱚ ᱫᱟᱯᱛᱟᱨ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱫᱟᱯᱛᱟᱨ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2022

Bio One ᱚᱯᱷᱤᱥ ᱜᱟᱸᱰᱩ

Vladimir Zagorac ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Vladimir Zagorac

ᱫᱟᱯᱛᱟᱨ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#140383 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Bio One ᱚᱯᱷᱤᱥ ᱜᱟᱸᱰᱩ ᱵᱟᱵᱚᱛ ᱛᱮ

Bio One ᱫᱚ ᱢᱤᱫ ᱞᱟᱛᱟᱨ ᱚᱯᱷᱤᱥ ᱛᱤ-ᱜᱟᱸᱰᱩ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱦᱩᱰᱤᱧ ᱠᱨᱤᱮᱴᱤᱵᱽ ᱠᱟᱹᱢᱤ ᱡᱟᱭᱜᱟ ᱞᱮᱠᱟᱛᱮ ᱥᱴᱩᱰᱤᱭᱚ ᱟᱨ ᱚᱲᱟᱜ ᱚᱯᱷᱤᱥ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱜᱟᱸᱰᱩ ᱨᱮ ᱠᱟᱥᱴᱚᱨ ᱥᱟᱶᱛᱮ ᱟᱹᱪᱩᱨᱚᱜ ᱵᱮᱥ (ᱥᱩᱭᱤᱵᱷᱮᱞ ᱵᱮᱥ) ᱢᱮᱱᱟᱜᱼᱟ ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ ᱢᱚᱞᱰᱮᱰ ᱛᱷᱟᱨᱢᱚᱯᱞᱟᱥᱴᱤᱠ ᱟᱨ ᱴᱮᱯᱟᱨᱰ ᱟᱨ ᱩᱸᱠᱩᱨ ᱟᱠᱟᱱ ᱥᱴᱤᱞ ᱴᱩᱵᱽ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱫᱩᱲᱩᱵ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱚᱨᱜᱟᱱᱤᱠ ᱨᱮᱠᱷᱟ ᱠᱚ ᱛᱟᱭᱚᱢ ᱥᱮᱫ ᱴᱮᱠᱟᱨᱮ ᱢᱤᱫ ᱟᱥᱤᱢᱮᱴᱨᱤᱠ ᱫᱷᱟᱨᱮ ᱞᱮᱠᱟᱛᱮ ᱨᱟᱠᱟᱵᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ Calla aethiopica ᱵᱟᱦᱟ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱟᱥᱤᱢᱮᱴᱨᱤ ᱫᱚ ᱠᱟᱹᱢᱤ ᱟᱨ ᱮᱨᱜᱚᱱᱚᱢᱤᱠᱥ ᱨᱮ ᱵᱟᱝ ᱮᱯᱷᱮᱠᱴ ᱠᱟᱛᱮ ᱪᱚᱞᱚᱛ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱟᱹᱭᱠᱟᱹᱣ ᱮᱢᱟᱭᱟ᱾ ᱥᱟᱹᱦᱤᱡ ᱟᱨ ᱩᱨᱩᱢ ᱟᱠᱟᱱ ᱨᱩᱯ ᱫᱚ ᱵᱷᱚᱨᱥᱟ ᱟᱹᱜᱩ ᱟᱨ ᱱᱟᱶᱟ ᱵᱤᱪᱟᱹᱨ ᱠᱚ ᱦᱤᱲᱤᱧ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Bio One ᱚᱯᱷᱤᱥ ᱜᱟᱸᱰᱩ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Bio One ᱚᱯᱷᱤᱥ ᱜᱟᱸᱰᱩ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Associations and familiarity were used to shape an essential part of the workplace into an object designed to encourage creativity and instigate inspiration. General organic outlines of the seat transform and grow into a characteristic uplifting form resembling the flower of the Calla aethiopica on the edge of the backrest. This edge bends slightly backward and rises asymmetrically bringing dynamics to the silhouette but not compromising the functionality and ergonomics.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width / Depth: up to 680mm, Height: 849mm
ᱴᱮᱜ ᱠᱚ
Essential, Natural, Growth, Asymmetric
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Molded thermoplastics, Tapered and bent steel tubing
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The aim was to create a safe and familiar object, using the shape of the seat that relates to a multitude of natural forms and general characteristics of the living world. Asymmetry was chosen as one of the main attributes to create a feeling of dynamics, which is essential for a modern working environment, to inspire new ideas, and to boost the user's creativity. Gradual changes in the details of the form and minimal deformations that accentuate the silhouette intend to associate with growth as a universally understandable natural pattern and bring confidence.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The research was performed by analyzing samples from flora and fauna and simplification and stylizing through various stages of drawing and 3D computer modeling. It was driven by the challenge of creating both a calming and dynamic form for a functional ergonomic object, suitable for first-time remote work while using fresh aesthetics. The result is a universally understandable bio-form cleansed of unnecessary visual details, with harmonious organic outlines additionally emphasized in contrast with different material finishes chosen for the seat and legs.
ᱯᱨᱮᱨᱚᱱᱟ
Bio One was created as a part of conceptual research on the subject of stylistics within a doctoral studies project. The basic studio chair was inspired by organic forms and universal principles of nature, with the intention of bringing a fresh take to working in small creative environments.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project lasted one semester at the Faculty of Applied Arts in Belgrade.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Bio One low studio armchair with swivel base and castors fulfills essential functions of an office chair intended for small productive spaces. Simplistic asymmetry and inspiring natural form complement the modern interiors of studios and home offices.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Vladimir Zagorac
Mentor: Marko Lukovic
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Vladimir Zagorac, Faculty of Applied Arts in Belgrade

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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