ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Mu-Chin Chiang ᱨᱮᱱᱟᱜ Yuan Tai Qian Bikri Kendra

Mu-Chin Chiang ᱨᱮᱱᱟᱜ Yuan Tai Qian Bikri Kendra ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022

Yuan Tai Qian Bikri Kendra

Mu-Chin Chiang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Emerald Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#140205 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Yuan Tai Qian Bikri Kendra ᱵᱟᱵᱚᱛ ᱛᱮ

Yuan Tai Qian ge Taiwan reyag Taoyuan sahar re mit'ten ghar-baṛi sampatti nagen bikri kendra kana. Qian nutum ge I Ching reag mit'ten hexagram ar Chinese sanskriti reag lajaw/binoy guṇ ko bujhaoak'a. Tuṭuḍ lekaan hexagram bonaoak' reya inspiration en'ma, bhitri ṭhen re linear ar geometric rup ko benaoakana. Uporiupori gol ko orderly linear sajaoak' ren saathe mila ketkoa ek kala-pornam parisay bonaoak' lagit'. Saont dara carpentry ar lajaw rong ko sob ṭhen re bebohar akana, jaha babo material milaoak' ko baciao keda ar tinaṅ nagam ete ai future re en ṭhaṛpe oṛak' rasaka lagit' sojog bonaoa. Bonaoak' jaega 500 borgo miter kana.

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Yuan Tai Qian Bikri Kendra ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Yuan Tai Qian Bikri Kendra ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The residential building site is behind a city park, filled with abundant greenery views and literati vibes. Cohering to both builder corporate vision and surroundings advantages, the design concept came from the Chinese word Qian, referring to the virtue of modesty in Eastern culture. Understanding this sales center represents the builder corporate identity and public persona, both exterior and interior design are in harmonious unison.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Construction area 500 square meter.
ᱴᱮᱜ ᱠᱚ
wood, glass, circles, linear arrangement
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Without extravagant materials, this project imbues with orient literati ambiance, deeply rooted with philosophical undertones, merely built up in minimal forms: line and circle. Either the color or shape convey the core value of the property, sustaining a profound quality.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
This sales center is a temporary building. Considering environmental-friendly aspects, both exterior and interior avoids excessively multiple material combinations. Instead, modest colors and wood veneer carpentry pervades all over spaces, lessening future demolish difficulties.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Meanwhile, for the real estate sales concerns, seats and tables are compartmentalized into relatively sufficient segments. Both artistic identity and pragmatic layout were considered and fulfilled in execution.
ᱯᱨᱮᱨᱚᱱᱟ
The project name ‘Qian’ derives from the fifteenth hexagrams in , an ancient Chinese philosophy classic. Qian hexagram is composed of a set of broken linear combinations, with its lower trigram referring to mountain and the upper trigram meaning earth. Inspired by hexagram composition of line pieces in different lengths, the interior inherits linear and geometrical combinations, piling contour lines in varied displacement; dynamic rhythms are depicted between void and solid patterns.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Complete in November 2020, located in Taoyuan city, Taiwan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
In Chinese culture, the shape of circles symbolizes well-roundedness, perfect fullness, or complete merits. Pairing with arrays of orderly linear arrangement, overlapping circles form an artistic identity to the sales center. Either the color or shape conveys the core value of this project residential property, sustaining a profound quality.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Emerald Design Co., Ltd.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Mu Chin, Chiang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Andy's Photography

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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