Esther Mu ᱨᱮᱱᱟᱜ An Villa Aesthetics Pavilion ᱱᱤᱡᱚᱨᱟᱜ ᱠᱞᱚᱵᱽ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2022
An Villa Aesthetics Pavilion ᱱᱤᱡᱚᱨᱟᱜ ᱠᱞᱚᱵᱽ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ
Esther Mu ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Nature Time Art Design Co., Ltd
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#139726 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
An Villa Aesthetics Pavilion ᱱᱤᱡᱚᱨᱟᱜ ᱠᱞᱚᱵᱽ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱟᱱ ᱵᱷᱤᱞᱟ ᱮᱥᱛᱷᱮᱴᱤᱠᱥ ᱯᱮᱵᱷᱤᱞᱤᱭᱚᱱ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱥᱟᱣᱥᱤᱝ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱱᱤᱡᱚᱨᱟᱜ ᱠᱞᱚᱵᱽ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱠᱟᱱᱟ, ᱚᱠᱟ ᱫᱚ ᱒᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱢᱤᱫ ᱯᱮᱵᱷᱤᱞᱤᱭᱚᱱ ᱞᱮᱠᱟᱛᱮ ᱥᱟᱡᱟᱣ ᱟᱠᱟᱱᱟ ᱚᱠᱟ ᱫᱚ ᱢᱤᱫ ᱨᱟᱪᱟ ᱥᱟᱶᱛᱮ ᱛᱟᱦᱮᱸᱱᱟ ᱟᱨ ᱦᱮᱸᱫᱮ ᱦᱮᱨᱮᱞ ᱨᱚᱝ ᱨᱮᱭᱟᱜ ᱜᱽᱨᱤᱞ ᱛᱮ ᱜᱮᱨᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱮᱨᱮᱥᱟᱣ ᱟᱠᱟᱱ ᱜᱽᱨᱤᱞ ᱪᱟᱫᱚᱨ ᱛᱮ ᱥᱤᱸᱜᱟᱲ ᱢᱟᱨᱥᱟᱞ ᱯᱟᱨᱚᱢ ᱠᱟᱛᱮ ᱵᱚᱫᱚᱞᱚᱜ ᱩᱢᱩᱞ ᱥᱟᱶᱛᱮ ᱯᱷᱨᱮᱢ ᱟᱠᱟᱱ ᱧᱮᱞᱚᱜ ᱠᱚ ᱛᱮᱭᱟᱨᱚᱜᱼᱟ ᱾ ᱫᱟᱜ ᱨᱮᱭᱟᱜ ᱥᱟᱡᱟᱣ, ᱦᱟᱲᱩᱲ ᱟᱨ ᱫᱟᱨᱮ ᱠᱚ ᱯᱨᱟᱠᱨᱤᱛᱤᱜᱛ ᱢᱩᱨᱛᱤ ᱠᱚ ᱛᱮᱭᱟᱨ ᱠᱮᱫᱟ ᱾ ᱴᱚᱴᱷᱟ ᱨᱮᱱᱟᱜ ᱠᱟᱹᱨᱤᱠᱟᱹᱨ ᱠᱚᱣᱟᱜ ᱠᱟᱹᱢᱤ ᱠᱚ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱠᱚ ᱩᱫᱩᱜᱟ, ᱡᱟᱦᱟᱸᱨᱮ ᱢᱟᱨᱵᱚᱞ ᱨᱮ ᱡᱟᱹᱨᱤ ᱫᱟᱜ ᱨᱮᱭᱟᱜ ᱞᱚᱦᱚᱨ, ᱫᱟᱜ ᱪᱮᱛᱟᱱ ᱨᱮ ᱪᱟᱸᱫᱚ ᱨᱮᱭᱟᱜ ᱩᱢᱩᱞ ᱟᱨ ᱢᱤᱫ ᱢᱮᱬᱦᱮᱸᱫ ᱞᱟᱩᱠᱟ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱯᱩᱨᱟᱹᱵ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱡᱤᱭᱚᱱ ᱮᱢᱚᱥᱚᱱ ᱫᱚ ᱱᱤᱛᱚᱜᱟᱜ ᱡᱤᱭᱚᱱ ᱨᱮᱭᱟᱜ ᱥᱩᱱᱫᱚᱨᱛᱟ ᱨᱮ ᱵᱚᱫᱚᱞ ᱮᱫᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
An Villa Aesthetics Pavilion ᱱᱤᱡᱚᱨᱟᱜ ᱠᱞᱚᱵᱽ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ An Villa Aesthetics Pavilion ᱱᱤᱡᱚᱨᱟᱜ ᱠᱞᱚᱵᱽ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The design weakens the commercial and marketing purposes of the project by creating inclusive spatial experience, which evokes strong emotional resonance of users in a warm and silent way.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Area: 200 ㎡
- ᱴᱮᱜ ᱠᱚ
- interior, aesthetics pavillion, club, nature times art, vanke
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- With spatial scenes extending Shaoxing’s historical and cultural endowments and natural context, the project is expected to transform naturalistic oriental sentiments into contemporary life aesthetics through design and artistic expressions. The space combines natural, artistic and retro elements, which conforms to the environment and is approachable. The design weakens the commercial and marketing purposes of the project by creating inclusive spatial experience, which evokes strong emotional resonance of users in a warm and silent way.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Built in a tranquil and natural environment with luxuriant plants, the project is an independent and warm presence in a form of “pavilion” which coexists with the courtyard. The building is enclosed by dark gray grilles and blended with elegant and simple aesthetic images, as if it opens the door of time travel, through which people enter a serene, poetic world. Waterscape, moss and trees form natural, vigorous sculptures. Natural light penetrates the “carved” grille ceiling, creating enframed views with changing shadows and producing a tranquil ambience in which time seems to stop here.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- In such a space wrapped by nature and art, the designers created a realm beyond reality, which is based on reality, but is richer, broader, more profound, closer to eternal beauty, and infinite in space and time dimensions. All the details, such as functions, colors, materials, light and shadows, are combined as eternal carriers of emotions and memories, to let people experience the natural charm and cultural connotations in the space. The design links up the scale and depth of the city’ context, and conveys positive and sustainable values in the flashy and trend-chasing commercial market.
- ᱯᱨᱮᱨᱚᱱᱟ
- With spatial scenes extending Shaoxing’s historical and cultural endowments and natural context, the project is expected to transform naturalistic oriental sentiments into contemporary life aesthetics through design and artistic expressions.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in July 2021 in Shaoxing, China and finished in December 2021.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- To be in line with the project’s attribute as an aesthetics pavilion, artistry is the core of the whole space. Works of local artists are the spiritual clues of each space, and crystalize and sublimate the theme of nature and poetry. Subtly-designed artistic elements, such as the “rain” ripples on the marble, the “moon shadow” moving on the water surface and the “iron ship” that represents the collision and integration of tradition and modernity, reveal the pursuit of nature and stimulate contemporary aesthetic reflection through concise expressions.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Interior finishes design: Nature Times Art Design Co., Ltd.
Interior decoration design: Nature Times Art Aesthetics
Chief designers: Wei Jinjing, Wei Yaocheng, Zhang Huichao
Design team: Xie Gang, Wang Meng - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photography: Yanming Photos
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
