Joana Santos Barbosa ᱨᱮᱱᱟᱜ Niemeyer II I appreciate your request, but I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for specialized modern design concepts. While I can work with many languages, providing an accurate, professional-quality translation of technical design content into Santali would require: ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2022
Niemeyer II I appreciate your request, but I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for specialized modern design concepts. While I can work with many languages, providing an accurate, professional-quality translation of technical design content into Santali would require:
Joana Santos Barbosa ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: InsidherLand
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#138699 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Niemeyer II I appreciate your request, but I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for specialized modern design concepts. While I can work with many languages, providing an accurate, professional-quality translation of technical design content into Santali would require: ᱵᱟᱵᱚᱛ ᱛᱮ
1. Native Santali expertise in design terminology
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Niemeyer II I appreciate your request, but I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for specialized modern design concepts. While I can work with many languages, providing an accurate, professional-quality translation of technical design content into Santali would require: ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Niemeyer II I appreciate your request, but I must be transparent about a significant limitation: Santali is an Austroasiatic language with limited established terminology for specialized modern design concepts. While I can work with many languages, providing an accurate, professional-quality translation of technical design content into Santali would require: ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This is an armchair with a challenging design.
Having a strong narrative speaking behind its organic forms, the creative process was developed in a cohesive dialogue between the general rounded design and the focus on the correct location of the seams.
The symbolism is strong and so it’s the design itself. This armchair is almost minimal in its inner hidden complexity. Reduced to the essential, the design and the details create a graceful symbiosis between form and function. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Dimensions Height 86cm 33,86in Width 94cm 37,00in Depth 92cm 36,22in Seat Height 44cm 17,32in
- ᱴᱮᱜ ᱠᱚ
- roundarmchair, roundchair, chunkychair, modernchair, bouclechair
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Fully handcrafted in the city of Porto, located in the North of Portugal, this armchair is produced by local artisans. The use of traditional techniques is applied to create new contemporary designs.
Product details
Upholstery in InsidherLand Woollen fabric
Base in oak finished in matt varnish - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Challenges are part of the design process and a completely round armchair is no exception.
Inside, the wooden structure presents the necessary complexity for its clean exterior appearance. The construction process included several adjustments, both in the wooden structure and in the exact collation of the seams, to reach the final design, in which we find a total simplicity.
Another anticipated challenge was related to the stability of the chair. By reducing the contact of the base with the floor we were able to offer an enormous freedom to the design. However, several improvements have been defined for its stability.
This armchair is also available with a swivel option. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- Being influenced by the assumptions modernist architecture such as freedom of forms and volumetric organicity, the goal was to create a free design. The handmade production was a process of adjustments between the free sketches, the technical drawings and the real scale modeling. The construction was carried out in full-scale prototypes. While upholstery was improved, the structure had to be adapted to the new demands. Since its launch, this armchair has quickly been a commercial success.
- ᱯᱨᱮᱨᱚᱱᱟ
- The rounded armchair is named after the Brazilian Architect Oscar Niemeyer and its rounded forms are influenced by the House of Canoas designed in 1951.
The modern flat roof offers its flowing forms to the round seat. The backward movement of the curve that frames a large granite boulder is recreated by the location of the diagonal seams that flow all around the arms and seat of the armchair. Seen from above, it really recreates the exact movement into the comfortable seat. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- It took about a year to create the armchair and was released in September 2019 at Maison and Objet in Paris.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Having a refined design and meticulous upholstery work, the Niemeyer II armchair is a best-seller among the designs created by Joana Santos Barbosa.
It is a luxurious armchair that catches the eye of the public, being both a minimal design, yet a statement piece.
Upholstered in a special woven bouclé, this armchair receives people with a gentle embrace and feels the most comfortable place in the room. It is also available with a swivel option. - ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyright InsidherLand 2022, All Rights Reserved
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Video: InsidherLand
Images white background: InsidherLand
Image in a house ambience: Weco Gallery
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