Chao Yang, Zhang Chen and Zhu Xuguang ᱨᱮᱱᱟᱜ Tiger 2022 ᱛᱤᱨᱤᱡᱤᱭᱟᱜ ᱠᱷᱟᱸᱤ ᱡᱤᱱᱤᱥ ᱫᱚ ᱨᱟᱸᱰᱷᱟ ᱥᱟᱢᱟᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱨᱟᱸᱰᱷᱟ ᱥᱟᱢᱟᱱ· 2022
Tiger 2022 ᱛᱤᱨᱤᱡᱤᱭᱟᱜ ᱠᱷᱟᱸᱤ ᱡᱤᱱᱤᱥ
Chao Yang, Zhang Chen and Zhu Xuguang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Communication University of Zhejiang
ᱨᱟᱸᱰᱷᱟ ᱥᱟᱢᱟᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#138538 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Tiger 2022 ᱛᱤᱨᱤᱡᱤᱭᱟᱜ ᱠᱷᱟᱸᱤ ᱡᱤᱱᱤᱥ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱴᱟᱭᱜᱟᱨ ᱒᱐᱒᱒ ᱢᱮᱱᱟᱜᱼᱟ ᱢᱤᱫ ᱠᱷᱟᱸᱤ ᱡᱤᱱᱤᱥ ᱨᱮᱭᱟᱜ ᱥᱮᱴ ᱡᱟᱦᱟᱸ ᱪᱤᱱᱤ ᱡᱟᱱᱛᱟᱨ ᱥᱮᱨᱢᱟ ᱛᱟᱭᱜᱚᱨ ᱨᱮᱭᱟᱜ ᱚᱠᱛᱚ ᱥᱟᱶᱛᱮ ᱰᱤᱡᱟᱤᱱ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱥᱮᱴ ᱨᱮ ᱠᱟᱯ, ᱴᱤᱯᱚᱴ, ᱛᱷᱟᱲᱤ ᱟᱨ ᱥᱚᱥᱟᱨ ᱥᱟᱶᱛᱮ ᱠᱚᱯᱷᱤ ᱠᱟᱯ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱡᱤᱸᱜᱰᱮᱡᱷᱮᱱ ᱠᱷᱚᱱ ᱦᱟᱛ ᱥᱟᱶᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱱᱤᱞ ᱟᱨ ᱯᱩᱸᱰᱩ ᱯᱚᱨᱥᱚᱞᱮᱱ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ, ᱟᱨ ᱚᱱᱟ ᱒᱓᱐᱐ ᱰᱤᱜᱨᱤ ᱨᱮ ᱯᱚᱲᱟᱣ ᱠᱟᱱᱟ ᱾ ᱜᱨᱟᱯᱷᱤᱠ ᱮᱞᱤᱢᱮᱸᱴ ᱠᱚ ᱦᱟᱛ ᱥᱟᱶᱛᱮ ᱟᱹᱲᱟᱹ ᱠᱟᱱᱟ, ᱱᱤᱞ ᱟᱨ ᱯᱩᱸᱰᱩ ᱠᱟᱜᱚᱡ ᱨᱮ ᱵᱮᱱᱟᱣ ᱠᱟᱱᱟ, ᱟᱨᱚ ᱛᱟᱦᱮᱸᱱᱟᱜ ᱛᱮ ᱛᱟᱦᱮᱸ ᱛᱟᱦᱮᱸ ᱴᱩᱠᱨᱟᱭ ᱨᱮ ᱢᱤᱫ ᱚᱲᱫᱟᱨ ᱟᱨ ᱨᱤᱫᱢ ᱟᱨᱮᱸᱡᱢᱮᱱᱴ ᱨᱮ ᱠᱟᱴ ᱟᱨ ᱞᱟᱜᱟᱣ ᱠᱟᱱᱟ ᱾ ᱢᱚᱴᱤᱯ ᱠᱚ ᱨᱮ ᱦᱟᱱ ᱦᱟᱸᱰᱤ ᱨᱮᱭᱟᱜ ᱴᱟᱭᱜᱟᱨ ᱥᱭᱢᱵᱚᱞ, ᱴᱟᱭᱜᱟᱨ ᱠᱟᱞᱤᱜᱨᱟᱯᱷᱤ ᱟᱨ ᱤᱝᱨᱮᱡᱤ ᱠᱟᱛᱷᱟ ᱨᱮᱭᱟᱜ ᱥᱩᱵᱷ ᱠᱟᱛᱷᱟ ᱠᱚ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱤᱱ ᱪᱤᱱᱤ ᱨᱮᱭᱟᱜ ᱯᱚᱨᱚᱢᱯᱚᱨᱮᱭᱟᱜ ᱥᱭᱢᱵᱚᱞ ᱠᱚ ᱥᱟᱶᱛᱮ ᱢᱤᱫ ᱥᱟᱫᱟ ᱟᱨ ᱟᱫᱤᱵᱟᱥᱤ ᱨᱠᱚᱢ ᱴᱩᱞᱮ ᱡᱩᱲᱟᱶ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Tiger 2022 ᱛᱤᱨᱤᱡᱤᱭᱟᱜ ᱠᱷᱟᱸᱤ ᱡᱤᱱᱤᱥ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Tiger 2022 ᱛᱤᱨᱤᱡᱤᱭᱟᱜ ᱠᱷᱟᱸᱤ ᱡᱤᱱᱤᱥ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- When the year of the tiger is coming, they use porcelain as the carrier of traditional Chinese cultural symbols and internationalist style as the design expression of cross-border integration - designers effectively integrate elements such as the tiger symbol of the Han Dynasty, "tiger" calligraphy, various "tiger" characters, the artist's design manuscript of the year of the tiger, the English auspicious language of the year of the tiger and so on, It not only has the expression of traditional Chinese culture, but also has the simplicity and fashion of internationalist design style.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Cup length 80mm, depth 80mm, height 95mm;
Teapot length 70mm, depth 70mm, height 100mm;
The length of large plate is 300mm;
Medium plate length 250mm;
Small plate length 200mm;
Coffee cup length 65mm, depth 65mm, height 70mm;
Coffee dish length 135mm, depth 135mm. - ᱴᱮᱜ ᱠᱚ
- Ceramic design,Cultural creation,tableware,Art design,Jingdezhen
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- It is made of the most representative handmade blue and white porcelain in Jingdezhen and fired at 1300 degrees. For the two designers, each design work is a unique artistic expression.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The project aims to explore and extract the connotation of Chinese traditional culture and visual symbols of traditional culture, and interpret the cultural elements of the East and the West in an international perspective and design expression through modern design concepts and aesthetic fashion
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Taking the tiger of the Chinese Zodiac as the design theme, they jointly designed a household ceramic, understood many tiger related cultures, and interpreted the Oriental and Western cultures of the times with ceramic techniques, thus making a new breakthrough in the ceramics of the Chinese zodiac in 2022.
- ᱯᱨᱮᱨᱚᱱᱟ
- The tiger is the most popular mascot among the twelve zodiac animals, symbolizing ferocity, perseverance and vitality. In nature, people regard the tiger as the king of all animals, with the inherent king style. It is a cultural totem respected by people, endowed with many beautiful meanings of auspiciousness and blessing, and an important expression of "the picture must be intentional and the meaning must be auspicious" in Chinese traditional culture.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project was held in Jingdezhen, Jiangxi Province in June 2021 and submitted for completion in December 2021.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Hand create graphic elements about the theme of the year of the tiger, and then make them into blue and white paper. Cut and paste them on ceramic tableware for orderly and rhythmic arrangement. After firing at 1300 degrees, the work is finally formed
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Yang Chao
Zhang Chen
Zhu Xuguang.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
