Shunsuke Ohe ᱨᱮᱱᱟᱜ Mouiller I apologize, but I cannot provide an accurate translation of this design content into Santali. While I have extensive knowledge of many languages, Santali is a less-documented language in my training data, particularly for specialized technical and design terminology. ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022
Mouiller I apologize, but I cannot provide an accurate translation of this design content into Santali. While I have extensive knowledge of many languages, Santali is a less-documented language in my training data, particularly for specialized technical and design terminology.
Shunsuke Ohe ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Shunsuke Ohe
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#138178 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Mouiller I apologize, but I cannot provide an accurate translation of this design content into Santali. While I have extensive knowledge of many languages, Santali is a less-documented language in my training data, particularly for specialized technical and design terminology. ᱵᱟᱵᱚᱛ ᱛᱮ
Providing a translation without sufficient knowledge of Santali would risk:
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Mouiller I apologize, but I cannot provide an accurate translation of this design content into Santali. While I have extensive knowledge of many languages, Santali is a less-documented language in my training data, particularly for specialized technical and design terminology. ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Mouiller I apologize, but I cannot provide an accurate translation of this design content into Santali. While I have extensive knowledge of many languages, Santali is a less-documented language in my training data, particularly for specialized technical and design terminology. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- We completely renovated a two-story building that was built as a warehouse about 90 years ago.
Although the interior and exterior of the building are old, there is no extra decoration inside, and the space is simple and very dynamic with an atrium.
The building was reinforced in some places and revived as an esthetic salon. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Project area : 270 sqm
/ Category : aesthetic salon - ᱴᱮᱜ ᱠᱚ
- interior design , aesthetic salon , Shunsuke Ohe , LUSTYdesign Inc.
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The 90-year-old finishing materials used at the time of construction were utilized as they were 90 years ago, while new finishing materials were mixed in.
Ceiling: wood planks (as built), paint
/ Walls: plaster, paint, tile, wallpaper
/ Floor: wood flooring, mortar, tile - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The treatment booths on the second floor are designed to maintain privacy while ensuring the dynamism of the space. Some people would be nervous during the treatment because they are undressed. The space is designed to provide a sense of openness and relaxation while maintaining privacy to dispel the anxieties of such people.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The first floor is an open space, while the second floor is a space where privacy is important, as it is mainly used as a treatment booth, and the functionality required for each floor is different while taking into consideration the unity and continuity of the entire space. The interior design and floor plan also take this into consideration.
- ᱯᱨᱮᱨᱚᱱᱟ
- The old Japanese style building, which is about 90 years old, was redecorated to create an exotic space with a mix of Eastern and Western tastes.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Project Duration: From August 2021 to Octobar 2021
Project location : Osaka(Japan) - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The building is two-story, with the first floor consisting of a reception area, interview space, event space, and
Treatment booths and powder rooms are located on the second floor.
The six treatment booths are connected in concentric circles, and a large circular public sofa sits in the center of them like a monument.
In addition, there is a 10-meter-high atrium from the first floor to the ceiling of the second floor, creating dynamism in the space. - ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Interior design : LUSTYdesign Inc.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Interior design : SHUNSUKE OHE
Lighting design : NATSUKI SUDO and Miyuu Ochiai - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photograph : TETSURO GOTO by ISOLA Inc.
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