ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Beatriz Rezende Di Cunto ᱨᱮᱱᱟᱜ Graphic ᱥᱚᱯᱷᱟ

Beatriz Rezende Di Cunto ᱨᱮᱱᱟᱜ Graphic ᱥᱚᱯᱷᱟ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2022

Graphic ᱥᱚᱯᱷᱟ

Beatriz Rezende Di Cunto ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Bia Rezende

ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#136979 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Graphic ᱥᱚᱯᱷᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱜᱽᱨᱟᱯᱷᱤᱠ ᱫᱚ ᱢᱮᱱᱟᱜ ᱮᱴᱟᱜᱮᱛ ᱛᱟᱦᱮᱸᱱ ᱡᱟᱭᱜᱟ ᱟᱨ ᱛᱟᱦᱮᱸᱱ ᱚᱲᱟᱜ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱛᱮᱭᱟᱨ ᱮᱱ ᱢᱤᱫ ᱥᱚᱯᱷᱟ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱨᱩᱯ ᱫᱚ ᱥᱟᱦᱴᱟ ᱟᱨ ᱡᱚᱢᱮᱴᱨᱤ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱪᱮᱛᱟᱱ ᱥᱟᱡᱟᱣ ᱵᱟᱹᱱᱩᱜ ᱟ ᱾ ᱴᱮᱠᱟᱱ ᱡᱟᱭᱜᱟ ᱫᱚ ᱢᱤᱫ ᱜᱚᱞᱟᱱ ᱨᱩᱯ ᱠᱷᱚᱱ ᱦᱩᱭᱮᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱡᱟᱜ ᱛᱤᱱᱟᱹᱜ ᱜᱩᱱ ᱨᱮᱰᱤᱭᱟᱥ ᱦᱟᱵᱤᱡ ᱡᱟᱹᱛᱤᱭᱟᱹᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱴᱷᱟᱶᱟᱣᱟᱠᱟᱱ ᱫᱩᱨᱩᱵ ᱡᱟᱭᱜᱟ ᱨᱮ ᱦᱟᱞᱠᱟ ᱥᱟᱠᱟᱢ ᱮᱢᱟᱭ ᱾ ᱯᱷᱨᱮᱢ ᱫᱚ ᱟᱜᱟᱢ ᱵᱟᱱᱟᱣ ᱫᱟᱨᱮ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱴᱷᱟᱶᱟᱣᱟᱠᱟᱱ ᱡᱟᱭᱜᱟ ᱨᱮ ᱞᱤᱯᱴᱚᱥ ᱟᱨ ᱮᱴᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱮ ᱯᱤᱱᱩᱥ ᱾ ᱫᱩᱨᱩᱵ ᱡᱟᱭᱜᱟ ᱨᱮ ᱃᱐ ᱰᱮᱱᱥᱤᱴᱤ ᱨᱮᱱᱟᱜ ᱯᱷᱚᱢ ᱢᱮᱱᱟᱜ ᱟ, ᱟᱨ ᱡᱟᱶᱨᱟ ᱫᱚ ᱠᱟᱨᱵᱚᱱ ᱤᱥᱯᱟᱛ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱚᱴᱚᱢᱚᱴᱤᱣ ᱨᱚᱝ ᱛᱮ ᱨᱚᱝᱟᱠᱟᱱᱟ ᱾ ᱚᱲᱟᱜᱥᱟᱠᱟᱢ ᱫᱚ ᱱᱮᱪᱩᱨᱟᱞ ᱠᱟᱯᱲᱟ ᱠᱟᱱᱟ ᱾ ᱫᱩᱨᱩᱵ ᱟᱨ ᱚᱛ ᱛᱟᱞᱟ ᱨᱮᱱᱟᱜ ᱯᱷᱟᱸᱠ ᱫᱚ ᱩᱭᱦᱟᱹᱨ ᱠᱟᱹᱢᱤ ᱟᱨᱦᱚᱸ ᱟᱞᱜᱟ ᱦᱩᱭ ᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Graphic ᱥᱚᱯᱷᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Graphic ᱥᱚᱯᱷᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
With a simple and geometric design, without any ornaments, a unique form that follows the function: to sit. The Graphic sofa presents a balance between the structured, rigid sitting, with the curved design, bringing lightness to the room. It is a great choice for receptions and living rooms.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Dimensions: W.215cm x D.65cm x H.105cm
ᱴᱮᱜ ᱠᱚ
sofa, contemporary, comfortable, office, home, furniture, sitting
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The sofa is made with reforestation woods: Lyptus in the structural parts and Pinus in the other parts. It has 30 density foam in its seat, carbon steel feet painted with automotive paint and natural fabric.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The major challenge was to respect the ergonomics and confort without losing the design of the piece.
ᱜᱚᱵᱮᱥᱚᱱᱟ
With a creative process in which form is first thought, then function and ergonomics, the designer investigated the circular shape in the extract of its origin: the point. Bringing Kandisnky's phrase that was an inspiration for the creation of unique design pieces that present themselves with pure geometric shapes.: "The line is a moving point". The creation of the sofa emerged from the observation of the circular shape and its possible functions, the shape was assigned the function of a backrest and then, by extending this shape by 3 times from its radius, the designer visualized a backrest of a sofa.
ᱯᱨᱮᱨᱚᱱᱟ
The designer is enchanted by visual language since she was little and prefers images to long texts. She saw in the infographics that accompanied her throughout her student life, shapes that could become design objects. At the same time, she delved into deep studies of concrete art and geometric abstractionism and this brought her the idea of transforming the forms into furniture.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in November 2018 in Sao Paulo and finished in June 2019 in Sao Paulo.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The piece is comfortable and perfect for public spaces such as receptions, once they promote a formal way of seating. In addition, the sofa provides an easy way to clean the room through the gap between the seat and the floor.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer: Marco Antonio

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ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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