AD Architecture ᱨᱮᱱᱟᱜ Chasing Light ᱢᱩᱲᱩᱛ ᱠᱟᱹᱢᱤ: ᱚᱰᱚᱠ ᱩᱫᱩᱜ ᱚᱲᱟᱜ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2022
Chasing Light ᱢᱩᱲᱩᱛ ᱠᱟᱹᱢᱤ: ᱚᱰᱚᱠ ᱩᱫᱩᱜ ᱚᱲᱟᱜ
AD Architecture ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: AD Architecture
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#135973 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Chasing Light ᱢᱩᱲᱩᱛ ᱠᱟᱹᱢᱤ: ᱚᱰᱚᱠ ᱩᱫᱩᱜ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱪᱮᱥᱤᱝ ᱞᱟᱭᱴ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱯᱷᱳᱥᱟᱱ ᱨᱮ ᱢᱤᱫ ᱥᱮᱨᱟᱢᱤᱠ ᱴᱟᱭᱤᱞ ᱵᱽᱨᱟᱸᱰ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱢᱤᱫ ᱚᱰᱚᱠ ᱩᱫᱩᱜ ᱚᱲᱟᱜ ᱠᱟᱱᱟ ᱾ ᱵᱷᱤᱛᱤᱨ ᱨᱮᱭᱟᱜ ᱯᱟᱥᱱᱟᱣ ᱫᱚ ᱘᱙᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱟᱨ ᱠᱟᱱᱟ ᱟᱨ ᱟᱛᱮᱡ, ᱩᱫᱩᱜ ᱟᱨ ᱟᱹᱭᱩᱨ ᱡᱟᱭᱜᱟ ᱢᱮᱥᱟ ᱟᱠᱟᱫᱟ ᱾ ᱥᱮᱨᱟᱢᱤᱠ ᱴᱟᱭᱤᱞ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱯᱩᱱ ᱵᱷᱟᱜ ᱨᱮ ᱥᱮᱡᱚᱱ ᱟᱠᱟᱱᱟ ᱟᱨ ᱡᱟᱭᱜᱟ ᱵᱷᱤᱛᱤᱨ ᱨᱮᱭᱟᱜ ᱥᱚᱨᱚᱥ ᱟᱨ ᱚᱴᱟᱝ ᱛᱚᱨᱚᱯ ᱨᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ ᱾ ᱡᱳᱢᱮᱴᱨᱤᱠ ᱛᱚᱨᱚᱯ ᱟᱨ ᱚᱲᱟᱜ ᱠᱚ ᱨᱮᱭᱟᱜ ᱢᱟᱯ ᱫᱚ ᱢᱟᱨᱟᱝ ᱥᱤᱱᱴᱟᱨᱰ ᱥᱴᱚᱱ ᱯᱟᱱᱮᱞ ᱠᱚ ᱩᱫᱩᱜ ᱚᱪᱚᱣᱟ ᱾ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱯᱟᱱᱮᱞ ᱠᱚ ᱨᱮᱭᱟᱜ ᱥᱩᱫᱷᱩ ᱛᱮᱠᱥᱪᱚᱨ ᱠᱚ ᱡᱟᱹᱯᱩᱫ ᱮᱫᱟ ᱾ ᱢᱩᱬᱩᱛ ᱡᱤᱱᱤᱥ ᱠᱚ ᱫᱚ ᱥᱤᱱᱴᱟᱨᱰ ᱥᱴᱚᱱ ᱯᱟᱱᱮᱞ, ᱠᱟᱞᱟ ᱨᱚᱝ, ᱥᱴᱮᱱᱞᱮᱥ ᱤᱥᱴᱤᱞ ᱟᱨ ᱮᱠᱨᱤᱞᱤᱠ ᱢᱮᱱᱛᱮ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ ᱾ ᱞᱮᱭᱟᱩᱴ ᱫᱚ ᱟᱛᱮᱡ ᱠᱚ ᱢᱤᱫ ᱯᱟᱨᱥᱟᱞ ᱦᱚᱨ ᱛᱮ ᱞᱟᱦᱟ ᱮᱫᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Chasing Light ᱢᱩᱲᱩᱛ ᱠᱟᱹᱢᱤ: ᱚᱰᱚᱠ ᱩᱫᱩᱜ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Chasing Light ᱢᱩᱲᱩᱛ ᱠᱟᱹᱢᱤ: ᱚᱰᱚᱠ ᱩᱫᱩᱜ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The product display space continues the overall design logic. To solve the problem of exhibition, ceramic tile products are divided into four categories, and are showcased in a pure manner on the horizontal and vertical surfaces within the space. With the interaction of light and geometric forms, and based on architectural aesthetics, the design expresses the confidence of the space and highlights the high-end products.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Building area:890 square meters
Type:Showroom - ᱴᱮᱜ ᱠᱚ
- AD ARCHITECTURE, Xie Peihe, plain aesthetics, light & geometric forms, corporate headquarters, brand display
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The geometric form and scale of the space highlight the large size of sintered stones. Complemented by light, the textures of natural sintered stones are strengthened. The tranquil light, powerful forms and natural tactile experience are intriguing, evoking various emotions and thinking.
Main materials: sintered stone panel, artistic paint, stainless steel, acrylic - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Conventional showrooms face two common problems. First, the conventional spatial pattern restricts products to expressing themselves. Second, unreasonable ways of product display make the space disorderly, and do not well show the strengths of products, thereby lowering buyers' shopping desires.
There are 38 types of sintered stone panels, which can be used in 54 different ways in various spaces. To efficiently display the diversified uses of such a variety of products posed a big challenge. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design breaks the homogeneous design of conventional showrooms and ways of product display, and enables products to resonate with the space, nature, people and time. It's a bold exploration of showroom design in China's ceramics sector.
By releasing the column networks of the space, the project creates a free, relaxing spatial atmosphere and well-organized circulation route, allowing visitors to experience all products and participate in every spatial node by following the set circulation. - ᱯᱨᱮᱨᱚᱱᱟ
- Based on the core values of the ceramic tile brand with a history of 25 years, the project adopts the design logic that meets the demands of contemporary and future exploration, and shows respect to the brand's culture and core. The design team dug into the philosophy that respects nature and values a plain aesthetic. Through architectural space and light, the designers expressed their understanding of the ceramic tile products with a confident attitude.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- Start time: 2021.08
Completion time: 2021.11
Location: Foshan, Guangdong Province - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The reception lobby breaks the original high and closed space, lowers the height of the ceiling, and creates interesting forms and a sense of strength, which visually extends the interior surfaces, enriches the spatial layers and effectively removes the oppressive feeling brought by closed space.
The design displays the brand's image in an interactive manner, and creates connection between the 12 square columns and the brand. Several transitional spaces are inserted to link spatial nodes. - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chief designer:Xie Peihe
Furnishings:AD ARCHITECTURE - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Ouyang Yun
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
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ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
