Chuanjin Sun ᱨᱮᱱᱟᱜ Changzhou Zhimu Spa ᱥᱯᱟ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱩᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2022
Changzhou Zhimu Spa ᱥᱯᱟ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱩᱱ
Chuanjin Sun ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Wuxi Fusican Space Design Co., Ltd
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#135945 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Changzhou Zhimu Spa ᱥᱯᱟ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱩᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱪᱟᱝᱡᱷᱳ ᱡᱷᱤᱢᱩ ᱥᱯᱟ ᱫᱚ ᱪᱟᱝᱡᱷᱳ ᱨᱮ ᱑᱐᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱟᱨ ᱨᱮᱱ ᱢᱤᱫ ᱥᱯᱟ ᱵᱷᱤᱛᱚᱨ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱵᱷᱤᱛᱚᱨ ᱟᱠᱷᱲᱟ ᱱᱤᱨᱢᱟᱬ ᱨᱮᱭᱟᱜ ᱫᱮᱠᱷᱟᱣ ᱠᱷᱚᱱ ᱚᱛᱟᱣ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱢᱟᱨᱟᱝ ᱟᱭᱛᱚᱱ ᱟᱨ ᱠᱳᱬ ᱫᱟᱨᱟ ᱢᱮᱱᱟᱜ ᱾ ᱵᱷᱤᱛ, ᱦᱚᱨ ᱟᱨ ᱮᱛᱚᱦᱚᱵ ᱡᱟᱭᱜᱟ ᱠᱚ ᱫᱚ ᱠᱩᱲᱟᱹᱭ ᱵᱚᱞᱚᱠ ᱞᱮᱠᱟ ᱛᱮ ᱠᱟᱹᱢᱤ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱩᱢᱩᱞ ᱜᱮᱨᱮ ᱤᱴᱟᱞᱤᱭᱟᱱ ᱫᱷᱤᱨᱤ ᱜᱩᱲᱤ ᱨᱚᱝ ᱮᱢ ᱟᱠᱟᱱᱟ ᱾ ᱫᱷᱤᱨᱤ ᱨᱮ ᱞᱟᱫᱮ ᱟᱠᱟᱱ ᱥᱤᱲᱤ ᱠᱚ ᱫᱚ ᱯᱟᱛᱞᱟ ᱯᱩᱸᱰ ᱤᱥᱯᱟᱛ ᱛᱟᱨ ᱛᱮ ᱚᱴᱟᱝ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱢᱤᱫ ᱟᱲᱜᱟ ᱟᱲᱜᱟ ᱟᱭᱛᱚᱱ ᱛᱮᱭᱟᱨ ᱦᱩᱭ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱢᱩᱨᱛ ᱞᱮᱠᱟ ᱛᱮᱱ ᱠᱮ ᱛᱮᱱᱟ ᱾ ᱢᱚᱴᱟ ᱮᱞᱩᱢᱤᱱᱤᱭᱟᱢ ᱯᱟᱛᱟ ᱜᱩᱲᱤ ᱨᱚᱝ, ᱟᱹᱨᱥᱤ ᱡᱩᱞᱟᱹ ᱵᱟᱝ ᱚᱨᱮᱡ ᱤᱥᱯᱟᱛ, ᱫᱷᱤᱨᱤ ᱟᱨ ᱢᱤᱫ LED ᱯᱚᱨᱫᱟ ᱫᱚ ᱵᱷᱤᱛᱚᱨ ᱠᱚ ᱯᱩᱨᱟᱹᱣ ᱠᱮᱫᱟ, ᱵᱟᱦᱨᱮ ᱨᱮᱱ ᱦᱚᱲᱚ ᱠᱷᱚᱱ ᱢᱤᱫ ᱨᱩᱠᱟᱹ ᱟᱨ ᱜᱩᱯᱛᱩ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱠᱮᱫᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Changzhou Zhimu Spa ᱥᱯᱟ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱩᱱ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Changzhou Zhimu Spa ᱥᱯᱟ ᱵᱷᱤᱛᱚᱨ ᱰᱤᱡᱟᱭᱩᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The internal space is developed from the design perspective of "internal architecture". The huge volume, the stacked thick concrete, and the angular outlines are difficult to describe this style in aesthetic terms. However, it is undeniable that the charm and shock of these sci-fi scenes show a purely rigid and beautiful space experience.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project covers a total of 1000 square meters.
- ᱴᱮᱜ ᱠᱚ
- Interior, Commercial, Spa, Mysterious, Simple, Natural, Art, Human Beauty
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The main materials in this project are Italian stone powder paint, thick aluminum plate powder coating, mirror stainless steel, stone, LED screen.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The tea area, glass, screen and light are playful between light and shadow. The dramatic effects of reflection and refraction are vividly displayed. Visitors who have been dragged away from daily life seem to be in a fuzzy three-dimensional depth space, and the dynamic picture on the screen is facing again. The direction of time and space transforms the four-dimensional space, feels the softness and mystery brought by the transformation of time and space.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- In the fast-paced era, almost everyone's brain needs to passively receive countless information every day. When people are caught in impetuousness, what people need and desire more is to be empty and quiet.
- ᱯᱨᱮᱨᱚᱱᱟ
- The sharp edges and corners, the vigorous body, the thick material, and the light environment and texture reproduce the moderate gentleness, creating an illusory, mysterious, and deep place to offset the turbulent impetuousness and noise of the outside world.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in September 2019 in Changzhou and finished in April 2020 in Changzhou.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- In the corner of the welcoming light, the stone-stacked stairs are covered by countless white thin steel strips from top to bottom, and then interwoven and wrapped to form a transparent space, standing like a giant sculpture draped in tulle, faint and charming, transformed into a gentleness.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Ming Chen, 2020.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chief Designer: Chuanjin Sun
Assistant Designer: Liang Mei - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer Ming Chen, Changzhou Zhimu Spa, 2020.
Image #2: Photographer Ming Chen, Changzhou Zhimu Spa, 2020.
Image #3: Photographer Ming Chen, Changzhou Zhimu Spa, 2020.
Image #4: Photographer Ming Chen, Changzhou Zhimu Spa, 2020.
Image #5: Photographer Ming Chen, Changzhou Zhimu Spa, 2020.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
