ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ghih Hsiang Cheng ᱨᱮᱱᱟᱜ Lightclassical ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱚᱱᱟᱹ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱡᱩᱢ ᱥᱟᱡᱟᱣ ᱥᱟᱯᱲᱟᱣ (Residential Interior Design)

Ghih Hsiang Cheng ᱨᱮᱱᱟᱜ Lightclassical ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱚᱱᱟᱹ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱡᱩᱢ ᱥᱟᱡᱟᱣ ᱥᱟᱯᱲᱟᱣ (Residential Interior Design) ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Lightclassical ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱚᱱᱟᱹ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱡᱩᱢ ᱥᱟᱡᱟᱣ ᱥᱟᱯᱲᱟᱣ (Residential Interior Design)

Ghih Hsiang Cheng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Chang Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#134151 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Lightclassical ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱚᱱᱟᱹ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱡᱩᱢ ᱥᱟᱡᱟᱣ ᱥᱟᱯᱲᱟᱣ (Residential Interior Design) ᱵᱟᱵᱚᱛ ᱛᱮ

ᱯᱩᱛᱷᱤ ᱚᱱᱚᱲ: Lightclassical ge ott ako baar sel (300) square meter khon eŋga hormo orak' reyaag ott sajaw sapɽaw kan, ale nea orak' re punel kamra, bar hall aar pe gusu' kamra menaɁa. Nea orak' neoclassical rong re bɛnaw akana. Puṇɖi rong (White) ge rong-a sajaw reyaag bunyad kanae, jaha te bhitor'reyaag hawa rong-hormo do saturated rong ko te rong-tel bɛnaw akaɁa. Sisin (mirror), degɽi kagoj (wallpaper) aar sajaw rong ko kamra ko re gohor rasika emo'a. Cholot lɛn ko har-ek jayga reyaag rup do neat aar chokoṇ tabe doho keda. Chali do sanam lebel aar chaya bɛbhar akadea jaha do indirect ɟilas reyaag khadi ko dhoro'a. Sutuŋ duar ko do neam-e phereye ena, jate ai-baba, eŋga aar pon-eŋga - nea pe gaṛi (three generations) ho hoyoke oṇe seno joṛaw ete.

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Lightclassical ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱚᱱᱟᱹ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱡᱩᱢ ᱥᱟᱡᱟᱣ ᱥᱟᱯᱲᱟᱣ (Residential Interior Design) ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Lightclassical ᱨᱮᱦᱚᱸ ᱴᱷᱤᱠᱚᱱᱟᱹ ᱠᱟᱹᱢᱤ: ᱚᱲᱟᱜ ᱡᱩᱢ ᱥᱟᱡᱟᱣ ᱥᱟᱯᱲᱟᱣ (Residential Interior Design) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Setting out from creating the life scenery for the owner, the designer lets the space show proper grace, and the ingenuity is concentrated in the detail. Like the use of color, with white as the base, the saturated color is to brighten the atmosphere; for the moving line design, it keeps the contour of each area neat and square; in the daily vision design of the owner, the three generations can see each other when they open the bedroom door.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This is a residential house that has 4 rooms, 2 halls and 3 toilets, totally over 300-square-meters.
ᱴᱮᱜ ᱠᱚ
Interior, Design, House, Residence
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
In order to maintain the simple and elegant atmosphere of the space, but not boring, the designer maintains the sense of space unity and rich levels with the decorative color, mirror, wallpaper and other different materials interspersed; and on the ceiling design, the shadow in the corner with multi-level design could receive the lamp groove of indirect illumination elegantly.
In addition, the designer slightly adjusts the direction of bedroom door in the original space, let the family open the door and see each other immediately.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The requirement of the owner is very clear. In addition to the beloved neoclassical style, another insistence is the indirect lighting on the ceiling. In order to avoid the obtrusive light groove embedded for the indirect lighting, the designer puts great effort on the ceiling, with multi-level and shadow layout, to gently receive the existence of light groove.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The layout of public space is also the key of the designer's efforts. The color of dining table continues the elegance of living room, and the furniture is placed delicately to create a depth of field in the public space, calm, graceful, and delicate.
ᱯᱨᱮᱨᱚᱱᱟ
The designer sets out from the neoclassicism style that the house owner prefers, with the material in abstemious use of color and full of ingenuity, to create the clean, elegant, and not rigid spatial expression. The designer also carefully considers the daily life of house owner; from the three generations of the family opening the bedroom doors, to sitting on the sofa to look around, all lines of sight from morning to evening, are the designer carefully outlined life scenery.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project is located in a building overlooking the river view in Xindian District of New Taipei City.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Under the designer's careful construction, the scenery of home is not limited to the scene seen from the window, but the seemingly ordinary bedroom, living room, dining table, and even the lamp groove on the ceiling have become the daily scenery of the owner. Here, the space not only bears the function, but also looks like an elegant painting, and the three generations in the same house can not only appreciate the life scenery, but also the most precious bright spot in the painting.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: GHIH HSIANG CHENG

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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