Pepe Lima ᱨᱮᱱᱟᱜ Fly ᱟᱨᱢᱪᱮᱭᱟᱨ (ᱛᱤ ᱥᱟᱦᱟᱛᱟ ᱪᱮᱭᱟᱨ) ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2022
Fly ᱟᱨᱢᱪᱮᱭᱟᱨ (ᱛᱤ ᱥᱟᱦᱟᱛᱟ ᱪᱮᱭᱟᱨ)
Pepe Lima ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Móveis James
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#131645 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Fly ᱟᱨᱢᱪᱮᱭᱟᱨ (ᱛᱤ ᱥᱟᱦᱟᱛᱟ ᱪᱮᱭᱟᱨ) ᱵᱟᱵᱚᱛ ᱛᱮ
ᱯᱷᱞᱟᱭ (Fly) ᱫᱚ ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱢᱤᱫᱴᱟᱹᱝ ᱟᱨᱢᱪᱮᱭᱟᱨ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱰᱤᱠᱚᱱᱥᱴᱨᱟᱠᱴᱤᱵᱷᱤᱥᱴ ᱠᱚᱢᱯᱚᱡᱤᱥᱚᱱ ᱨᱮᱭᱟᱜ ᱯᱟᱲᱦᱟᱣ ᱪᱮᱛᱟᱱ ᱨᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ᱾ ᱚᱱᱟᱛᱮ ᱦᱟᱹᱴᱤᱧ ᱠᱚ ᱫᱚ ᱟᱞᱜᱟ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱡᱮᱢᱚᱱ ᱯᱷᱩᱴᱟᱹᱣ ᱟᱠᱟᱱ ᱞᱮᱠᱟ᱾ ᱢᱮᱱᱠᱷᱟᱱ ᱡᱚᱛᱚ ᱢᱤᱫ ᱛᱮ ᱢᱤᱫᱴᱟᱹᱝ ᱥᱩᱥᱟᱹᱨ ᱯᱩᱨᱟᱹᱣ ᱨᱩᱯ ᱠᱚ ᱵᱮᱱᱟᱣᱟ᱾ ᱪᱮᱛᱟᱱ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱜᱩᱞᱩ ᱟᱠᱟᱱ ᱠᱚᱱᱟ ᱠᱚ ᱧᱮᱞ ᱛᱮ ᱵᱷᱮᱜᱟᱨ ᱧᱮᱞᱚᱜ ᱠᱚ ᱠᱚᱢᱚᱜᱼᱟ᱾ ᱵᱷᱤᱛᱨᱤᱨᱮ ᱢᱤᱫᱴᱟᱹᱝ ᱠᱮᱴᱮᱡ ᱠᱟᱴ ᱨᱮᱭᱟᱜ ᱥᱴᱨᱟᱠᱪᱚᱨ ᱫᱚ ᱫᱩᱲᱩᱵ ᱡᱟᱭᱜᱟ ᱟᱨ ᱫᱮᱭᱟ ᱥᱟᱦᱟᱛᱟ (ᱵᱮᱠᱨᱮᱥᱴ) ᱠᱚ ᱛᱷᱟᱢᱟᱜᱼᱟ ᱟᱨ ᱮᱴᱟᱜ ᱦᱟᱹᱴᱤᱧ ᱠᱚᱦᱚᱸ ᱜᱚᱜᱼᱟᱭ᱾ ᱱᱚᱶᱟ ᱥᱴᱨᱟᱠᱪᱚᱨ ᱫᱚ ᱯᱷᱚᱢ ᱟᱨ ᱠᱤᱪᱨᱤᱡ ᱛᱮ ᱫᱷᱟᱵᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱟᱨ ᱦᱟᱹᱴᱤᱧ ᱠᱚ ᱟᱨ ᱡᱟᱝᱜᱟ ᱠᱚ ᱫᱚ ᱩᱠᱩ ᱡᱟᱭᱜᱟ ᱨᱮ ᱥᱠᱨᱩ ᱛᱮ ᱛᱚᱞ ᱟᱠᱟᱱᱟ᱾ ᱛᱤ ᱫᱚᱦᱚ ᱡᱟᱭᱜᱟ (ᱟᱨᱢᱨᱮᱥᱴ) ᱞᱟᱛᱟᱨᱨᱮ ᱵᱟᱨᱭᱟ ᱪᱚᱠᱷᱟ ᱦᱟᱹᱴᱤᱧ ᱫᱚ ᱛᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱡᱟᱝᱜᱟ ᱠᱚᱨᱮ ᱫᱟᱲᱮ ᱠᱚ ᱥᱮᱞᱮᱫᱟ᱾ ᱯᱷᱞᱟᱭ ᱨᱮᱭᱟᱜ ᱢᱟᱯ ᱫᱚ ᱙᱑ x ᱗᱓ x ᱘᱐ ᱥᱮᱸᱴᱤᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Fly ᱟᱨᱢᱪᱮᱭᱟᱨ (ᱛᱤ ᱥᱟᱦᱟᱛᱟ ᱪᱮᱭᱟᱨ) ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Fly ᱟᱨᱢᱪᱮᱭᱟᱨ (ᱛᱤ ᱥᱟᱦᱟᱛᱟ ᱪᱮᱭᱟᱨ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The Fly armchair's greatest differentials are its illusorily disconnected parts, which are presented as something "exploded" and which awaken the spectator's reflection: "how can everything be in its proper place without the aid of wooden crosspiece, screws and supports?" The layers play and the paradoxical perception of a product with totally separate elements, but resulting in a harmonious whole, is also one of the attributes that makes Fly different from other products in the same category.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- L91 x W73 x H80 cm
- ᱴᱮᱜ ᱠᱚ
- Furniture, modern, plywood, wood, armchair, exploded, deconstructivism, disconnection, confort
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Due to the absence of crosspieces and other fixation points, the armchair has an elaborate solid wooden structure inside that at the same time accommodates the seat and backrest, it serves as the main structure for the armchair. Such structure is covered with foam and fabric where the other parts and feet are screwed in a hidden and strategic way. After that, the two pointed "under armrests" are attached to the armchair, which besides being aesthetic, play an important function in the structuring and solidity of the armchair feet and arms.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The main challenge in the Fly Armchair, was to develop methods to assemble all the parts of the product as invisibly and sturdy as possible.
- ᱯᱨᱮᱨᱚᱱᱟ
- Contrary to most creations Fly was not born through a source of material inspiration; it is the result of studies of deconstructivist compositions with the objective of creating a product with disconnected elements but that paradoxically could result in a harmonious object. The focus was to use the "organized-chaos" with a concordance of the radii between the edges that soften the discontinuity and convey the impression of something exploded while fitting together with precision and coherence.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in September 2020 in São Bento do Sul / Brazil and finished in March 2021.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Due to the choice of materials, the armchair is a product totally designed for indoor environments and is not suitable for wet and outdoor environments. Extremely humid environments or direct contact with water can damage and warp the plywood. Direct sunlight should be avoided so as not to fade the plywood and fabric. In the case of synthetic leather, overheating can reduce its life cycle.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
