Ahmad Mirjani ᱨᱮᱱᱟᱜ Archie ᱠᱩᱨᱦᱤ ᱫᱚ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱯᱷᱟᱨᱱᱤᱪᱟᱨ· 2022
Archie ᱠᱩᱨᱦᱤ
Ahmad Mirjani ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Ahmad Mirjani
ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#130910 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Archie ᱠᱩᱨᱦᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱟᱨᱪᱤ ᱢᱮᱱᱠᱷᱟᱱ ᱢᱤᱡᱟᱹ ᱛᱟᱨ ᱠᱩᱨᱦᱤ ᱡᱟᱦᱟᱹ ᱤᱥᱞᱟᱢᱤ ᱥᱴᱟᱴᱩᱠᱟᱴᱷᱟ ᱠᱷᱚᱱ ᱯᱨᱮᱨᱬᱟ ᱧᱟᱢᱟᱠᱟᱱᱟ ᱾ ᱡᱟᱠᱟᱛ ᱨᱮᱭᱟᱜ ᱨᱩᱠᱷᱚ ᱟᱨᱠ ᱢᱮᱦᱮᱨ ᱴᱟᱭ ᱨᱮᱭᱟᱜ ᱡᱩᱢᱮᱴᱨᱤ ᱮᱢ ᱡᱤᱭᱟᱹᱱ ᱠᱟᱱᱟ, ᱟᱨ ᱱᱚᱶᱟ ᱱᱤᱛᱚᱜ ᱡᱤᱵᱚᱱ ᱞᱟᱹᱜᱤᱛ ᱵᱚᱫᱚᱞ ᱠᱟᱱᱟ ᱾ ᱠᱩᱨᱦᱤ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱠᱚ ᱵᱮᱲᱟᱭ ᱛᱟᱨ ᱪᱮᱛᱟᱱ ᱠᱷᱚᱱ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱱ ᱡᱩᱲᱟᱹᱣ ᱠᱟᱱᱟ ᱾ ᱛᱟᱨ ᱠᱚ ᱞᱟᱦᱟ ᱠᱟᱛᱮ ᱴᱷᱤᱠ ᱢᱟᱯ ᱨᱮ ᱠᱟᱴᱟ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ ᱟᱨ ᱡᱩᱲ ᱵᱤᱱᱟ ᱛᱮ ᱵᱟᱸᱜᱟ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱢᱤᱫ ᱛᱤᱸ ᱦᱟᱛ ᱛᱮ ᱵᱟᱸᱜᱟ ᱚᱠᱚᱭ ᱞᱟᱹᱜᱤᱫ ᱦᱚᱬᱚ ᱠᱟᱱᱟ ᱾ ᱠᱨᱚᱢ ᱟᱨ ᱱᱟᱭᱞᱚᱱ ᱨᱮᱭᱟᱜ ᱪᱚᱞᱚᱠ ᱛᱮ ᱠᱩᱨᱦᱤ ᱫᱟᱜ ᱟᱨ ᱦᱟᱴᱟᱹᱣ ᱠᱷᱚᱱ ᱨᱚᱠᱷᱟ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱚᱱᱟᱛᱮ ᱱᱚᱶᱟ ᱵᱟᱦᱨᱮ ᱦᱚᱸ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭᱩᱜ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱾ ᱛᱟᱨ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱵᱟᱹᱲᱛᱤ ᱡᱟᱭᱜᱟ ᱛᱮ ᱦᱟᱞᱠᱟ ᱨᱮᱭᱟᱜ ᱢᱟᱸᱰᱮ ᱮᱢᱚᱜᱼᱟ ᱾ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱵᱟᱲᱟᱭ ᱢᱮᱱᱟᱜ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱱ ᱴᱷᱮᱱ ᱴᱷᱮᱱ ᱴᱮᱴᱟᱸ ᱫᱟᱲᱮᱭᱟᱜ ᱦᱩᱭ ᱡᱟᱭ ᱾ ᱠᱩᱨᱦᱤ ᱨᱮᱭᱟᱜ ᱢᱟᱯ ᱠᱟᱱᱟ ᱫᱚ ᱪᱮᱛᱟᱱ ᱚᱠᱛᱚ ᱢᱤᱞᱤᱢᱤᱴᱟᱨ, ᱚᱛᱠᱟ ᱚᱠᱛᱚ ᱢᱤᱞᱤᱢᱤᱴᱟᱨ ᱟᱨ ᱫᱮᱰ ᱚᱠᱛᱚ ᱢᱤᱞᱤᱢᱤᱴᱟᱨ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Archie ᱠᱩᱨᱦᱤ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Archie ᱠᱩᱨᱦᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The chair gives a strong impression with its unique form which is inspired by Islamic architecture. In particular, the design revives the arches and art of Girih tiles (which relies heavily on geometric patterns) and is adapted to modern life.
The chair can be used for every space and due to the possible variety of patterns, this design has the great potential for mass customization. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Length 520mm, Width 470mm, Height 800 mm
- ᱴᱮᱜ ᱠᱚ
- furniture, chair, wire chair, arch, girih, geometric pattern
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The seat components are made of welded steel wire. The wires are cut in predetermined sizes and must be bent without any heating factor. Some of the chair components are such that bending the wires is not possible by using machines and must be done manually. By adding chrome or rilson (nylon 11) coating to the wires, the chair can be made resistant to moisture and rust, and it is possible to use the chair outdoors.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The design of the chair is mainly dependent on the lines. Therefore, in the design process, it was tried to move the design lines in a way that results in an integrated structure, and finally it is aimed to achieve a new style of wire chairs.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design process began with the review of furniture history and specifically mid-century modern style. In these observations, the characteristic furniture of this period and their features such as simple and clear lines, organic and geometric forms, democratic design were analyzed. Based on this, the wire chair style became the basis of the design. After that, the two architectural elements of arch and girih (strapwork) in Islamic architecture and the girih tiles were studied and further embedded into the project.
- ᱯᱨᱮᱨᱚᱱᱟ
- It was started with the study of the history of wire chairs and the designers who have worked in this field. As the design of wire chairs is highly dependent on the movement of lines, the possibility of using lines inspired by Islamic architecture was explored.
In the product design process, arches and specific geometric patterns have been the source of inspiration which are summarized in Girih. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in January 2021 in Isfahan, Iran and finished in April 2021.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The geometric patterns used in the design of the chair impress the viewer spontaneously. Furthermore, the negative space used in the design of the chair conveys a sense of lightness.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Ahmad Mirjani
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Ahmad Mirjani, 2021.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
