Chen Kuan-Chiao and Wu Wei-Mou ᱨᱮᱱᱟᱜ The Chasing of the Sunlight ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022
The Chasing of the Sunlight ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ
Chen Kuan-Chiao and Wu Wei-Mou ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Reichenlich Interior Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#130559 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The Chasing of the Sunlight ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
"ᱥᱤᱝᱚᱛ ᱠᱷᱚᱡᱟᱣ" ᱮᱱᱟ ᱢᱤᱫ ᱛᱮᱡᱴᱮᱡ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱡᱟᱦᱟᱸ ᱒᱗ ᱪᱚᱠᱚᱨ ᱢᱤᱴᱚᱨ ᱞᱮᱠᱟᱱ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱨᱮ ᱵᱟᱨ ᱮ ᱥᱚᱛᱚᱨ ᱠᱚᱲᱟ ᱟᱨ ᱯᱮ-ᱯᱚᱸ ᱦᱚᱲ ᱞᱟᱹᱜᱤᱫ ᱡᱚᱢ ᱡᱟᱭᱜᱟ ᱢᱮᱱᱟᱜ-ᱟ ᱾ ᱠᱟᱴᱷᱤᱱ ᱨᱮᱠᱷᱟ ᱟᱨ ᱥᱤᱱᱜᱟᱹᱨ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱵᱟᱭ ᱮᱢ ᱞᱮᱱᱟ ᱾ ᱪᱟᱴᱟᱣᱟᱜ, ᱴᱟᱛᱟ ᱟᱨ ᱦᱚᱲᱚ ᱤᱡ ᱛᱟᱦᱮᱸ ᱠᱟᱹᱴᱷᱤ ᱟᱨ ᱯᱷᱚᱨ ᱨᱚᱲᱟᱹ ᱨᱚᱝ ᱛᱮ ᱡᱟᱦᱟᱱ ᱞᱟᱠᱛᱤ ᱛᱮ ᱠᱚᱡᱟᱣ ᱠᱟᱱᱟ ᱰᱟᱶ ᱠᱟᱴᱷᱤ ᱡᱟᱴ ᱛᱮᱭᱟᱜ ᱾ ᱚᱲᱟᱜ ᱥᱤᱛᱤᱞ ᱠᱚ ᱴᱮᱨᱚᱣᱮᱞ ᱠᱚᱱᱠᱨᱤᱴ-ᱮᱯᱷᱮᱠᱴ ᱠᱳᱴᱤᱝ ᱛᱮ ᱦᱮᱸᱰᱮᱭ ᱠᱟᱱᱟ, ᱟᱨ ᱰᱟᱜ-ᱢᱩᱠᱛᱤ ᱠᱟᱹᱴᱷᱤ ᱡᱟᱴ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ ᱾ ᱜᱞᱮᱥ ᱥᱞᱟᱭᱰᱤᱝ ᱰᱚᱨ ᱟᱨ ᱠᱟᱨᱴᱮᱱ ᱠᱚ ᱴᱷᱟᱛᱟ ᱥᱤᱛᱤᱞ ᱯᱟᱲᱚᱢ ᱛᱮ ᱛᱟᱦᱮᱸ ᱦᱚᱸ, ᱟᱴᱮ ᱪᱟᱸᱰᱚ ᱠᱚᱨᱟᱣ ᱠᱟᱴᱷᱤ ᱡᱟᱭᱜᱟ ᱨᱮ ᱥᱤᱝᱚᱛ ᱟᱨ ᱴᱷᱟᱶᱟ ᱩᱛᱟᱹᱲ ᱟᱭ ᱡᱟᱦᱟᱸ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The Chasing of the Sunlight ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Chasing of the Sunlight ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This case is a single-story residential building planning. The actual indoor area is only about 25 square meters. In addition to the essential living functions of a general home, it also needed to meet the owner's expectations: a dining area that can accommodate at least three to four people and two bedrooms.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This space is 27 square meters.
- ᱴᱮᱜ ᱠᱚ
- Interior Design, Residential, House, Space
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The design are constructed all indoor walls with a clear water mold coating trowel and used a waterproof wood floor to match, which has both skin affinity and livable temperature. The chose of the dining table are made of imitation stone system board that is aesthetic, practical, and easy to clean.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The enlarged bathroom has re-built brick wall compartments and strictly waterproofing throughout the area. The classic barn door was installed at the entrance to skillfully transfer the embarrassment of the moving line opening close to the kitchen area. The bathroom was adopted into three-pieces and the instantaneous water heater was placed above the ceiling to actively strive for the optimal utilization of floor efficiency.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design avoided hard partitioning or adding more screens to the entryway area to naturally include into the public domain. In addition, light media such as glass sliding doors and shading curtains are used on both sides to replace the solid wall.
- ᱯᱨᱮᱨᱚᱱᱟ
- Because of the limited space, the design avoided excessive redundant or complex line stacking and pure decorative modeling as far as possible. The outline color between the ceiling, ground, and the wall is mainly composed of introverted and low-key dark and light grayscale and light wood color. While reserving the broader field, also maintained the flexibility of replacing furniture software in the future.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished in Jan. 2021 in Taipei City, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The whole area is roughly open. And even if the glass door closing, vision, light, and shadow can penetrate. Although the kitchen counter area is small, the cooking functions are pretty complete.
The ceiling was not seal with common flat nails, but instead sprayed the whole zone with a black coating to create a sense of rising height. - ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- CHEN,KUAN-CHIAO
WU,WEI-MOU - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photographer : Lin, Fu-Ming
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