ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Sheng-Yuan Chen ᱨᱮᱱᱟᱜ The Moo Office Interior Design

Sheng-Yuan Chen ᱨᱮᱱᱟᱜ The Moo Office Interior Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022

The Moo Office Interior Design

Sheng-Yuan Chen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: The moo

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

7,824

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#130029 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Moo Office Interior Design ᱵᱟᱵᱚᱛ ᱛᱮ

ᱮᱢ ᱴᱟᱭᱣᱟᱱ ᱨᱮ ᱢᱮᱱᱟᱜ ᱠᱚ ᱴᱤᱱ ᱛᱮᱞᱟ ᱠᱮᱴᱚᱵᱤᱱᱮᱴ ᱥᱚᱦᱟᱨᱩᱢ ᱟᱨ ᱚᱯᱷᱤᱥ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱢᱩ (Moo) ᱠᱟᱱᱟ ᱾ ᱥᱮᱴᱮᱨ ᱛᱮᱞᱟ ᱨᱮ ᱨᱤᱥᱮᱯᱥᱚᱱ, ᱵᱟᱨ ᱛᱮᱞᱟ ᱨᱮ ᱚᱯᱷᱤᱥ ᱟᱨ ᱯᱮ ᱛᱮᱞᱟ ᱨᱮ ᱛᱮᱞᱟ ᱨᱮᱟᱜ ᱫᱚ ᱟᱨᱟᱢ ᱡᱟᱭᱜᱟ ᱢᱮᱱᱟᱜᱼᱟ ᱾ ᱦᱚᱲᱚ ᱨᱚᱸᱜ ᱠᱚ ᱴᱮᱞᱟ ᱠᱚ ᱡᱩᱲᱟᱣ ᱠᱮᱫᱟ ᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮᱟᱜ ᱫᱮᱠᱷᱟ ᱜᱟᱲ ᱠᱚ ᱠᱚᱢ ᱠᱮᱫᱟ ᱾ ᱮᱴᱟᱜ ᱴᱮᱞᱟ ᱨᱮᱭᱟᱜ ᱟᱡ ᱟᱡ ᱨᱮᱭᱟᱜ ᱢᱟᱱ ᱢᱮᱱᱟᱜᱼᱟ, ᱡᱩᱭᱫᱤ ᱡᱤᱣᱤᱛ ᱫᱟᱲᱮᱭᱟᱜ ᱠᱷᱚᱱ ᱛᱟᱦᱮᱸ ᱟᱨ ᱚᱲᱟᱜ ᱟᱨ ᱛᱟᱦᱮᱱ ᱛᱟᱸᱦᱮᱸ ᱦᱚᱨᱚ ᱛᱟᱦᱮᱸ ᱥᱮᱫ, ᱡᱟᱦᱟᱸ ᱴᱮᱞᱟ ᱟᱴ ᱨᱮ ᱢᱚᱴᱚᱨ ᱪᱮᱛᱟᱱ ᱫᱚ ᱮᱠᱛᱟ ᱟᱠᱟᱱᱟ ᱾ ᱯᱟᱨᱴᱤᱠᱮᱞ ᱵᱚᱨᱰ, ᱢᱤᱱᱮᱨᱟᱞ ᱫᱟᱜ-ᱫᱟᱨᱟᱢ ᱨᱚᱸᱜ ᱟᱨ ᱥᱴᱚᱱ ᱯᱞᱟᱥᱴᱤᱠ ᱠᱚᱢᱯᱚᱡᱤᱴ ᱠᱟᱴᱷᱮᱡ ᱠᱚ ᱯᱷᱚᱨᱢᱟᱞᱰᱤᱦᱟᱭᱰ ᱟᱨ ᱮᱢᱤᱥᱚᱱ ᱠᱚ ᱠᱚᱢ ᱛᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱫᱼᱟ ᱾ ᱢᱤᱱᱤᱢᱟᱞ ᱟᱲᱟᱸ ᱫᱚ ᱵᱟᱹᱲᱛᱤ ᱰᱮᱴᱮᱞ ᱠᱚ ᱚᱪᱚᱜ ᱫᱚ ᱮᱢᱟᱜᱼᱟ ᱟᱨ ᱠᱟᱹᱢᱤ ᱮᱢ ᱠᱟᱴᱷᱮᱡ ᱠᱚ ᱫᱚᱦᱚ ᱠᱟᱫᱼᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Moo Office Interior Design ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Moo Office Interior Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The space of the three-story building divides the reception and office areas, using wall fusion, and subtracting the three-story space to reduce the depth of the space and the color theme picture.
The space and color performance is the reception on the first floor-homeopathy, the office on the second floor-coordination and stability, and the rest-quiet on the third floor. Realize the sense of hierarchy in the stacked space.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
1F
w500cm x d930cm x h400cm
2F
w500cm x d900cm x h300cm
3F
w500cm x d850cm x h310cm
ᱴᱮᱜ ᱠᱚ
interior design , office , cabinet , open space , simplicity
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
To promote healthy home furnishing, the main materials are particle board, Mineral water-based paint, Stone Plastic Composite flooring. Achieve a healthy space with low formaldehyde and low volatility
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In the same place, on different floors, hope to bring visitors different feelings and at the same time feel harmony.
Under the concept of eclecticism and minimalism, capture elements of different styles and implement simple ideas, remove branches and strengthen the performance of materials, so that the seemingly simple field has the thinking that is expected to be explored.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Furniture and storage are what a living space needs. Since there is a necessary existence, it has the value of ink design. With a simple concept, delete and delete, and design with emphasis on practicability, from points, lines and surfaces, the structure is beautiful
ᱯᱨᱮᱨᱚᱱᱟ
Less is more. A word from Ludwig Mies van der Rohe, showing that the shape changes with the function,
The surface is the skeleton, combining needs and space atmosphere to remove redundant branches and vines. Leaving the practicality with a sense of design makes existence necessary.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
2021/03/01 completed in Taiwan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
This is a store for cabinet design and sales. The main customer group is for the needs of the home. Through the creation of a home atmosphere, it is intended to trigger the desire of customers to order and purchase. Through the configuration of the space, visitors can have the imagination and expectation of the home.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
designer:CHEN SHENG YUAN
designer:HUANG TZU TING
designer:LIU CHIA FA
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
PHOTO,DESIGN : CHEN SHENG YUAN

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ