ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Alan Wong and Yi Leung ᱨᱮᱱᱟᱜ Longwan Three Realms ᱵᱤᱠᱨᱤ ᱠᱮᱸᱫᱽᱨᱚ

Alan Wong and Yi Leung ᱨᱮᱱᱟᱜ Longwan Three Realms ᱵᱤᱠᱨᱤ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2022

Longwan Three Realms ᱵᱤᱠᱨᱤ ᱠᱮᱸᱫᱽᱨᱚ

Alan Wong and Yi Leung ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: 7points Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#127253 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Longwan Three Realms ᱵᱤᱠᱨᱤ ᱠᱮᱸᱫᱽᱨᱚ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱞᱚᱝ�already... ᱞᱚᱝ�already ᱛᱷᱮᱨᱤ ᱨᱤᱭᱟᱹᱞᱥ ᱫᱚ ᱴᱷᱮᱱ ৪৮০ ᱵᱟᱨ�externa ᱢᱤᱴᱟᱨ ᱨᱮᱭᱟᱜ ᱵᱤᱠᱨᱤ ᱠᱮᱸᱫᱽᱨᱚ ᱠᱟᱱᱟ ᱾ ᱞᱮᱭ-ᱟᱩᱴ ᱫᱚ ᱠᱟᱹᱢᱤ ᱡᱟᱭᱜᱟ ᱟᱞᱜᱟ ᱮᱢ ᱟᱨ ᱦᱤᱰᱤᱸᱜᱤᱡ ᱠᱚ ᱫᱟᱨᱤ ᱞᱟᱹᱜᱤᱫ ᱪᱚᱞᱟᱣ ᱦᱚᱨ ᱠᱚ ᱵᱮᱵᱷᱟᱨᱮᱫᱟ ᱾ ᱢᱤᱫ ᱠᱚᱥᱴᱟᱢ ᱥᱟᱦᱴᱟᱭ ᱜᱨᱤᱞ ᱥᱤᱥᱴᱟᱢ ᱫᱚ ᱡᱟᱭᱜᱟ ᱠᱚ ᱜᱷᱮᱨᱟᱣᱮᱫ ᱨᱮᱦᱚᱸ ᱟᱭᱢᱟ ᱛᱮ ᱮᱦᱚᱵ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ, ᱟᱨ ᱟᱨᱡᱤ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱴᱷᱟᱢ ᱛᱷᱟᱣᱠᱟᱹ ᱫᱚᱦᱚᱭᱮᱫᱟ ᱟᱨ ᱥᱮᱞᱮᱫ ᱡᱤᱱᱤᱥ ᱠᱚ ᱠᱚᱢᱮᱭᱮᱫᱟ ᱾ ᱛᱮᱭᱟᱹᱨ ᱜᱩᱱ ᱛᱮ ᱵᱷᱚᱨᱛᱤ ᱢᱟᱞ ᱠᱚ ᱥᱟᱢᱟᱝ ᱟᱨ ᱡᱚᱲᱟᱣ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱧᱮᱞ, ᱡᱩᱛ ᱟᱨ ᱥᱚᱸ ᱠᱚ ᱮᱦᱚᱵᱮᱫᱟ ᱾ ᱨᱮᱸᱜᱮᱡ ᱫᱷᱤᱨᱤ ᱢᱚᱡᱟᱭᱤᱠ ᱚᱛᱚ ᱫᱚ ᱫᱷᱤᱨᱤ ᱟᱫᱟᱜ ᱫᱚ ᱫᱚᱦᱲᱟ ᱵᱮᱵᱷᱟᱨᱮᱫᱟ ᱟᱨ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱢᱟᱨᱵᱚᱞ ᱟᱨ ᱴᱟᱭᱤᱞ ᱨᱮᱭᱟᱜ ᱨᱟᱹᱲᱤᱡ ᱟᱛᱮᱫ ᱫᱚ ᱵᱟᱰᱟᱭᱮᱫᱟ ᱾ ᱠᱚᱞᱟ ᱛᱮᱭᱟᱹᱨ ᱠᱚ ᱫᱚ ᱯᱟᱞᱯ ᱛᱮ ᱛᱮᱭᱟᱹᱨᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚᱦᱲᱟ ᱵᱮᱵᱷᱟᱨ ᱟᱨ ᱟᱹᱴᱤᱡ ᱥᱟᱦᱴᱟ ᱫᱟᱲᱮᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱟᱱᱟ ᱾ ᱱᱟᱣᱟ ᱫᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱥᱟᱱᱛᱤ ᱟᱨ ᱵᱷᱟᱞ ᱟᱛᱮᱫ ᱮᱢ ᱨᱮᱭᱟᱜ ᱩᱫᱩᱜ ᱠᱟᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Longwan Three Realms ᱵᱤᱠᱨᱤ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Longwan Three Realms ᱵᱤᱠᱨᱤ ᱠᱮᱸᱫᱽᱨᱚ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Designer has no intention to contribute to creating fantasy, selling anxiety, and strengthening involution. What they are thinking about is how to convey positive and soothing emotional power through space. For example: "As long as continue to improve, life will eventually show its infinite possibilities." And like: closeness, determination, tranquility, elegance, extension, upward, and enlightening abstract vocabulary are the keywords for design.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Project area: 480 square meters.
ᱴᱮᱜ ᱠᱚ
Pulp, The environmental protection, Recyclability, Plasticity, Tranquility
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The mutual harmony, layering and echoing of different materials provide guidance for the slow release, rise and circulation of emotions. In this project, a large number of materials and textures with natural affinity and vitality are selected to awaken the rich experience of perception, touch, smell and other senses. For example, as the representative of the reuse of stone waste-the crushed stone mosaic floor, it is different from the cold feeling of standard marble or ceramic tiles.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
It is particularly worth mentioning that many of the art installations in this project have adopted the new material "pulp". The environmental protection, recyclability, plasticity, and even the sense of literature and art of pulp are worthy of favor, but it also brings unpredictable variables, and these are also real-time problems that designers need to control and solve.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The use of moving lines to divide functional areas and guide paths is the most appropriate method in a sales center project. However, the design of moving lines must also deal with the balance between openness and privacy, closeness and distance. What is more important is the question of scale based on human measurement. Because different scales will trigger different emotional cognitions, the scale of this project is expressed in the familiarity of the subtle residential scale. For example, the large wooden grille system customized by the designers for this project has become the solution to this problem.
ᱯᱨᱮᱨᱚᱱᱟ
The name of the Longwan "Three Realms" project is derived from the poetry Wang Guowei's work "Poetic Remarks on the Human World": "From ancient times to the present, people who can achieve great careers or become a scholar must undergo three levels of cultivation." The location of this project is a place with high-quality educational resources in the city, and the target customers is also middle-class and above families with strong educational needs.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Client: Longwan Real Estate
Finish Date: February, 2021
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The heavy wooden volume satisfies the enclosing function of the wall, and at the same time has sufficient permeability. This not only solves the problem of retaining the original building frame and reducing additional items, but also brings a new plasticity of the efficiency and temperament of the functional space. Where to stretch? Where to transition? Where to extend? Where is the function important? Where to lay out the vision? These degrees of freedom have been greatly expanded.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Alan Wong and Yi Leung
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photography Credit: Xingjie Space Photography Studio

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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