Maxim Kashin ᱨᱮᱱᱟᱜ Golden Mile ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱢᱚᱬᱮ ᱥᱟᱡᱟᱣ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2022
Golden Mile ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱢᱚᱬᱮ ᱥᱟᱡᱟᱣ
Maxim Kashin ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Maxim Kashin
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#123232 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Golden Mile ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱢᱚᱬᱮ ᱥᱟᱡᱟᱣ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱜᱚᱞᱰᱮᱱ ᱢᱟᱭᱤᱞ ᱢᱚᱥᱠᱚ, ᱨᱩᱥᱤᱭᱟ ᱨᱮ ᱛᱟᱦᱮᱸᱱ ᱟᱠᱟᱱ 70 ᱵᱚᱨ�featuring ᱢᱤᱴᱟᱨ ᱠᱷᱚᱱ ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱢᱚᱬᱮ ᱥᱟᱡᱟᱣ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱵᱷᱤᱛᱨᱤ ᱥᱟᱡᱟᱣ ᱥᱩᱯᱨᱤᱢᱟᱴᱤᱡᱚᱢ ᱟᱨ ᱟᱭᱢᱟ ᱯᱮ ᱚᱠᱛᱚ ᱠᱳᱣᱟᱨ ᱡᱟᱨᱚᱥ ᱪᱮᱛᱟᱱ ᱠᱟᱱᱟ ᱟᱨ ᱟᱭᱢᱟ ᱛᱤᱱ ᱠᱚ ᱡᱚᱛᱚ- ᱠᱟᱲᱟᱸ, ᱨᱚᱸᱜ ᱟᱨ ᱯᱩᱱᱰᱤ ᱨᱮᱭᱟᱜ ᱾ ᱯᱩᱱᱰᱤ ᱨᱚᱚᱜ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱨᱮ ᱯᱮᱲᱟᱣ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱟᱭᱢᱟ ᱫᱟᱭᱟ ᱨᱮᱭᱟᱜ ᱡᱤᱚᱢᱮᱴᱨᱤᱠ ᱵᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱾ ᱞᱟᱭᱤᱱ ᱢᱮᱴᱟᱞ ᱥᱠᱟᱞᱯᱪᱚᱨ ᱠᱚ ᱢᱩᱲᱩᱛ ᱮᱞᱤᱢᱮᱱᱴ ᱠᱚ ᱨᱮᱭᱟᱜ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱯᱩᱱ ᱡᱤᱚᱢᱮᱴᱨᱤᱠ ᱯᱞᱮᱱ ᱠᱚ ᱡᱩᱲᱟᱣ ᱠᱟᱱᱟ ᱟᱨ ᱛᱨᱤᱰᱟᱭᱢᱮᱱᱥᱚᱱᱟᱞ ᱠᱚᱢᱯᱚᱡᱤᱥᱚᱱ ᱨᱮ ᱡᱩᱲᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱢᱮᱴᱮᱨᱤᱭᱟᱞ ᱨᱮ ᱥᱴᱤᱞ, ᱢᱟᱨᱵᱮᱞ, ᱫᱟᱨᱩ, ᱮᱢ.ᱰᱤ.ᱮᱯ ᱵᱚᱰᱰ ᱟᱨ ᱯᱷᱮᱠ ᱥᱩᱮᱰ ᱢᱮᱱᱟᱜ ᱠᱟᱱᱟ ᱾ ᱥᱴᱤᱞ ᱮᱞᱤᱢᱮᱱᱴ, ᱡᱟᱦᱟᱸ ᱨᱮ 250 ᱠᱤᱞᱚᱜᱨᱟᱢ ᱛᱚᱲᱚᱢ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱱᱟ, ᱮᱴᱟᱜ ᱨᱮᱭᱟᱜ ᱨᱤᱱᱯᱷᱚᱨᱥᱚᱰ ᱠᱚᱱᱠᱨᱤᱴ ᱨᱮᱭᱟᱜ ᱪᱚᱴ ᱨᱮ ᱡᱚᱴᱚᱜ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Golden Mile ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱢᱚᱬᱮ ᱥᱟᱡᱟᱣ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Golden Mile ᱚᱲᱟᱜ ᱡᱟᱭᱜᱟ ᱢᱚᱬᱮ ᱥᱟᱡᱟᱣ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- White color, the color of endless space in the supremacist paintings, has evolved in the interior, creating a geometric volume of the whole space. It is self sufficient and also is a background for the interior s main elements geometric dominating sculptures. Thus, this interior is a white background for the linear geometric metal sculptures, consisting of the simple geometry planes, connecting in the three-dimensional monumental compositions.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 70 square meters
- ᱴᱮᱜ ᱠᱚ
- suprematism, colour, installation, neon, marble, interior
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Tools: 3D modelling before realization. Materials used during construction: steel, marble, wood, mdf boards, faux suede.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The creative challenge was in installing the metallic construction in the ceiling of the apartment. Its weight is 250 kg. Firstly we created a model on the computer and then produced the steel sheets, the most challenging was to find a way how to install it securely into the ceiling. We succeeded by going really deep into the floor of an upstairs apartment and attaching it to a reinforced concrete floor.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Suprematism has three steps of black, colour, and white. The first one – a square and basic shapes: circle, line, cross. Second – complicated suprematist compositions. The third one is white on white. The following works of Kazemir Malevich are clear examples of these steps – Black Square, Supremus№56, The White Cross. In the interior concept I wanted to connect these three stages of the 20th century’s popular Russian avant-garde art movement development by creating the three-dimensional installation, the interior, that is submerging one’s into the world of the endless white space, colour and geometry.
- ᱯᱨᱮᱨᱚᱱᱟ
- Inspired by suprematism, I aimed to create the three dimensional installation, the interior, that is submerging one s into the world of endless white space, color and geometry. The main idea of suprematism (from Latin supremes highest) is based on the superiority of pure geometry and colour over the existing perception of forms and space.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project was started in 2019 and finished in 2020. The location is Moscow, Russia
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This is an apartment interior design, that is created in a way providing an immersive experience for the owner and their guests. Its meaning is conceptual and emotional.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Maxim Kashin.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Lead architect: Maxim Kashin
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer Dmitry Chebanenko, Golden Mile, 2020.
Image #2: Photographer Dmitry Chebanenko, Golden Mile, 2020.
Image #3: Photographer Dmitry Chebanenko, Golden Mile, 2020.
Image #4: Photographer Dmitry Chebanenko, Golden Mile, 2020.
Image #5: Photographer Dmitry Chebanenko, Golden Mile, 2020.
Video credits: Bricktake Production, Golden Mile, 2020.
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