Weimo Feng ᱨᱮᱱᱟᱜ Jiangcheng Art ᱵᱤᱠᱨᱤ ᱠᱮᱱᱫᱨᱚ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2021
Jiangcheng Art ᱵᱤᱠᱨᱤ ᱠᱮᱱᱫᱨᱚ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Weimo Feng ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Mod
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#120801 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Jiangcheng Art ᱵᱤᱠᱨᱤ ᱠᱮᱱᱫᱨᱚ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱡᱤᱭᱟᱝᱪᱮᱝ ᱟᱨᱴ ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱪᱚᱝᱠᱤᱝ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱵᱤᱠᱨᱤ ᱠᱮᱱᱫᱨᱚ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ 7000 ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱡᱟᱭᱜᱟ ᱦᱟᱵᱤᱡ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱩᱨᱩ ᱱᱟᱜᱟᱨ ᱨᱮᱱᱟᱜ ᱛᱚᱛᱷᱟ ᱛᱚᱛᱷᱟ ᱚᱛᱱᱚ ᱦᱚᱨ ᱮ ᱯᱟᱸᱡᱟ ᱮᱫᱟ, ᱡᱟᱦᱟᱸᱨᱮ ᱜᱟᱰᱟ ᱟᱨ ᱰᱷᱟᱞᱩ ᱠᱚ ᱢᱤᱫ ᱱᱤᱢᱩᱱᱟ ᱠᱚ ᱛᱮᱭᱟᱨᱟ ᱡᱟᱦᱟᱸ ᱵᱮᱛᱷᱟᱵᱮᱛᱷᱤ ᱧᱮᱞᱚᱜ ᱠᱟᱱ ᱨᱮᱦᱚᱸ ᱥᱟᱡᱟᱣ ᱛᱮᱜᱮ ᱛᱟᱦᱮᱸᱱᱟ᱾ ᱯᱨᱚᱠᱨᱤᱛᱤ ᱨᱮᱱᱟᱜ ᱴᱮᱨᱮᱥ ᱠᱚ ᱢᱟᱨᱟᱝ ᱥᱤᱲᱷᱤ ᱞᱟᱹᱜᱤᱫ ᱯᱨᱮᱨᱚᱬᱟ ᱠᱚ ᱮᱢᱟᱫᱟ, ᱡᱟᱦᱟᱸ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱛᱚᱞᱟ ᱠᱚ ᱡᱚᱲᱟᱣᱟᱭ᱾ ᱡᱤᱱᱤᱥ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱟᱭᱱᱟ ᱥᱴᱮᱱᱞᱮᱥ ᱥᱴᱤᱞ, ᱥᱤᱢᱮᱱᱴ ᱫᱷᱤᱨᱤ, ᱮᱞᱩᱢᱤᱱᱤᱭᱚᱢ ᱮᱞᱚᱭ ᱯᱨᱚᱯᱷᱟᱭᱤᱞ, ᱥᱠᱮᱞᱮᱴᱚᱱᱟᱭᱤᱡᱰ ᱫᱷᱤᱨᱤ ᱟᱨ ᱤᱠᱚ-ᱯᱷᱚᱢ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱢᱟᱨᱥᱟᱞ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱵᱚᱫᱚᱞᱚᱜ ᱠᱟᱱ ᱡᱚᱨ ᱛᱮ ᱯᱟᱨᱚᱢᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱛᱟᱲᱟᱢ ᱨᱚᱦᱚᱲ ᱟᱨ ᱜᱚᱦᱤᱨ ᱛᱮᱭᱟᱨᱚᱜᱼᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Jiangcheng Art ᱵᱤᱠᱨᱤ ᱠᱮᱱᱫᱨᱚ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Jiangcheng Art ᱵᱤᱠᱨᱤ ᱠᱮᱱᱫᱨᱚ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The state of Chongqing is to grow slowly, this subtle "restraint" creates an oriental mood that carries a more trans-border, balanced, universal experience. Surrounded by the two rivers, the undulating topography creates a seemingly disorderly, actually orderly; seemingly messy, actually rhythmic style, the project continues the landscape urban pattern, landscape artistic conception, the concept into design elements.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Design area: 7000 square meters
- ᱴᱮᱜ ᱠᱚ
- Heavy Mountain - Lobby, Cloud - Observation Deck, Water - Restaurant, Sunny Forest - Pool
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Mirror stainless steel, cement stone, aluminum alloy profile, skeletonized stone, manu art, eco-foam
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The overall space is based on the three-dimensional beauty of the mountain city as the main concept, and the unique characteristics of the region are used to search for humanities, ideas and even those spiritual attributes that are hidden or disappearing.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Through the concept of "micro-city", we extract the natural and urban elements, the natural growth design method, and integrate the natural and urban life fragments to extend different functional spaces, we divide the space into two main themes - nature and humanities - along the growth direction of the mother skin, shaping the space through natural terrain, and enhancing the feeling of space with cultural atmosphere.
- ᱯᱨᱮᱨᱚᱱᱟ
- The mountain is the city, the city is the mountain, the city is built in the mountain, the water is worn in the city. Chongqing has a more wrinkled, three-dimensional, and sunken sense than other cities, and its landscape has condensed its style and spirit. Surrounded by two rivers, the undulating terrain creates a seemingly disorderly, but actually orderly, seemingly chaotic, but actually rhythmic landscape.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in November 2018 in Chongqing and finished in September 2020 in Chongqing.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The overall space takes the three-dimensional beauty of the mountain city as the main concept, and introduces the natural terraces into the design of the Grand Staircase to enrich the characteristics of the region. The presence of light makes the space be perceived, it travels through the space in different states, and its intensity changes create different rhythms, rhythms and levels in the space, creating a different artistic sensation.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photographer:Boris Shiu
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
