Weimo Feng ᱨᱮᱱᱟᱜ Bihai Yinhu ᱟᱹᱠᱷᱨᱤᱧ ᱛᱟᱞᱢᱟ (ᱥᱮᱞᱥ ᱥᱮᱱᱴᱟᱨ) ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2021
Bihai Yinhu ᱟᱹᱠᱷᱨᱤᱧ ᱛᱟᱞᱢᱟ (ᱥᱮᱞᱥ ᱥᱮᱱᱴᱟᱨ)
Weimo Feng ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Mod
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#120791 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Bihai Yinhu ᱟᱹᱠᱷᱨᱤᱧ ᱛᱟᱞᱢᱟ (ᱥᱮᱞᱥ ᱥᱮᱱᱴᱟᱨ) ᱵᱟᱵᱚᱛ ᱛᱮ
ᱵᱤᱦᱟᱭ ᱭᱤᱱᱦᱩ ᱫᱚ ᱜᱩᱣᱟᱝᱰᱚᱝ ᱨᱮᱭᱟᱜ ᱡᱤᱭᱟᱝᱢᱮᱱ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱟᱹᱠᱷᱨᱤᱧ ᱛᱟᱞᱢᱟ ᱠᱟᱱᱟ, ᱚᱠᱟᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱡᱟᱭᱜᱟ ᱫᱚ ᱒᱐᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱟᱨ ᱠᱟᱱᱟ᱾ ᱜᱟᱩᱥᱤᱭᱟᱱ ᱠᱳᱚᱨᱰᱤᱱᱮᱴ ᱜᱟᱨ ᱠᱚ ᱫᱚ ᱢᱩᱬᱩᱛ ᱱᱟᱠᱥᱟ ᱠᱚ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱫᱟ, ᱟᱨ ᱞᱮᱥᱮᱨ ᱠᱚᱬᱟ ᱠᱚ ᱫᱚ ᱞᱚᱲᱟ ᱵᱟᱸᱠᱟ ᱜᱟᱨ ᱛᱮ ᱵᱚᱫᱚᱞ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱯᱞᱟᱱ ᱡᱩᱲᱩ ᱵᱟᱨ ᱵᱟᱨ ᱩᱫᱩᱜᱚᱜ ᱠᱟᱱᱟ᱾ ᱮᱨᱮ ᱥᱟᱡᱟᱣ ᱪᱷᱟᱫ (ᱥᱤᱞᱤᱝ) ᱥᱟᱶᱛᱮ ᱞᱟᱭᱱᱟᱨ ᱢᱟᱨᱥᱟᱞ ᱢᱮᱥᱟ ᱠᱟᱛᱮ ᱛᱮᱨᱛᱮ ᱛᱮᱨᱛᱮᱭᱟᱜ ᱦᱩᱰᱟᱹᱜ ᱠᱮᱴᱮᱡ ᱟᱠᱟᱱᱟ᱾ ᱟᱫᱷᱟ-ᱧᱮᱞᱚᱜ ᱮᱠᱨᱤᱞᱤᱠ ᱨᱮ ᱢᱟᱨᱥᱟᱞ ᱮᱢ ᱠᱟᱛᱮ ᱚᱲᱟᱜ ᱠᱚᱣᱟᱜ ᱟᱴᱚᱯ ᱞᱟᱹᱴᱩ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱡᱤᱱᱤᱥ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱠᱟᱴ ᱡᱤᱣᱟᱥᱢᱟ (ᱣᱩᱰᱮᱱ ᱯᱷᱚᱥᱤᱞ), ᱠᱟᱴ ᱰᱚᱨᱟ ᱴᱨᱟᱱᱥᱯᱷᱟᱨ ᱮᱞᱩᱢᱤᱱᱤᱭᱟᱢ ᱯᱞᱮᱴ, ᱴᱮᱨᱟᱡᱚ ᱟᱨ ᱮᱠᱨᱤᱞᱤᱠ ᱢᱮᱱᱟᱜᱼᱟ, ᱟᱨ ᱠᱞᱟᱭᱤᱱ ᱵᱞᱩ ᱨᱚᱝ ᱫᱚ ᱟᱹᱰᱤ ᱩᱛᱷᱱᱟᱹᱣ ᱨᱚᱝ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Bihai Yinhu ᱟᱹᱠᱷᱨᱤᱧ ᱛᱟᱞᱢᱟ (ᱥᱮᱞᱥ ᱥᱮᱱᱴᱟᱨ) ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Bihai Yinhu ᱟᱹᱠᱷᱨᱤᱧ ᱛᱟᱞᱢᱟ (ᱥᱮᱞᱥ ᱥᱮᱱᱴᱟᱨ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The project is located on a scarce urban plot of land, the nature of which defines its character and essence, creating a temple of divine elegance, from the design of the interior hard furnishings to the design and implementation of the interior soft furnishings, in high harmony with the building, ensuring the integrity of the interior and exterior implementation of the project.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Design area: 2000 square meters
- ᱴᱮᱜ ᱠᱚ
- Sacred, noble and elegant, exquisite and warm, dream, paradise
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Wooden fossil, aluminum plate, Arsenal gray, aluminum plate transfer wood grain, acrylic, terrazzo
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- In terms of design, how to break through the limited space in the traditional store, deal with the relationship between storey height and vacant space, and create a high-quality, situational experience on the basis of modern. This is the challenge point of this design, and the main challenge in the construction lies in the production of special-shaped metal.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Sequence, repetition, extension, symmetry, is the reflection of space.
"Light" is the carrier of connecting nature and room, the gift of nature and the yearning of design, and the important factor of human perception. A semi transparent acrylic is illuminated by a light, with infinite repetition and continuity. It outlines the immeasurable scale of space, which is both hidden and open. - ᱯᱨᱮᱨᱚᱱᱟ
- The last scarce resource in Silver Lake Bay, where the land stops and the sea begins.
Rather than a sales office, it is a "place" where people and the building or even the environment have emotions. The spatial language with a strong sense of sequence is the space that speaks to people.
The design is interpreted by the "spirit of place" in architectural phenomenology, when people live poetically, with the vision of poetry and distant places, creating a holy and dreamy art temple. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in November 2019 in Jiangmen and finished in June 2020 in Guangdong.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The Gaussian coordinate lines were used as the prototype and adjusted, the sharp corners were replaced by gentle curved corners, repeated and arranged to integrate the beauty of mathematics in the design, the ceiling array shape combined with line lighting to make the sense of sequence more strongly reflected in the space, in order to fit the local environment, the elements used the rock layer, and the color "Klein Blue" was boldly chosen to reflect the ultimate pure atmosphere.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photographer: Liu Lei
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
