Fu Chu Hsu ᱨᱮᱱᱟᱜ Teal Sea ᱵᱟᱦᱟᱹᱨ ᱡᱟᱭᱜᱟ ᱰᱤᱡᱟᱭᱤᱱ

Fu Chu Hsu ᱨᱮᱱᱟᱜ Teal Sea ᱵᱟᱦᱟᱹᱨ ᱡᱟᱭᱜᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱞᱚᱦᱟᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ· 2021

Teal Sea ᱵᱟᱦᱟᱹᱨ ᱡᱟᱭᱜᱟ ᱰᱤᱡᱟᱭᱤᱱ

Fu Chu Hsu ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: G Design

ᱵᱷᱩᱫᱨᱤᱥᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#119986 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Teal Sea ᱵᱟᱦᱟᱹᱨ ᱡᱟᱭᱜᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱛᱤᱭᱩᱞ ᱥᱮᱭᱟ ᱛᱟᱭᱸᱡᱩᱰ, ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱵᱟᱥᱟ ᱠᱚᱴᱷᱤ ᱵᱟᱸᱰᱨᱟᱹ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱵᱟᱦᱟᱹᱨ ᱡᱟᱭᱜᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟᱭ ᱾ ᱱᱚᱶᱟ ᱡᱟᱭᱜᱟ ᱪᱮᱛᱟᱱ 4200 ᱥᱠᱣᱮᱨ ᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ ᱟᱨ ᱣᱮᱱ-ᱥᱤᱱ ᱵᱤᱨ ᱯᱟᱨᱠ ᱛᱮ ᱢᱩᱠᱷ ᱠᱟᱱᱟ ᱾ ᱚᱲᱟᱜ ᱠᱚᱨᱮᱭᱟᱜ ᱞᱮᱠᱟᱱ ᱠᱚ ᱠᱚᱢ ᱟᱠᱟᱱᱟ ᱛᱟᱦᱮᱸᱱ ᱫᱚ 60 ᱯᱚᱨᱥᱮᱸᱴ ᱦᱚᱲ ᱫᱚ ᱯᱟᱨᱠ ᱦᱟᱨᱭᱟᱹᱲ ᱡᱟᱭᱜᱟ ᱛᱟᱭᱚᱢ ᱠᱷᱩᱞᱟ ᱡᱟᱭᱜᱟ ᱞᱮᱠᱟ ᱮᱢ ᱦᱚᱪᱚᱭᱮᱱᱟ ᱾ ᱫᱟᱜ ᱵᱚᱦᱚᱜ, ᱫᱚᱦᱲᱟ ᱫᱚᱦᱲᱟ ᱥᱟᱦᱟᱸ ᱚᱲᱟᱜ, ᱢᱟᱨᱟᱝ ᱫᱟᱨᱮ ᱠᱚ ᱟᱨ ᱢᱤᱫ ᱦᱩᱰᱤᱧ ᱠᱟᱹᱴᱷᱟ ᱫᱚ ᱧᱮᱞ ᱟᱨ ᱦᱟᱸᱴᱟ ᱪᱟᱞᱟᱜ ᱦᱚᱨ ᱫᱚ ᱯᱟᱛᱷᱮᱛ ᱮᱢᱟᱭ ᱟᱠᱟᱱᱟ ᱾ ᱟᱭᱢᱟ ᱟᱠᱟᱨ ᱫᱚᱦᱲᱟ ᱫᱚᱦᱲᱟ ᱦᱤᱨᱟ ᱞᱮᱠᱟᱱ ᱞᱚᱦᱟ ᱛᱮ ᱵᱮᱱᱟᱣ ᱠᱟᱱ ᱢᱤᱫ ᱦᱟᱛᱤᱭᱟᱹᱨᱴᱮ ᱠᱟᱹᱢᱤ ᱫᱚ ᱦᱟᱸᱴᱟ ᱠᱩᱫᱤ ᱟᱠᱚᱴᱚᱨ ᱨᱮ ᱪᱤᱱᱦᱟᱹ ᱮᱢᱟᱭ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱡᱮᱠᱴ ᱫᱚ ᱰᱤᱥᱮᱢᱵᱚᱨ 2019 ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱦᱩᱭ ᱮᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Teal Sea ᱵᱟᱦᱟᱹᱨ ᱡᱟᱭᱜᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Teal Sea ᱵᱟᱦᱟᱹᱨ ᱡᱟᱭᱜᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: Facing the first row of the forest park, the volumetric configuration of the three high-rise buildings with the largest indoor area was abandoned during the building volume plan, and 60% of the land was released as open space, adjacent to the park green space, and expanded the urban ecological island-hopping benefit.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: The project is 4200 square meter.
ᱴᱮᱜ ᱠᱚ: Landscape, Garden Design, Design, Space, Planning
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: Throughout the entire project, nearly 70% of the entire site’s land is released for greening and public use. The overall street corner landscape space is opened to make the field of vision broad clear. The park will guide the view and the flowing water will flow through, which is both open and fun. The courtyard traveling tours are no longer just inward self-appreciation and a contribute to the urban ecological connection.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: On the corner of the street welcoming the park and the crowds of large-scale IKEA, the wide square center is a public artwork composed of multi-faceted diamond-shaped metal. The anti-colored metal on the ground reflects the colorful paintings on the carvings, and the colorful changes in the daytime are like a kaleidoscope.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Using the method of turning the line of sight to guide, the multi-layered forest belt with winding water and clusters allows the passerby to experience the curved water across the small bridge, with the natural hearing of the stream, meet the old trees lying on the river, and walk into the building colonnade spaces such as, interiors are interconnected and borrowed from the scene, highlighting the level of green landscape and the distinctive sense of design, with the humanistic and artistic life as the overall feature, making the courtyard landscape and forest park dialogue and scene interweaving.
ᱯᱨᱮᱨᱚᱱᱟ: 1617 is 1,600 days of careful construction.
1617 is 10% of land, 60% of life, and 70% of public welfare. Wen-Xin Forest Park is in the Taichung Civic Center dedicated area, just like the significance of Central Park to New York City.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project finished in December 2019 in Taichung, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The subtropical climate in Taiwan is the most suitable south-facing residential unit, where each household faces the park’s large green space and comfortable microclimate. With such a land mass allocation strategy and landscape courtyard garden design techniques, it creates a win-win situation of urban architectural development, residential life microclimate adjustment and urban ecological quality optimization.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Designer: Fu-Chu Hsu
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1-5: Photographer Chi-Min Wu, Teal Sea, 2019.